Archive for the ‘Survey Digging’ Category

At Home With The Radio: 1981

Wednesday, January 13th, 2021

I’ve noted here on occasion that during the times when I was a reporter in Monticello – November 1977 into August 1983 – there were numerous Saturday evenings when the Other Half and I turned off the TV and let KSTP-FM keep us company from the Twin Cities.

Here’s some of what we would have heard had we spent an evening like that forty years ago this week. Courtesy of the Airheads Radio Survey Archive, this is the Top Ten from KSTP-FM released January 13, 1981, forty years ago today:

“(Just Like) Starting Over” by John Lennon
“The Tide Is High” by Blondie
“Every Woman In The World” by Air Supply
“Hey Nineteen” by Steely Dan
“Love On The Rocks” by Neil Diamond
“I Love A Rainy Night” by Eddie Rabbitt
“Never Be The Same” by Christopher Cross
“I Made It Through The Rain” by Barry Manilow
“It’s My Turn” by Diana Ross
“Suddenly” by Olivia Newton-John & Cliff Richard

That likely would have been one of those evenings when – thirty minutes in – one of us would have turned to the other and said, “Some good music tonight,” and the other would have murmured “Yeah, there is,” while involved in a Stephen King novel (me) or a crafting project (her).

But how does that set play forty years later? I admit I had to duck out to YouTube to refresh my memories of two of those – the Newton-John/Richard record and the Cross single. The first is okay, carrying reminders of the indigestible movie Xanadu, and the second is decent, but even after listening to it this morning, it remains unmemorable, even though the entire Christopher Cross album is in the digital stacks.

But there are a couple of gems in that Top Ten: The John Lennon record would still have been making us a little sad, as it had been just more than a month since he was murdered, but it remains a good record; and “Hey Nineteen” is one of Steely Dan’s less opaque offerings, at least.

The others there that can still evince a smile from me forty years later are the records by Eddie Rabbitt, Blondie and Barry Manilow. That last – “I Made It Through The Rain” – is the kind of bittersweet schmaltz aimed directly at romantic fools such as I. And for all its flaws – and there are several – it’s a good memory.

I can, however, do without the records from Diamond, Ross and Air Supply.

About half of those ten are among the 81,000 sorted tracks on the digital shelves. Have any of them made it into the iPod and thus my day-to-day listening?

Well, just the records by Eddie Rabbitt and Blondie. “Hey Nineteen” should be in there (and likely will by the end of the day), and I’m thinking about the John Lennon record. And the Manilow.

So what do we feature today? Well, why not something from Xanadu? That’s a rhetorical question; there may in fact be many reasons why not. And why? Just because it showed up here today.

So, here’s “Suddenly” by Olivia Newton-John and Cliff Richard. As well as making the Top Ten at KSTP-FM (and peaking at No. 9 there), the record went to No. 20 on the Billboard Hot 100 and to No. 4 on the magazine’s Adult Contemporary chart.

Saturday Single No. 719

Saturday, January 9th, 2021

So, looking for something to listen to today, we’re going to play some Games With Numbers, and turn today’s date – 1/9/21 – into No. 31. Then we’re going to take that number over to the Airheads Radio Survey Archive and look at four station’s surveys from across the country from fifty years ago today and check out No. 31.

As we do, we’ll note the No. 1 and 2 records of the week at those various stations.

We’ll start on a ship off the coastline of the Netherlands, where the pirate station Radio Veronica broadcast Top 40 to the Dutch from 1960 into 1974, when Dutch legislation shut it down. In 1971, the station was still rockin’, and the No. 31 record on its January 9 Top 40 & Tipparade was “Indian Reservation” by Don Fardon, up two spots from the week before. (Radio Veronica’s list notes that the record on its library is on the Young Blood label, and a check of the actual record confirms that the survey compilers trimmed the record’s full title, which is “(The Lament Of The Cherokee) Indian Reservation”

Fardon’s version of the song, according to Second Hand Songs, was recorded in 1967, and went to No. 20 on the Billboard Hot 100 in 1968, so it’s interesting that Radio Veronica was playing Fardon’s version just as the Raiders’ hit version was about to show up, being recorded during February 1971, though the Raiders shifted the title to “Indian Reservation (The Lament Of The Cherokee Reservation Indian).” Maybe there’s no connection; as I said some time ago, as we look back, things that happened about the same time sometimes seem connected but really aren’t.

