Archive for the ‘Chart Digging’ Category

Saturday Single No. 703

Saturday, August 29th, 2020

We’re going to dabble, as we often do, in 1970 this morning, looking at the No. 1 records in the various Billboard charts from fifty years ago today. Those records were:

“War” by Edwin Starr on the Hot 100.
“Signed, Sealed, Delivered I’m Yours” by Stevie Wonder on the R&B chart.
“Don’t Keep Me Hangin’ On” by Sonny James on the country chart.
“Snowbird” by Anne Murray on the easy listening chart
Cosmo’s Factory by Creedence Clearwater Revival on the pop album chart.
ABC by the Jackson 5 on the R&B album chart.
Charley Pride’s 10th Album on the country album chart.

As might be expected, I know everything but the country stuff from that list. And even though I should probably know more about Sonny James and Charley Pride than I do, I’m going to pass on them today, and we’re going to take a look at Creedence Clearwater Revival’s Cosmo’s Factory.

Even though I liked hearing CCR’s singles coming out of my radio in the years from 1969 to 1972, I never thought to get any of the group’s records until the summer of 1988, when I came across Willy And The Poorboys and Green River (probably used at a garage sale). The rest of the group’s catalog landed on my shelves during the years of vinyl madness in the late 1990s, with today’s topic – Cosmo’s Factory – coming home with me in October 1998.

Is it my favorite Creedence album? No, I think Green River take that label. But it’s got three Top Five double-sided singles: “Travelin’ Band/Who’ll Stop The Rain” (No. 2), “Up Around The Bend/Run Through The Jungle” (No. 4), and “Lookin’ Out My Back Door/As Long As I Can See The Light” (No. 2), as well as the eleven-minute jam on “Heard It Through The Grapevine.” So it’s got some cred.

Fifty years ago today, the album was in the second week of a nine-week run atop the Billboard 200, so here’s my favorite track from the album, “Long As I Can See The Light.” It’s today’s Saturday Single.

No. 55, Fifty-Five Years Ago

Friday, August 28th, 2020

We’re going to play a game of Symmetry today, checking out the Billboard Hot 100 from August 28, 1965, fifty-five years ago today. We’ll start with a look at the Top Ten and then check out No. 55. Here’s the Top Ten:

“I Got You Babe” by Sonny & Cher
“Help!” by the Beatles
“California Girls” by the Beach Boys
“Unchained Melody” by the Righteous Brothers
“It’s The Same Old Song” by the Four Tops
“Like A Rolling Stone” by Bob Dylan
“Save Your Heart For Me” by Gary Lewis & The Playboys
“Hold Me, Thrill Me, Kiss Me” by Mel Carter
“Down In The Boondocks” by Billy Joe Royal
“Papa’s Got A Brand New Bag” by James Brown & The Famous Flames

Well, the first six of that set is brilliant. I don’t know that much of anything has to be said about any of them. From there, it gets a little spotty. “Save Your Heart For Me” is a record I tend to forget about; when I think of Gary Lewis & The Playboys, it’s “This Diamond Ring” that pops into my head. I don’t think I’m the only one, and that may be a bit unfair. “Save Your Heart For Me” is a decent record that went to No. 2, as did the group’s “Count Me In.” And a couple other singles hit the Top Five as well.

But even when I think about it, “Save Your Heart For Me” doesn’t grab me. Nor does the Mel Carter single. Nor, really, does “Papa’s Got A Brand New Bag,” despite its great groove. As to “Down In The Boondocks,” I remember it fondly, but it’s kind of dwarfed by the brilliance of those first six records.

And five of those six are in my current listening in the iPod. The only one that isn’t is “Unchained Melody,” for reasons of the heart.

But what do we find when we head to our other business of the day, at No. 55? We find the second of two Top 40 records for an R&B group from Brooklyn: “I’m A Happy Man” by the Jive Five. A fun bit of stuff (though the almost incessant “happy man” does get a bit tiring), the record would peak at No. 36 (and at No. 26 on the magazine’s R&B chart).

