Archive for the ‘1973’ Category

Saturday Single No. 576

Saturday, February 3rd, 2018

Let’s go back to 2007: After flailing around for a couple weeks in January and a couple of days in February – ripping LPs and a few singles to mp3s and then trying to figure out what to say about them – I stumbled across what I really wanted to do with this blog eleven years ago today.

We’d had a difficult night, the Texas Gal and I. An ailment of some sort – and I do not recall what it was, whether she’d been ill or if it had been something wrong with Mom – brought us to the emergency room after midnight and kept us there for a couple of hours. As morning came, I felt compelled to post something here, even if it could not be an album, as I had planned.

And after a paragraph of explanation, I wrote:

But I thought I’d at least show that I was still alive and still blogging by tossing a single out into the ether.

So as I was wandering through my music files, I came upon a single that was – for a few weeks, at least – omnipresent in Denmark during the nine months I spent there many years ago. No matter where my girlfriend of the time and I went that autumn, we heard – sometimes just off in the distance – Lecia & Lucienne singing “Rør Ved Mig” (which translates roughly, I think, into “Stay With Me”).

When I got back to the U.S. in the spring of 1974, I was startled to hear coming from my radio the same tune and nearly the same arrangement, but this time with the words in Spanish. I’ve never been able to determine whether Mocedades’ “Eres Tu,” was the original song and “Rør Ved Mig” was the second-language copycat, or the other way around. And it could be, I suppose, that there are other versions of the song out there in other languages, although in the more-than-thirty-years since I spent my time in Denmark, I’ve heard none.

A couple years after I came back to the U.S., my Danish brother visited, and during his visit, I mentioned “Rør Ved Mig” to him. After he got home, he mailed me a copy of the single. I don’t suppose I’ve played it often, but I did every once in a while. And then I got online about seven years ago and found an MP3 copy out there on the web. It pops up on the RealPlayer now and then.*

And whenever I hear “Rør Ved Mig,” it has the same effect: For just a few moments, it is the fall of 1973, and I am walking somewhere inside the old portion of the city of Fredericia, maybe heading to have a beer with a buddy, maybe walking with that long-ago girlfriend, or maybe just walking. It’s a golden day in October, and somewhere, not too far away, Lecia & Lucienne are singing “Rør ved mig. Så jeg føler at jeg lever . . .”

I headlined the post “Taking Me Somewhere Else,” and the following Saturday, I wrote about Cris Williamson’s “Like An Island Rising” and titled that “Saturday Single No. 1.” I’ve wished for a long time that I’d thought to call “Rør Ved Mig” the first in this long-running list of Saturday Singles, because it was with that post on February 3, 2007, that I found what I wanted to do with this blog: tell how music and my life have been viscerally intertwined, probably since the first time either Mom or Dad sang me to sleep in September 1953.

As is my habit, I’ve since found several other versions of “Rør Ved Mig” or “Eres Tu” or whatever you want to call it, in several different languages. I’ve not indexed them well, which puts another item on my list of tasks for after our move. But even if those versions were easily accessible, this eleventh anniversary spot belongs to Lecia & Lucienne, and “Rør Ved Mig” is today’s Saturday Single.

*I should note that the mp3 I found online did not stay long in my files after I got my turntable. The mp3 shared with that post eleven years ago and that I used to make the video above was recorded from the single that my Danish brother sent to me in 1975.

One Chart Dig: January 20, 1973

Friday, January 19th, 2018

Here’s the Billboard Top Ten from January 20, 1973, forty-five years ago tomorrow:

“You’re So Vain” by Carly Simon
“Superstition” by Stevie Wonder
“Me & Mrs. Jones” by Billy Paul
“Crocodile Rock” by Elton John
“Your Mama Don’t Dance” by Loggins & Messina
“Rockin’ Pneumonia – Boogie Woogie Flu” by Johnny Rivers
“Clair” by Gilbert O’Sullivan
“Superfly” by Curtis Mayfield
“Why Can’t We Live Together” by Timmy Thomas
“Oh, Babe, What Would You Say” by Hurricane Smith

And, as might be expected, those ten records slap me right into the middle of my sophomore year at St. Cloud State, sparking memories of music theory classes, of Cokes with a young lady who worked the main desk at the Learning Resources Center, of lengthy bull sessions in the office of the small TV studio next door at the Performing Arts Center, of a cross-country skiing weekend in Wisconsin with the Luther League from Salem Lutheran, and of trying to figure out where I belonged.