The No. 1 record on Radio Veronica fifty years ago today was George Harrison’s “My Sweet Lord,” and the No. 2 record was the Tee Set’s “She Likes Weeds,” which is a new one to me. (The record turns out to be about a witch who likes weeds and grows her own, so there’s a clear 1971 subtext there.)

From the North Sea, we’ll jump back to the U.S. and land at Sarasota, Florida, where the Wixie Tunedex from WKXY has “1900 Yesterday” by Liz Damon’s Orient Express sitting at No. 31. The record was new to the Tunedex and, in the interest of space, I guess, was credited to only Liz Damon.

Just the sight of the record’s title sets the tune playing in my head, sweet and lush as it was, and I let my internal record player get as far as the bridge before I pull myself back to the task at hand and check out the top of the Wixie Tunedex from fifty years ago today.

The No. 1 record on WKXY on January 9, 1971, was “Knock Three Times” by Dawn, while Harrison’s “My Sweet Lord” sat at No. 2.

From Florida, we’ll jump to the West Coast and stop off at KGW in Portland, Oregon, where the More Music survey from January 9, 1971, lists James Taylor’s “Fire & Rain” at No. 31. That’s another one that starts playing in my head, but we’ll cut it short this time. There’s not much to say about Taylor’s record that’s likely not been said somewhere many times. So we’ll move on.

Sitting at No. 1 on the More Music survey was “My Sweet Lord,” with “Knock Three Times” at No. 2.

And we end our quick tour with a little bit of cheating. The files at ARSA could not supply me with a January 9, 1971, survey from the Midwest (or even the Mideast) that had more than thirty records in it. So we’re going to pretend that two days don’t matter when we’re dealing with things fifty years in the past and take a look at the Twin Cities’ KDWB and its 6+30 from January 11, 1971.

So what was sitting at No. 31 on my home station during the second week of January 1971? We find “If I Were Your Woman” by Gladys Knight & The Pips in its first week in the survey. That’s another one that plays in my head fairly well but more from familiarity than from affection.

The No. 1 record at KDWB fifty years ago this week was “Knock Three Times,” with “My Sweet Lord” parked at No. 2.

So, we’re left with Don Fardon. Liz Damon and her crew, James Taylor, or Gladys Knight and her gang. Life would have been a lot more interesting if the Tee Set’s “She Likes Weeds” had been sitting at No. 31 in the North Sea.

I don’t know how often the other three have been featured here before – or even if they have – and I don’t care. I love “1900 Yesterday,” and it’s been shared only once in the 2,500-some posts in the history of this blog. So here’s “1900 Yesterday” by Liz Damon’s Orient Express, and it’s today’s Saturday Single.

‘New Jersey’?

Saturday, October 17th, 2020

Hoping for inspiration, I scanned the entries on KDWB’s 6+30 survey released this week in 1971, seeing lots of familiar stuff: Rod Stewart, the Carpenters, Carole King, Donny Osmond, the Stampeders, Lighthouse . . .

And then, at No. 24: “New Jersey” by England Dan & John Ford Coley.

My mind shuffled through its internal files, quickly confirming that the first hit for the pop-rock duo came in the summer of 1976, when “I’d Really Love To See You Tonight” often came wafting from the ceiling speakers at St. Cloud State’s student union as I sipped my first cup of coffee of the day.

So, No. 24 at KDWB in the autumn of 1971? I must have heard it, right? I dug a little more at Oldiesloon, my source for the KDWB surveys. “New Jersey” had peaked at No. 22 during the week of October 4, 1971.