The record wasn’t quite as big a deal as the group’s first hit, “My True Story,” which went to No. 3 in the Hot 100 and topped the R&B chart for three weeks in 1961. But it’s pretty good.

Another One On The Shelf

Wednesday, August 26th, 2020

The mail carrier dropped off another reference book by chart maven Joel Whitburn this week: Billboard #1s, 1950-1991.

The book lists the No. 1 records on the magazine’s various charts for each week. For instance, in the edition published the first Saturday of September 1953, the day on which I made my debut, the magazine’s various No. 1 records were:

“Vaya Con Dios” by Les Paul and Mary Ford on the pop best-seller and jukebox charts.
“No Other Love” by Perry Como on the pop disk jockey chart.
“Crying In The Chapel” by the Orioles on the R&B best seller and jukebox charts.
“A Dear John Letter” by Jean Shepard and Ferlin Husky on the country best-seller chart.
“It’s Been So Long” by Webb Pierce on the country disk jockey chart.
“Hey, Joe” by Carl Smith on the country jukebox chart.

I’ve heard only two of those: “Vaya Con Dios” and “Crying In The Chapel.” I’ll have to spend some time at YouTube for the others. But in the meantime, let’s look at another week, say the first week of June 1971, when I graduated from high school. By that time, the magazine had four singles charts and three album charts. The No. 1 records on the various charts were:

“Brown Sugar” by the Rolling Stones on the Hot 100.
“Want Ads” by the Honey Cone on the R&B chart.
“You’re My Man” by Lynn Anderson on the country chart.
“Rainy Days & Mondays” by the Carpenters on the easy listening chart.
Sticky Fingers by the Rolling Stones on the pop album chart.
Maybe Tomorrow by the Jackson 5 on the R&B album chart.
Rose Garden by Lynn Anderson on the country album chart.

Those are more familiar, obviously, than the No. 1s from the 1953 charts. I don’t know the Anderson single, nor am I familiar with her album or the album from the Jackson 5.

We’ll look at one more list today, the No. 1 records from the first week of December 1977, which was my first full week as a reporter at the Monticello Times:

“You Light Up My Life” by Debby Boone on the Hot 100.
“Serpentine Fire” by Earth, Wind & Fire on the R&B chart.
“Here You Come Again” by Dolly Parton on the country chart.
“How Deep Is Your Love” by the Bee Gees on the easy listening chart.
Simple Dreams by Linda Ronstadt on the pop album chart.
Rose Royce II/In Full Bloom by Rose Royce on the R&B album chart.
Elvis In Concert by Elvis Presley on the country album chart.

I know all the singles, as might be expected. I had the LP of the Ronstadt album and it’s on the digital shelves. I’ve never owned the Rose Royce or Elvis albums although there’s a little bit of Rose Royce and a lot of Elvis on the digital shelves. (Oddly, I do not find a listing for an album titled Rose Royce II. The group’s second album was In Full Bloom, so maybe it was an informal title used somewhere. I dunno.)

As for a tune for today, I checked, and Earth, Wind & Fire has been featured here only three times in thirteen-plus years, so here’s “Serpentine Fire.” (This is the track from the album All ’N’ All. From what I can see at Discogs, the single was nine seconds shorter.)

‘Hoverin’ By My Suitcase . . .’

Friday, August 21st, 2020

Brook Benton’s cover of Tony Joe White’s “Rainy Night In Georgia” popped up on iTunes the other day, but the volume of the song was low compared to the tracks that had come before. I did some checking, and the mp3 of the tune (the source of the iTunes file) also had a lower volume than most of the other mp3s on the digital shelves.

Blame the source, which I think was a borrowed CD.