In that last category, three things come to mind. It was about this time when I realized I no longer fit in with the group of kids I’d hung around with for much of my freshman year and quit trying to spend time with them. It was around the middle of January in 1973 when a young woman in my philosophy class invited me to join her for coffee at Atwood Center after class to meet her friends, a group of people that turned out to be The Table, the center of my on-campus life for the next several years. And it was around this time when a friend of mine from church asked me to go to a meeting one evening and take notes for her, a meeting set up to assess students’ interest in spending the next academic year in Fredericia, Denmark.

So even though I felt lost and uncertain as the month began – and even though I never got past friendly Cokes after work with the girl from the main desk – I can look back at January of 1973 and see from 2018 a hinge on which my life pivoted.

Looking through the rest of the Hot 100 from that long-ago time, I don’t see any records that really speak to those days (though I do note that Shawn Phillips’ “We” – a record that showed up in the Atwood Center jukebox during the autumn of 1974 and became one of the touchstones of my life – was sitting at No. 92 in the second of its three weeks on the chart).

So I looked for something I might never have heard that sounds good, and I found, parked at No. 66, “Daytime Night-time” by Keith Hampshire, a native of England who grew up in Canada. I don’t recall the record at all, though if I’d heard it back in 1973, I probably would have liked it, what with the piano in the intro, the horns throughout, and the vocal very reminiscent of David Clayton-Thomas. It peaked at No. 51 during the second week of February.

Saturday Single No. 566

Saturday, November 25th, 2017

One of the main currents that’s run through my adult life – and thus through this blog – is the impact of the time I spent in Fredericia, Denmark, through St. Cloud State during the 1973-74 academic year. It was, as I think I’ve said here before, the greatest formative experience in my life, a foundation for almost anything I’ve done, thought and written over the past forty-four years.

I wondered for years if my attachments to my time in Denmark and to the memory of the more than one hundred students who shared that experience were excessive, and I wondered if they were mine alone. But when I broached in late 1993 to a few of those folks that we should plan a twenty-year reunion the following summer, I learned I was not alone. Others felt the same way about the impact of those days in Denmark and in their connections to those who were there.

We are, as one of us noted in an email this week, brothers and sisters. In our day-to-day lives, we are – as is true of any large group – closer to some than to others. But when the largest of life’s sorrows come to one, all of us feel it. And this week, we grieve for the loss of one of our own.

I’ve written before about Dewey, telling of our 450-mile trek to watch the Super Bowl on television in Hanau, Germany, and remembering our pilgrimage to the headquarters of the Adidas shoe company in the small German town of Herzogenaurach. I’ve likely not noted that as we resumed our Minnesota lives and for some years after that, Dewey was one of my closest friends.

We finished college pretty much together, and he was one of two from our Denmark group to stand at my side when I married the Other Half in 1978. He was troubled but supportive when that pairing failed in 1987. When I landed a job in the Twin Cities suburb of Eden Prairie a few years later, I stopped by his office every now and then. But my life turned left in 1999, and I saw Dewey only once more, at our 2004 reunion.

Dewey was a very private man. I had no idea he was seeing anyone until I was invited to his wedding in the early 1980s. And when he began having the physical difficulties that were eventually diagnosed as ALS, he held that pretty close. He had to be persuaded by his life-long friend Cal that those who were in Denmark with him should know, and Cal passed the word on to us at a gathering a few summers ago. I emailed Dewey, and in his reply he said things weren’t too bad, a typical Dewey response. Neither of us said anything about his prognosis in the few emails we sent back and forth after that. But we knew.