So – and this is a question that’s not at all rhetorical – how many times in a day would KDWB have played a record that peaked at No. 22? Maybe my listening hours at the time and “New Jersey” never intersected. A trip to YouTube brought me the record, but beyond its introduction’s resemblance to Joe Cocker’s version of “With A Little Help From My Friends,” there were no memories there.

Looking for more information, I visited the Airheads Radio Survey Archive and learned that KDWB was one of only five stations that listed “New Jersey” in its surveys.

The record was hit-bound at KAFY in Bakersfield, California, during the second week of August; was listed the next week as an “Instant Preview” at KRCB in Council Bluffs, Iowa; went to No. 7 in early September at WLON in Lincolnton, North Carolina; and went to No. 12 at KSPD in Boise, Idaho, near the end of September.

And it was on KDWB’s 6+30 for nine weeks, crawling from No. 35 to No. 22 in seven weeks, then sitting at No. 24 for two weeks – where we found it – before falling out of the survey.

Nationally, it did next to nothing, bubbling under the Billboard Hot 100 for four weeks, peaking at No. 103.

Even after a couple of listenings, I don’t remember “New Jersey.” It’s got a harder edge than the stuff that would bring England Dan & John Ford Coley into the Top Ten four times during the period from 1976 to 1978. But it’s an okay record, and it’s today’s Saturday Single.

‘You Don’t Hold Me So Well . . .’

Friday, July 24th, 2020

We’ve spent some time during the past fortnight in the Billboard easy listening and album charts from July 1970, and I thought it might be interesting this morning to look at the KDWB survey from late July of that year to see what it was I was really listening to as I made my way through my last high school summer.

Here’s the Top Ten from KDWB’s 6+30 survey from July 27, 1970:

“Band Of Gold” by Freda Payne
“(They Long To Be) Close To You” by the Carpenters
“Mama Told Me (Not To Come)” by Three Dog Night
“Go Back” by Crabby Appleton
“Tighter, Tighter” by Alive & Kicking
“Teach Your Children” by Crosby, Stills, Nash & Young
“Song Of Joy” by Miguel Rios
“Question” by the Moody Blues
“Make It With You” by Bread
“O-o-h Child” by the Five Stairsteps

I wasn’t doing much during the summer of ’70. I worked the four days of the state trap shoot for $60, probably tried to pass my driver’s license test a couple of times – it took me five tries, the fifth one coming in October of 1970 – and otherwise hung around in various places with Rick and in the basement rec room with him or by myself, listening to my slender but growing LP collection.

August would bring two-a-day football practices (I would be the head manager), but that was still at least a week away fifty years ago this week.

But each of those ten records was part of the soundtrack of that summer, and they remain vivid. (All of them save “Teach Your Children” are in my day-to-day listening in the iPod.) Some of them I heard frequently in the years to follow, others less so. I’d guess the one I heard least was the Crabby Appleton; when I got my first ’Net-worthy computer in 2000 and started collecting mp3s and scavenging for music, finding “Go Back” was one of those moments of “Good lord, I haven’t heard that for years!”

“Go Back” wasn’t a huge hit nationally for the California band, peaking only at No. 36 in the Billboard Hot 100, but it did much better in the Twin Cities, peaking at No. 4 on KDWB and at No. 5 on WDGY.

Having found it sometime between 2000 and 2007, I included it eleven years ago in my Ultimate Jukebox. And here it is again.

‘For Your Love’

Friday, June 26th, 2020

I imagine that the first time I heard the Yardbirds’ “For Your Love” was on a friend’s radio sometime after summer vacation began in late May or early June 1965. The KDWB surveys at Oldiesloon tell me that the record debuted at No. 40 in the station’s “Fabulous Forty” on May 22 that year, just a week after it reached the Billboard Hot 100.