So I found another source for another mp3 and replaced all the files. Now, when the track pops up on random, the opening guitar figure can grab my attention the way it did back in the early months of 1970, when I heard the record on KDWB, where it peaked at No. 17; WLS, where it peaked at No. 4; and WJON, which, as far as I know, did not offer surveys. (Am I right, Yah Shure?)

Nationally, the record peaked at No. 4 on the Billboard Hot 100. It also went to No. 2 on the magazine’s Easy Listening chart and spent a week at No. 1 on the R&B chart.

I’ve got a few other versions of the song, but Benton’s take on it remains my favorite, partly because it’s the first version I heard but mostly because its hushed sound and that opening guitar riff remind me of evenings in my room with my old RCA radio during my first Top 40 winter.

There are quite a few covers of the song out there; Second Hand Songs lists eighty-five versions, including White’s and Benton’s, and there are likely others not listed. I see versions listed there by Tennessee Ernie Ford, B.J. Thomas, Johnny Rivers, Chuck Jackson, Boz Scaggs, and Ray Charles, a duet by Sam Moore and Conway Twitty (from a 1994 album titled Rhythm Country and Blues), and instrumental takes by Al Hirt, Cornell Dupree, Boots Randolph, and more.

But we’ll close today with the original version of the song by Tony Joe White. It’s from his 1969 album . . . Continued.

What’s At No. 68?

Thursday, August 20th, 2020

I can’t resist today’s date: 8/20/2020. So we’re going to play Games With Numbers and turn those numerals into sixty-eight, and then we’ll check what was at No. 68 in the Billboard Hot 100 on this date during the seven years that make up my sweet spot, the years 1969 through 1975.

So, during the third week of August 1969, when the No. 1 record was “Honky Tonk Women” by the Rolling Stones, what was parked at No. 68? Well, it’s a record I don’t think I’ve ever heard: “I Do” by the Moments. The R&B trio from Hackensack, New Jersey, was eight months away from breaking through with the sweet “Love On A Two-Way Street,” and “I Do” went only to No. 62 in the Hot 100 (and to No. 10 on the Billboard R&B chart). Listening this morning, it sounds shrill.

A year later, the third week of the eighth month of 1970 found Bread’s “Make It With You” at No. 1. Our target spot down the chart was occupied by a short version of one of my favorite tracks from that summer fifty years ago: A cover of Neil Young’s “Down By The River” by drummer Buddy Miles & The Freedom Express. The link is to the single version, which I don’t recall hearing; Rick and I heard the album track – a much better piece of work – on WJON during late evenings in his screen porch that season. We’ve caught the record at its peak; it would go no higher than No. 68.

Sitting at No. 1 forty-nine years ago this week was the Bee Gees’ “How Can You Mend A Broken Heart.” The No. 68 record during that week in 1971 was one of the two hits I recall from my college years to feature a banjo solo: “Sweet City Woman” by the Stampeders, a trio from Calgary, Alberta. (“Dueling Banjos” from the movie Deliverance is the other I recall; there are likely more.) The Stampeders’ record went to No. 8 in the Hot 100 and to No. 5 in the magazine’s Easy Listening chart. And you know, you can do lots worse than love and tenderness and macaroons.

On to 1972, when the No. 1 record as August 20 went past was “Brandy (You’re A Fine Girl)” by the Looking Glass (and its mention brings back radio memories as Rick, Gary and I drove to Winnipeg, Manitoba). As we drove, we likely also heard the A-side of the single at No. 68 that week: “Burning Love/It’s A Matter Of Time” by Elvis Presley. (I don’t know that I’d ever heard the B-side until today.) “Burning Love” was Presley’s last big hit in the Hot 100, as it peaked at No. 2. (He would still have Top Ten hits on the Easy Listening and Country charts.) On the Billboard Easy Listening chart, the record – with “It’s A Matter Of Time” listed as the A-side, according to Joel Whitburn’s top adult songs book – went to No. 9.