The end came last Monday, November 20, and Cal emailed us all that afternoon. Emails went back and forth in the next couple days as we shared our tales of Dewey and our grief. In one of those emails, I shared a graphic I made a few years ago when a Facebook acquaintance died. I found the photo online; the text is the chorus of a lyric I wrote about thirty years ago.

Be A Candle

Do we need music today? Well, I remember visiting Dewey in the mid-1970s when he had an apartment in Minneapolis, and he introduced me to the music of Jackson Browne, for which I’ll be forever grateful. But nothing from Browne’s catalog seems to fit perfectly here, not even “For A Dancer,” Browne’s meditation on grief. So I’ll reach back forty-four years for a tune that we listened to in the lounge at our youth hostel as the end of our time together in Denmark approached.

Here’s America’s 1973 track “To Each His Own.” It’s today’s Saturday Single.

Another Departure . . .

Thursday, July 27th, 2017

I woke this morning to the news of another musical loss:

Singer/songwriter Michael Johnson, who spent a good share of his performing life in Minnesota’s Twin Cities, died Tuesday at his Minneapolis home. Jon Bream of the Minneapolis Star-Tribune offered a look at Johnson’s life and career in today’s paper, and that story is here.

The headline on Bream’s story highlights Johnson’s recording of “Bluer Than Blue,” and it’s true that “Bluer . . .” was Johnson’s greatest chart success, spending three weeks at No. 1 on the Billboard Easy Listening chart during the spring of 1978 while going to No. 12 on the magazine’s Hot 100. And I recall hearing “Bluer Than Blue” on the radio during my days in Monticello, just as I recall hearing Johnson’s 1979 single “This Night Won’t Last Forever,” as it went to No. 5 on what had become the Adult Contemporary chart and to No. 19 on the Hot 100.

Both of those were fine singles, and beyond the musical pleasure I got from them, there was a little smidgen of joy as well that the man who made them was based in Minnesota. (Johnson, who was born in Colorado, made his home in Minnesota from 1969 to 1985, then returned here in 2007 after spending the intervening years in Nashville.) But that Minnesota connection is only one of three connections I have to Johnson’s music.

Another connection came through this blog during its early years, when I was exploring the music of Patti Dahlstrom. (Posts about her and her four 1970s albums are here.) During our email exchanges at the time, Patti noted that she and Tom Snow had written “Dialogue,” the title track of Johnson’s 1979 album, and she sent me an mp3 of the demo she and Snow had recorded. Here’s what Johnson did with it:

And then there was the first connection, the most visceral of the three. Johnson’s first album, the 1973 release There Is A Breeze, was one of those that we had on tape at the Pro Pace youth hostel in Fredericia, Denmark, during my 1973-74 college adventure. It probably didn’t get dropped into the tape player as frequently as Pink Floyd’s Dark Side of the Moon or the Allman Brothers Band’s Brothers & Sisters, but it was there.

And, as I’ve noted about the other music I heard in the lounge during those Danish days and nights, it only takes a few notes of any of the tunes on There Is A Breeze to remind me how those days and nights felt as well as how important they were in making me who I am today.

Of the seven or so mainstay albums were had on tape during our time in Denmark, Johnson’s There Is A Breeze was probably the last one I looked for, and it was difficult to find, though I admit my searching during the years 1974-77 was sporadic. I had other stuff to do and other music to find. My chance came during the autumn of 1977. I was working as a public relations officer at the St. Cloud CETA Center – CETA was a federal jobs program – and a co-worker brought in a box of records he was going to take across the street to Axis, a store that sold new and used records along with leather coats and hats.

And in the box was a copy of There Is A Breeze, which I gladly took home, listening to it that evening in the lake cabin where the Other Half and I were living for a couple months until we found out where my permanent job search would take me. And the first strains of the first track, “Pilot Me,” whisked me a few years back and four thousand miles away.

As I noted above, I remember hearing Michael Johnson’s two most successful singles in 1978 and 1979, but I have to admit I’ve not followed him closely. I had a vinyl copy of Dialogue, his 1979 album, but it did not survive the Great Vinyl Sell-off of last winter. And rummaging through the ’Net a couple of years ago, I found a two-CD repackaging of Johnson’s first three albums, beginning with There Is A Breeze, so I was also able to let my vinyl copy of that album go, too. (It was worn and a little banged, and no longer sounded very good.)