It moved quickly at KDWB, reaching No. 34 and No. 14 during the next weeks and then peaking at No. 8 in the June 12 survey. It then hung around for another six weeks before falling out of the KDWB survey at the end of July.

Sometimes when I hear the record these days, I have a quick vision of the halls of South Junior High, and it’s possible I heard the record there or at least nearby, as that was the summer between sixth and seventh grades, and I went to a couple of so-called enrichment classes – beginning Spanish and cooking, I think – at South during June and July.

Anyway, I was aware of the record, and I liked it, though like almost all pop rock at the time, I would not have known whose record it was. (A quick look at the June 12 KDWB survey – when “For Your Love” peaked – shows only two or three records for which I might have been able to name the performer: the Beatles’ “Ticket To Ride,” Glenn Yarbrough’s “Baby The Rain Must Fall,” and maybe the Seekers’ “A World Of Our Own.”

The first version of the tune I ever owned came a bit later when my sister gave me – for my birthday or Christmas; it’s a bit foggy – a copy of Herman’s Hermits’ On Tour album. The Hermits’ cover of “For Your Love” was recorded only a few months after the Yardbird’s version and is quite a bit less intense than that original.

(It’s worth noting here that the song was written by Graham Gouldman, who, among other things, was a member of 10cc.)

Other covers followed, of course, from Gary Lewis & The Playboys in August 1965 to – according to Second Hand Songs – a group called Cracks last year. A search with the RealPlayer finds six tracks titled “For Your Love” on the digital shelves here. Two of them – by Gwen McRae (1975) and by the Romantic Saxophone Quintet (2005) are not Gouldman’s song.

Otherwise, we find the versions by the Yardbirds and Herman’s Hermits, a lackluster cover of the tune by Fleetwood Mac from the 1973 album Mystery To Me, and a cover by the London Symphony Orchestra. That last is one of numerous tracks of pop rock songs the orchestra recorded beginning – from what I can tell – in 1983. There were in total five CDs worth of such work, I think, and I somehow came across a compilation pulled from those five CDs.

Here’s the London Symphony Orchestra’s take on “For Your Love.” It’s from the 1983 album Classic Rock: Rock Symphonies (repackaged later as part of a five-CD set).

Saturday Single No. 681

Saturday, March 14th, 2020

Intrigued by the results the other day of digging into a 1972 survey from a radio station formatting itself as “progressive,” I thought we’d do it again this morning. The first time, we were in Portland, Oregon, so I thought we’d head to the East Coast for our second time around.

Here are the six albums that WMMR in Philadelphia listed in its survey for the second week in March 1972:

Together by Jesse Colin Young
Sailin’ Shoes by Little Feat
Isle Of View by Jimmie Spheeris
Fanny Hill by Fanny
Hellbound Train by Savoy Brown
Compost self-titled

Only two of those ever showed up on the vinyl stacks here, the Spheeris and the Little Feat. I had seven LPs on the shelves by Jesse Colin Young, but Together was not one of them, so I’m surprised by that absence, as I am by the absence of Fanny Hill. The absence of the Savoy Brown album does not startle me at all. And Compost?

Well, I can’t say I’ve never heard of the band, but I didn’t recall the name. It turns out that Compost was also one of those groups promoted by Columbia on The Music People, just like Wayne Cochran and the C.C. Riders from Tuesday’s post. I checked the LP log, and I brought The Music People home with me in 1992, twenty years after it came out, so I first heard of Compost long after the group’s performing days.

And those days were relatively short: Wikipedia tells us that Compost released two albums, the 1972 self-titled release listed by WMMR (which has the alternate title of Take Off Your Body), and a 1973 release titled Life Is Round. The band is described at both Wikipedia and discogs.com as a jazz fusion group; its members were Bob Moses, Harold Vick, Jumma Santos, Jack Gregg and Jack DeJohnette. And we’ll get back to the group later.