“Brother Louie” by the Stories sat atop the Hot 100 as the third week of August 1973 ended and the fourth week began. Down at our target slot that week was the title track from Alice Cooper’s current album, “Billion Dollar Babies.” I admit that I’ve listened to very little of Cooper’s work over the years, and in 1973, I was, I guess, pointedly ignoring it as gauche or something. The record had guest vocals from Donovan, but still disappointed, peaking at No. 57, considerably lower than Cooper’s last few singles.

Perched at No. 1 as the third week of August 1974 passed was “(You’re) Having My Baby” by Paul Anka and Odia Coates. Hoping for better, we drop down to our target at No. 68 and find “Finally Got Myself Together (I’m a Changed Man)” by the Impressions, a record I do not recall and honestly doubt that I’ve ever heard until today. It’s a sweet soul/R&B side, underlaid with the social awareness that ran through much of Curtis Mayfield’s work. The record peaked at No. 17 in the Hot 100 and spent two weeks on top of the Billboard R&B chart.

Forty-five years ago this week, as August 1975 spooled out, the No. 1 record was “Fallin’ In Love” by Hamilton, Joe Frank & Reynolds. Sixty-seven spots further down the chart, we find, again, the Impressions, this time with “Sooner Or Later,” a tale of romantic consequences told with an irresistible groove. The record went no higher on the Hot 100, but went to No. 3 on the R&B chart.

Saturday Single No. 701

Saturday, August 15th, 2020

Of all the books about music on my shelves – and there are many, encompassing biographies, histories, chart references and more – the one that’s least used, I would guess, is The Billboard Book Of No. 2 Hits.

Written by Christopher G. Feldman, the book catalogs the records that have peaked at No. 2 on the magazine’s main singles chart(s) from 1955 through 1999. (Yeah, it’s more than twenty years out of date now, but since the focus of this blog is generally the years, oh, from 1965 to 1977, that doesn’t matter.) Feldman provides a brief history of the record and notes which record (or records) kept it from reaching the top of the chart.

(The book starts in 1955 because – and I don’t know why I’m explaining this to readers who most likely already know it – that was the year when “Rock Around The Clock” by Bill Haley & The Comets became the first rock & roll record to reach No. 1 on any of the magazine’s charts, kind of a Big Bang for chart geeks.)

The first entry in Feldman’s book is for “Melody Of Love” by Billy Vaughan & His Orchestra, which hit No. 2 during the first week of March 1955 on both the Best Seller and Disc Jockey charts. Vaughan’s instrumental version was one of five covers of the 1903 song (some with newly written lyrics) to chart in 1955. It was blocked from the top spot by the McGuire Sisters’ “Sincerely.”

The year with the most records peaking at No. 2 was 1969 with sixteen, three of them – “Proud Mary,” “Bad Moon Rising” and “Green River” – by Creedence Clearwater Revival. (CCR also peaked at No. 2 twice in 1970 with “Travelin’ Band” and “Lookin’ Out My Back Door,” but remarkably never hit No. 1.)

And because we looked at a chart from 1977 yesterday, I’m just going to list the records that peaked at No. 2 that year and see what we can find for a single this morning. The records from 1977 in Feldman’s book are:

“Fly Like An Eagle” by Steve Miller
“I’m In You” by Peter Frampton
“Your Love Has Lifted Me (Higher & Higher)” by Rita Coolidge
“Float On” by the Floaters
“Keep It Comin’ Love” by KC & The Sunshine Band
“Nobody Does It Better” by Carly Simon
“Boogie Nights” by Heatwave
“Don’t It Make My Brown Eyes Blue” by Crystal Gayle

Two of those – the singles by Frampton and Coolidge – were in the chart we looked at yesterday. A few of the others, I’ve featured before. But it seems I’ve never, in this blog’s thirteen-plus years, featured a record by KC & The Sunshine Band. So, okay. “Keep It Comin’ Love” was at No. 2 for three weeks in October 1977, kept from the top spot by “Star Wars Theme/Cantina Band” by Meco and “You Light Up My Life” by Debby Boone. And it’s today’s Saturday Single.

