Yesterday, as we dug in the Bubbling Under section of the Billboard Hot 100 released August 23, 1969, we pulled out Henry Mancini’s truncated version of Beethoven’s “Moonlight Sonata.” At the same time, we ran across five other records in that Bubbling Under section that seemed worth notice, if not exactly deserving of more attention than they got forty-five years ago.
The New Colony Six kind of baffles me. They had two medium-sized hits – “I Will Always Think About You” (No. 22) and “Things I’d Like To Say” (No. 16) – in 1968, but I have no recollection from the time of having ever heard the records or having even heard of the group. Admittedly, I wasn’t listening to Top 40 very avidly in 1968, but it was all around me, and most records of the time were familiar to me in later years when I finally was catching up. So I was a little taken aback in the early 1970s when a couple of college friends sang the praises of the group and I had no clue what they were talking about. Ah, well, I’ve been clueless plenty of other times in this life, too, so we’ll just note that the New Colony Six’s “I Want You To Know” was parked at No. 105 during this week in August 1969; it would eventually climb to No. 65.
Just below that, at No. 106, the Isley Brothers were offering the world the notion that “the blacker the berry, the sweeter the juice.” The thundering, almost lumbering “Black Berries – Pt. 1” was ostensibly about life in the berry patch as the Isleys grew up in Cincinnati, but the just-naughty-enough tagline was perfect for an era during which racial attitudes and sexual mores were changing rapidly and becoming suitable topics for (slyly coded) pieces of pop culture. The record made it to No. 79, one of more than fifty records the Isleys – in various combinations – put in or near the Hot 100 between 1959 and 2004.
As I noted a couple of years ago, Marva Whitney was a soul/R&B singer from Kansas City, Kansas, who toured between 1967 and 1970 as a featured performer in the James Brown Review. She recorded a fair number of singles during that time and on into the 1970s, with most of them released on the King label. Earlier in 1969, the Brown-produced “It’s My Thing (You Can’t Tell Me Who To Sock It To),” an answer record to the Isleys’ “It’s Your Thing,” went to No. 82 (No. 19, R&B). In late August, “Things Got To Get Better (Get Together)” – also a Brown production – was sitting at No. 112; it would move up only two more spots, but it would get to No. 22 on the R&B chart.
By August 1969, Herb Alpert & The Tijuana Brass had not had a Top 40 hit since “A Banda” went to No. 35 in September 1967. (“This Guy’s In Love With You,” which went to No. 1 in the spring of 1968, was credited to Alpert alone.) And a summer 1969 cover of the Beatles’ “Ob-La-Di, Ob-La-Da” didn’t do it for Alpert and his men. The record, which was sitting at No. 118 forty-five years ago this week, isn’t all that great and actually seems kind of joyless, which to me is the antithesis of the best TJB records. It would spend one more week at No. 118 and then go away for good.
In the spring of 1969, long-time band leader and arranger Dick Hyman had a mild hit (No. 38) with “The Minotaur,” a synthesizer piece credited to “Dick Hyman & His Electric Eclectics.” The record was three minutes of the kind of noodling that ends Emerson, Lake & Palmer’s 1970 single, “Lucky Man.” Hyman stayed with the synthesizer as the summer came on, releasing the album The Age Of Electronicus, from which he offered “Aquarius” as a single, which was okay, if you like a healthy dose of R2-D2 with your music. Forty-five years ago this week, Hyman’s “Aquarius” was at No. 126. It got no higher.