First, though, how many of those albums ended up on the digital shelves here? Well, the albums by Little Feat, Spheeris, Fanny, and Young are here. Hellbound Train is not, although I do have Savoy Brown’s 1971 release, Street Corner Talking. Compost is represented only by the one track from its 1972 album that was featured on The Music People, “Country Song.”

So here’s “Country Song” by Compost, today’s Saturday Single.

Forty-Eighty Years Ago On KINK

Wednesday, March 11th, 2020

I wondered what might I night find at the Airheads Radio Survey Archive if I looked for surveys from stations that called themselves progressive rather than Top 40. And I found a station whose call letters I could not resist. So here are the ten albums that made up the weekly survey at KINK in Portland, Oregon, forty-eight years ago today:

Border Lord by Kris Kristofferson
Eat A Peach by the Allman Brothers Band
Feedback by Spirit
Peter by Peter Yarrow
Cochran by Wayne Cochran
Don Quixote by Gordon Lightfoot
Headkeeper by Dave Mason
Burgers by Hot Tuna
Hellbound Train by Savoy Brown

That’s an interesting mix of albums in that 1972 chart. Three of them – the Hot Tuna, the Lightfoot and the Allman Brothers albums – wound up at one time or another on the album shelves here. The Yarrow is on the digital shelves here. The others are not . . . . except for a few tracks:

“Chelsea Girls” by Spirit
“Little Girl Lost” by Kristofferson
“Sleepless Nights” by Wayne Cochran & The C.C. Riders

And finding that last track, “Sleepless Nights,” in the digital stacks here was a surprise because, as I scanned that KINK survey, Cochran’s name was the one I did not recognize. His picture at discogs.com was not familiar. His entry at Wikipedia tells me in its first paragraph that he was known for outlandish outfits and his hairstyle, and that he wrote the song “Last Kiss.” (And the hairstyle is, indeed, something else.)

I left Cochran’s bio to ponder later and listened to the track. Not bad.

But how did it get here? A click or two later, I realized that it got here via the massive three-LP sampler called The Music People that Columbia released in 1972. I likely acquired the sampler during the months between my discovering music blogs and my setting up my own blog; many of the performers’ names are now far more familiar to me from my puttering here than they were in 2007. I may want to look back at that sampler a bit more.

But not today. Today’s we’re just going to listen to Wayne Cochran and the C.C. Riders’ “Sleepless Nights” as it came out on the 1972 album Cochran, the one that KINK included in its survey forty-eight years ago today.*

Here’s “Sleepless Nights.”

*The video has been mistitled as “Sleepness Nights & Long Long Days,” a confusion stemming, I think, from the fact that an edit of “Sleepless Nights” – the version included, actually, on The Music People – was issued in June 1972 as the B-side to a single release of “Long, Long Day” from the Cochran album.

Saturday Single No. 680

Saturday, March 7th, 2020

This will be quick and easy this morning, as I am late getting going. I’ve not said much – if anything – about it, but both the Texas Gal and I have been battling colds pretty much since the beginning of the year, feeling fine for two days and then feeling utterly miserable for the next two. Anyway, miseries led us to sleep in today, and I have an appointment very soon with bacon and pancakes.

So I’m going to head to the Airheads Radio Survey Archive and look at the “Fabulous Forty” survey from the Twin Cities’ KDWB for the first week in March 1965, fifty-five years ago. We’ll look at the top five, and then play Games With Numbers on today’s date – 3-7-20 – and fall onto the No. 30 record in the survey for our listening this morning.

So, fifty-five years ago this week, here was KDWB’s top five:

“This Diamond Ring” by Gary Lewis & The Playboys
“You’ve Lost That Lovin’ Feelin’” by the Righteous Brothers
“King Of The Road” by Roger Miller
“Downtown” by Petula Clark
“The Jolly Green Giant” by the Kingsmen

I was in sixth grade at the time, and I recall hearing all of these coming out of various radio speakers. I wasn’t really listening, but I couldn’t help hearing. And I liked them all except for the Kingsmen’s record, which I thought was really dumb. And all of those top four are among the 3,900-some tracks on the iPod, which puts them in my day-to-day listening even after fifty-five years.