I suppose that if I were writing for a newspaper, I’d have to take into account – as did Jon Bream for the Minneapolis paper – all of Michael Johnson’s career as I write this morning. But what we do here – what Odd and Pop and I try to do – is to consider the music that’s mattered to me over the years. And with a stop at “Dialogue” to salute a distant friend, and acknowledging as well that Michael Johnson made a lot of very good music in his seventy-two years, I have to say . . .

Well, anyone who reads this space regularly knows where that’s going: There Is A Breeze is one of the treasures of my life, and here’s the opening track, “Pilot Me.”

Saturday Single No. 549

Saturday, July 15th, 2017

Well, I slept most of the morning away – rare for me, as I generally am up by 7 a.m. on weekdays and by 9 on Saturdays and Sundays – and time is flibbering away quickly, as it does these days.

We have no plans other than finding somewhere to grab a nibble this afternoon and then making a stop at the nearby grocery store. I think this evening we’ll invest some time in writing thank you notes, a hand-cramping exercise that’s painful in several ways.

So I find myself sleepy and uncertain, and maybe “thank you” is the way to go. Here’s B.B. King showing some gratitude to his audience with “Thank You For Loving The Blues” It’s from his 1973 album To Know You Is To Love You, and it’s today’s Saturday Single.

Sixty Years On

Thursday, May 11th, 2017

It might have been in March, it might have been in May. It likely was during April, but after sixty years, there’s no way to know.

So I’ve not known when this spring to mark the day in 1957 when two boys – five and three years old – ventured across Kilian Boulevard on their tricycles to meet the three-year-old boy whose family had moved into the white house kiddy-corner from theirs during the winter.

That new boy in the neighborhood was, of course, me, and the boys heading my way across the intersection – and I can still envision them pedaling down the middle of Eighth Street as it crosses Kilian – were Rick and Rob.

Over the years, folks have asked me who in my life have I known longest outside my family – it’s the kind of question you get in parlor games or on long, dull drives – and I’ve never been able to really answer. I don’t truly remember who was in the lead on that tricycle trip from across the street. I think it was Rob, but I’m not certain. If it was, then I’ve known Rob longer than I’ve known anyone except my family. But he holds that spot over Rick by no more than two or three seconds.

Truth be told, they hadn’t set out from their house just to welcome me to the neighborhood; they were off to hit the candy counter at Wyvell’s Store, the little neighborhood grocery another block west and half-a-block north from our place. I remember talking with them for a few moments, and then I watched as they made their way on down Eighth Street, turning their trikes into the alley halfway down the block and then onto the dirt path leading to the next corner, a path on the margin of someone’s lawn that had been worn by years of tricycles, bicycles and feet, all looking for a slight shortcut on the way to the neighborhood store.

(I haven’t purposely looked in years, but I’d bet that if I took a brief excursion from Kilian down Eighth today, I’d see that same dirt path through the edge of that yard. When we were kids, an elderly woman lived there, and a dim memory tells me that she was grandmother to the kids who lived in the next house along the way to the store, but I’m not sure. The lot is empty these days; sometime after I left home, the house there was badly damaged in an explosion, and what was left was torn down. I’m not sure if the lot is unbuildable, but it’s been years and it’s still vacant. As to the store, I’m not sure how long it had been Wyvell’s or who had owned it before then. Sometime around 1960, an older couple bought the store and it became Tuey’s Grocery, and then, right around 1965, it was sold again and became Norb’s Superette. Norb hung in there until sometime in the 1990s, when he retired and the store’s interior was remodeled to make it a house. Its exterior, though, proclaims clearly its origins as a neighborhood store, one of many such that used to be found along the streets of St. Cloud.)