Okay, so let’s head to No. 30 on that long-ago survey. And we find a record that, to be honest, should be among my regular listening: “Hurt So Bad” by Little Anthony & The Imperials. I first knew the song via the 1969 cover by the Lettermen. (Their album, Goin’ Out Of My Head, was one of my sister’s records.) And as I sit here more than fifty years removed from both versions, I have to say that Little Anthony takes the song to levels of despair that the Lettermen likely couldn’t approach. Still, I prefer the cover. (It could be that I want my suffering to be at least a little stoic and not so demonstrative.) But there’s no denying that the original is a great record.

I’m not going to sort out where the Little Anthony record peaked on KDWB, but it went to No 10 in the Billboard Hot 100 and to No. 3 on the magazine’s R&B chart. And it’s today’s Saturday Single.

Survey Digging (February 1970)

Friday, February 21st, 2020

We’re going to knock around in 1970 again this morning, as it’s been about seven weeks since we looked at a KDWB survey from that year, now a half-century in the past. Here’s the top twelve from the station’s “6+30” survey from February 23, 1970:

“Bridge Over Troubled Water” by Simon & Garfunkel
“He Ain’t Heavy, He’s My Brother” by the Hollies
“No Time” by the Guess Who
“Ma Belle Amie” by the Tee Set
“Travelin’ Band/Who’ll Stop The Rain” by Creedence Clearwater Revival
“Thank You (Falettin Me Be Mice Elf Again)/Everybody Is A Star” by Sly & TheFamily Stone
“Venus” by the Shocking Blue
‘Honey Come Back” by Glen Campbell
“Walk A Mile In My Shoes” by Joe South
“Walkin’ In The Rain” by Jay & The Americans
“Arizona” by Mark Lindsay
“Oh Me Oh My (I’m A Fool For You)” by Lulu

There are a few memories there. The Lulu record is, as readers might recall, tied to my romantic ambitions of the time, and the Guess Who record – as I noted here about three weeks ago – is tied to a trip to see a Minnesota North Stars hockey game.

The thing that comes back when I ponder “Bridge Over Troubled Water” is my purchasing in early February the sheet music for the Paul Simon-penned song and working to master Larry Knechtel’s brilliant piano arrangement. (I became fairly proficient at it, a proficiency I am attempting to resurrect fifty years later, so my young vocalist friend from church and I can perform it some Sunday. It goes slowly.)

Then, there was a classmate named Jill, who sat near me in French class. In the fall, she would be heading off to St. Cloud Apollo, the city’s new high school, while I would remain at St. Cloud Tech. That spring, she signed my yearbook by quoting the Tee Set’s record: “Ma belle amie! Apres tous les beaux jours je te dis ‘merci, merci!’” (I next saw her twenty years later when she played the role of waitress Trudy Chelgren on the television series Twin Peaks.)

The other eleven entries from the top of KDWB’s “6+30” for that week are just records I heard on the radio. Some I liked a great deal – the records by the Hollies and by Mark Lindsay fall there – and others were just okay, like the A-side of the Sly & The Family Stone record (I did love the B-side) and the Glen Campbell record.

In other words, that was a good hour’s worth of listening. So I ask, as I tend to do, how many of those seventeen records matter fifty years later?

Well, fourteen of those seventeen records are in the iPod and thus part of my day-to-day listening. The absentees? “Thank You (Falettin Me Be Mice Elf Again),” “Honey Come Back,” and “Walkin’ In The Rain.” And I see no need to add them.

So what was at the bottom of that long-ago survey? At No. 36, we find “Take A Look Around” by the group Smith, the follow-up to the hit “Baby It’s You,” which went to No. 1 on KDWB in November 1969. “Take A Look Around” didn’t fare as well, peaking at No. 22 on KDWB’s last survey of March 1970.