And that was how I entered Rick and Rob’s lives, as a brief delay during a trip for candy. Not too long after that, I would guess, I joined them on a trip to Wyvell’s as well as heading across the street to play at their place, in the best yard for kids in the neighborhood. (Their dad was a manufacturer of fences and playground equipment, and their yard was, in effect, a testing ground for prototypes, with swing sets, teeter-totters, small merry-go-rounds, monkey bars and other climbing stuff.)

As we got older, Rick and I paired off more often and Rob went his own way with other friends. Rick and I were closer in age – five months apart – while Rob was nearly two years older than I. But there were plenty of times over the years when the three of us did things together, and there were times when Rick wasn’t around for some reason, and Rob and I hung out.

In the first couple decades of adulthood, we saw each other rarely. We were busy setting up our lives, I guess. Rick was a member of the wedding party when I married The Other Half in 1978. I was a member of the wedding party and read a portion of Scripture when Rick got married in 1982, and Rob has told me I’d have had the same duties at his wedding in 1983 had I not been living in Missouri. But our contacts during the late 1970s and through the 1980s were limited, although we did have a couple of table-top hockey tournaments during the latter half of the 1980s. (Those tourneys were when Schultz joined us; he and Rick had kept in touch since high school.)

I entered the nomadic phase of my life in the late 1980s, not settling down until 1992, when I began to see the brothers together and separately again, but those meetings were sporadic. It wasn’t until the Texas Gal and I moved to St. Cloud that I began to organize get-togethers twice a year, with table-top hockey and baseball being the ostensible reasons.

And reconnecting with Rick and Rob, and with Schultz, whom I knew during our high school years, is one of the best things I’ve done in my life. I’d hope it’s been that good for them, too.

So what tune is going to match that? Well, nothing precisely, but one that comes close is “My Old Friends” by English singer/songwriter Duncan Browne. It’s from his self-titled 1973 album.

Inner light, inner light, shine brightly on my old friends.
May they go on, never fall, never think that I don’t wish them well.

Saturday Single No. 537

Saturday, April 22nd, 2017

Today is Earth Day, and – according to the map I saw on the CBS Evening News last night – folks around a large portion of the world will be marching and mobilizing to defend and protect our environment, science, and common sense itself.

We did this almost half-a-century ago, and we made some progress in cleaning up our back yards (literal and metaphoric both), progress that in many cases is distinctly imperiled by the ham-handed actions – some already taken with many others likely yet to come – promised by the science-denying worshippers of Mammon who currently run our federal government. I guess we naively though we’d won.

We were wrong.

I’m not, however, going to turn this space into a screed about all the things that are likely to head in the wrong direction in the next few years. I’m just going to note that – as I have in the past few months – I’m going to continue to regularly call and email Minnesota’s U.S. Senators and our local U.S. Representative about matters that I believe need better thought and attention; I plan to begin doing the same with my state senator and representative on state and local matters.

Forty-seven years ago, I marched, hoping my energy and actions – combined with the energy and actions of like-minded people – would help preserve those things that needed preserving and help change those things that needed changing. Here’s my armband from back then:

Armband

These days, I write emails and make phone calls, still hoping my energy and actions – combined with the energy and actions of like-minded people – can preserve those things that need preserving and can change those things that need changing .

I find comfort in the large numbers of people who, in whatever way they choose, are working harder than ever these days for progressive causes. Turning in another direction, it’s no secret that I find comfort from day to day in music. So here, to keep to the topic at hand, is Tony Joe White’s “Ol’ Mother Earth.” It’s from his 1973 album Homemade Ice Cream, and it’s today’s Saturday Single.

A World Diminishing

Friday, April 14th, 2017

About two weeks ago, the folks who run Ridgeview Place, the assisted living center where Mom has lived since the spring of 2006, got in touch with me and my sister: It was time, they said, to talk about Mom’s care. When we met a few days later, my sister and I learned that the staff thought that Mom’s ability to be focused and present had been waning noticeably for a month or so.