(Nationally, the pattern followed: “Baby It’s You” peaked at No. 5 on the Billboard Hot 100, and “Take A Look Around” got to No. 43.)

Here’s “Take A Look Around.” It’s a decent record.

Saturday Single No. 677

Saturday, February 15th, 2020

Searching for inspiration this morning, I went to the Airheads Radio Survey Archive, thinking vaguely of checking some surveys from this date in 1980. I wasn’t truly sold on the idea, as 1980 was about when I’d lost interest in most current music. Still, a dull idea is better than no idea, so I pulled up the page where the website lists its collected surveys and clicked the link that puts them in historical order.

And near the bottom of the page, I saw a familiar set of call letters: KFAM.

KFAM was one of the two AM stations serving St. Cloud in the 1960s. Located on the southwestern edge of town, it offered pretty much what WJON did: News and sports, some talk, and some middle-of-the-road music. (I wrote briefly once about my acquaintance with Peter Jay, the man who did play-by-play in the 1960s for the St. Cloud State basketball team; his work went out over the air on KFAM.)

KFAM is long gone. The AM side of the station is now KNSI (for New, Sports, Information), although I do not know when the call letters changed. The FM side, which offered beautiful music during the late 1960s and early 1970s, went Top 40 right around 1975 and changed to KCLD.

It turns out that there are six KFAM surveys at the ARSA site: Four consecutive from 1948, one from 1949, and one from 1954. So let’s look at that first survey, dated October 23, 1948, a survey that the website says was compiled by KFAM disc jockey Dudley Dane.

None of the names in the survey are at all familiar to me:

“I’m Gonna Tear Down The Mailbox” by Montana Slim
“Hair Of Gold, Eyes Of Blue” by Art Lund
“Chime Bells” by Elton Britt
“A Tree In The Meadow” by John Laurenz
“Twelfth Street Rag” by Pee Wee Hunt
“You Call Everybody Darlin’” by Anne Vincent
“Buttons & Bows” by Betty Rhodes
“When I Was Young And Handsome” by Texas Jim Robertson
“Ev’ry Day I Love You (Just A Little Bit More)” by Blue Barron
“Underneath The Arches” by Andy Russell

Some of those names and records show up in Joel Whitburn’s Billboard Pop Hits, which covers the pop charts from 1940 to 1954, and some don’t.

There’s no sign of Montana Slim, and Texas Jim Robertson is listed only as working with the Fontane Sisters. (He has his own listing, with the Panhandle Punchers, in Whitburn’s Top Country Hits, but “When I Was Young And Handsome” is not among the records there.)

Elton Britt’s “Chime Bells” went to No. 6 on the country charts but is not listed in the pop hits book. Britt also had several other hits on the country charts.

And Blue Barron & His Orchestra have ten records listed in the pop hits, but “Ev’ry Day I Love You (Just A Little Bit More)” is not among them.

That leaves six records from that long-ago survey that are listed in the Whitburn book as having reached the Billboard charts:

Lund’s “Hair Of Gold, Eyes Of Blue” went to No. 20. Laurenz’s “A Tree In The Meadow” went to No. 18. Russell’s “Underneath The Arches” went to No. 13. Rhodes’ “Buttons & Bows” went to No. 9. Vincent’s “You Call Everybody Darlin’” went to No. 6. And Hunt’s “Twelfth Street Rag” was No. 1 for eight weeks.

So, Pee Wee Hunt. He was born in Ohio in 1907 and died in Massachusetts in 1979. Wikipedia says he was “the co-founder and featured trombonist with the Casa Loma Orchestra, but he left the group in 1943 to work as a Hollywood radio disc jockey before joining the Merchant Marine near the end of World War II. He returned to the West Coast music scene in 1946. His “Twelfth Street Rag” was a three million-selling, number one hit in September 1948.”

And all of that means that “Twelfth Street Rag” by Pee Wee Hunt & His Orchestra is today’s Saturday Single.