That matched what my sister and I had been noticing, and we agreed that Mom would be safer – and, we hope, happier – down the hall at the memory care facility called Prairie Ridge, a secure facility on one floor with rooms that are in effect efficiency apartments. When my sister talked to our mom, Mom agreed that it was time. And we began to plan:

We rented a storage unit for the furniture and other things for which she would no longer have room. We hired a moving company. We filed changes of address for the post office, the newspapers, the telephone company and the cable company (with more, of course, to follow as mail comes in with its yellow forwarding labels). We collected boxes, large and small. We got measurements of the new apartment and began to decide what would fit where. And we began sorting.

Mom had some concerns. What would happen to her grandfather’s small table? As it turned out, my nephew took it, which pleased her. And then, would she be able to keep the writing desk? It had been her father’s, and after my aunt’s death in 1990, the desk had been brought from Lamberton in southwest Minnesota to St. Cloud. Yes, my sister and I determined, there was room for the writing desk and its attendant chair.

But there was no room for the buffet, a massive dining room chest that had been a storage place for china, a silver service, and an odd mix of necessities ever since 1957, when it had been left behind by the previous owners of the house on Kilian Boulevard. We sorted the buffet’s miscellaneous contents, and this week, the movers packed for storage all of its china, as they did the fragile pieces in the glass-fronted china closet.

A few days before the movers came, my sister and my mom were looking at the pieces in the china closet, some of which dated back to before Mom was born in 1921. (The china closet itself is likely that old, but we’re not exactly sure; Mom and Dad got the piece sometime in the 1970s, if I recall things clearly.) And my sister told Mom that if there were a few things she wanted to have with her in her new place, she needed to decide before the movers came. My sister later told me that she tried gently to make it clear to Mom that once the movers packed those things away, Mom would likely never see them again. She said Mom seemed to understand.

I brought a few things home (but just a few, having been reminded by the Texas Gal that our long-term goal is to diminish the amount of stuff in the house, not to augment it): Some household goods that we’ll use, some items that my Dad saved that we’ll likely offer to the St. Cloud State archives, and three pieces that I’ve long known would come to me – a metal candelabra I bought for my parents in Moscow, a pewter plate I bought for Mom in Flensburg, Germany, and a reindeer antler letter opener that I bought for Dad in Kiruna, Sweden.

My sister took boxes of things home to the Twin Cities suburb of Maple Grove to pass on to a local charity; I hauled boxes of books to the St. Cloud Public Library for the Friends of the Library to sell at its bookstore; more books and a deluxe Scrabble set went to the library at the assisted living center; my nephew took a set of dishes, an antique dresser, the aforementioned antique table and the buffet (which pleased and relieved Mom); and bit by bit, drawer by drawer, shelf by shelf, a lifetime’s worth of possessions was trimmed down for a third time.

We first down-sized Mom’s belongings in 2004, when she moved from Kilian Boulevard to the patio home in Waite Park, just west of St. Cloud. We did so again when she moved from the patio home into Ridgeview Place. This week came the third time. I imagine there might be a fourth, if the time ever comes for full nursing home care.

But we’ll think about that later. For now, she’s safe, and my sister said that yesterday, everything was pretty well in place and that Mom reconnected during snack time with a few other women who have previously moved from the assisted living portion of the center to the memory care unit. She was tired and a little confused, my sister said. We’ll see how she does, but she’s safe, and she’s in an environment where folks know how to take care of her.

When I told my sister two weeks ago that the staff at Ridgeview Place wanted to discuss Mom’s care, my sister was in Chicago, visiting her grandson, who will turn two this summer. The contrast, my sister said, is striking: Every couple of months, she spends time with a little boy whose world is expanding in great chunks day by day, and every three weeks or so, she visits my mother, whose world is diminishing day by day. And my sister and I stand in the middle, connecting generations heading in opposite directions.

Here’s Michael Johnson’s cover of “Old Folks,” a song written by Jacques Brel, Gérard Jouannest and Jean Corti. Mort Shuman wrote English lyrics. Mom’s lived through the first portions of the song, and she’s alone now – as she has been since 2004 – with the clock keeping her company. Johnson’s version was on his 1973 album There Is A Breeze.

The Starship Sampler, Part 2

Thursday, February 23rd, 2017

Last week, we took a look at the top singles listed by St. Cloud’s WJON in its Starship Sampler dates February 6, 1976. (The sampler images were, as I noted, a gift from regular reader Yah Shure.) Today, we’ll take a look at the list of “St. Cloud’s Top Albums” on the back of the sampler and see what we can glean from that list. (The scan is here).

Here are the top ten albums (with a couple of titles corrected).

Desire by Bob Dylan
Fool For The City by Foghat
Alive by Kiss
History by America
Abandoned Luncheonette by Hall & Oates
Captured Angel by Dan Fogelberg
Face The Music by the Electric Light Orchestra
Eric Carmen
Still Crazy After All These Years by Paul Simon
Chicago IX, Chicago’s Greatest Hits

That would be a decent seven hours or so of listening, with a few caveats from my side of the speakers. Seven of those records eventually showed up in the vinyl stacks; the ones that did not were the ones by Foghat, Kiss and the Electric Light Orchestra. (No Foghat or Kiss ever showed up among the vinyl; three other albums by ELO eventually did, and the Foghat album is present on the digital shelves.)

So, are any of those essential as albums in these precincts? As albums, I see only one: Abandoned Luncheonette. It’s a little startling to see a 1973 album on a 1976 survey, given that the entry of the re-release of “She’s Gone” into the Billboard Hot 100 was still five months in the future, but from the sweet “When The Morning Comes” through the funk-to-rock-to-hoedown epic “Everytime I Look At You,” it’s a joy.

Dylan’s Desire comes close, missing the cut because of the eleven-minute tale of gangster Joey Gallo. So does the Paul Simon album, missing the cut for no particular reason.

But perhaps, as we did the other day, it might be instructive to check out the 3,825 tracks in the iPod and see how well these albums are represented. Five tracks show up from the Hall & Oates album: “When The Morning Comes,” “Had I Known You Better Then,” “Las Vegas Turnaround (The Stewardess Song),” “I’m Just A Kid (Don’t Make Me Feel Like A Man),” and, of course, “She’s Gone.”

I find four tracks from Still Crazy After All These Years: The title track, “50 Ways To Leave Your Lover,” and two duets, “Gone At Last” with Phoebe Snow and “My Little Town” with Art Garfunkel. The only track present from Dylan’s Desire is “Black Diamond Bay,” though I may find room for “Hurricane.” America’s hits album is represented by “A Horse With No Name” and “Don’t Cross The River,” and I could throw “Sandman” in there.

As to the Electric Light Orchestra album, the iPod holds versions that appear to be single edits of “Evil Woman” and “Strange Magic,” and the Chicago hits album is sort of represented there: I have the single version of “Make Me Smile” in the iPod, but I got it from the CD release of Chicago, the silver album. (The album offered edits of “Does Anybody Really Know What Time It Is?” and “Beginnings,” but I go with the full-length versions.)

Shut out on the iPod are the albums by Kiss, Foghat, Carmen and Fogelberg.

I’m not at all sure what that proves, but I find it interesting that the Hall & Oates album pleases me these days more than the Dylan, a judgment that I’m not sure I’d have made twenty or thirty years ago.

Here’s “Had I Known You Better Then” from Abandoned Luncheonette.

Saturday Single No. 526

Saturday, February 4th, 2017

I still feel like crap, so I searched the 90,000-odd mp3s in the RealPlayer for the word “headache,” and I came up with one title: “Willies’ Headache,” a 1973 track by Cymande.

Cymande, according to Wikipedia, is “a British funk group that released several albums throughout the early 1970s and . . . recently reunited in 2014 with a European tour.”

“Willies’ Headache” was a track on the group’s second album, Second Time Round, and it brings with it a conundrum: On the album label as offered at Discogs.com, the title of the track is spelled as I have it above. On the video below, it’s spelled “Willy’s Headache,” which makes more sense.

It doesn’t matter, I guess. What matters is that my own headache is soothed this morning by the mellow and funky sounds, and I like the chorus: “Gotta be aware! Don’t get too lost in your dreams.” And all of that makes “Willies’ Headache” a good choice for this week’s Saturday Single.