What’s At No. 100? (August 1977)

Friday, August 14th, 2020

Thinking, as we did a week ago, of years that we don’t often dabble in, we’re going to take a look at 1977 today. It’s a year we’ve featured only fifty times since setting up our own website ten years ago.

What was going on in mid-August of 1977? I was renting a small mobile home in the little burg of Sauk Rapids (just north of St. Cloud) finishing a minor in print journalism at St. Cloud State, thinking about newspaper employment, and reconnecting with the young woman who would in a year become the Other Half, as we’d taken an eight-week break from each other that summer.

So where was I getting my music? My bedroom radio was tuned to a Sauk Rapids FM station called WHMH, which I guess was programmed as adult contemporary; the radio in the kitchen was tuned to WJON, which I listened to mostly in the late evenings. I’d brought a few of my albums from Kilian Boulevard and borrowed Mom and Dad’s portable stereo and had it sitting on top of the refrigerator. And in the offices of the University Chronicle, where I was the arts editor, the radio was most often tuned to KCLD, a St. Cloud Top 40 station.

That means the Billboard Top Ten from August 13, 1977, should not be unfamiliar. We’ll start there and then drop down and check out No. 100.

“I Just Want To Be Your Everything” by Andy Gibb
“I’m In You” by Peter Frampton
“Best Of My Love” by the Emotions
“(Your Love Has Lifted Me) Higher & Higher” by Rita Coolidge
“Do You Wanna Make Love” by Peter McCann
“My Heart Belongs To Me” by Barbra Streisand
“Easy” by the Commodores
“Whatcha Gonna Do?” by Pablo Cruise
“You & Me” by Alice Cooper
“You Made Me Believe In Magic” by the Bay City Rollers

I recall, without prompting, hearing seven of those during that distant summer, all except the McCann, Streisand and Bay City Rollers singles. I know I’ve heard the McCann since, and don’t much care for it. For the other two, a trip to YouTube may help. And it took only a few seconds for me to remember the Streisand record, and I think I like it more than I did then. The Bay City Rollers record, well, it’s not bad as I listen forty-three years later, but I don’t remember it.

Of the seven I do recall, the only ones I truly liked in 1977 were “Easy” and “Whatcha Gonna Do?” The Andy Gibb and Emotions records were fine and still are, but the Frampton, the Coolidge and the Cooper didn’t grab me then, and of those, only the Coolidge record, I’d guess, might catch my attention now.

So how many records from that Top Ten are in my current listening? A look at the iPod’s contents finds the tracks by Andy Gibb, the Commodores and Pablo Cruise. The records by the Emotions and Streisand may join them.

And now, on to our other business of the day, checking out the No. 100 record in that Billboard chart from forty-three years ago. And it turns out to be the Eagles’ “Life In The Fast Lane,” falling fast from No. 60 the previous week. It had peaked at No. 11.

The Eagles, for some reason, have hardly been mentioned in this space. “Tequila Sunrise” showed up in a random game in 2013, and “Take It To The Limit” was included in the Ultimate Jukebox in 2010. Why so little attention? I have no idea. I like the band’s work, for the most part, and there’s nothing in their catalog that makes me skip to the next track. And nine of their records are in the iPod. It’s a mystery, I guess.

And here’s another mystery: The Eagles’ studio version of “Life In The Fast Lane” is not available at YouTube. So here’s Joe Walsh’s performance of it as a member of Ringo Starr’s first All Starr Band in 1989. Joining Ringo and Joe onstage were Levon Helm, Dr. John, Rick Danko, Nils Lofgren, Billy Preston, Clarence Clemons and Jim Keltner. (Zak Starr also played in this concert when his dad was at center stage.)

No. 40 Forty Years Ago

Friday, August 7th, 2020

We’ll dabble in 1980 today, a year we don’t often visit. (The search function at the right side of the page tells me we’ve featured the year just twenty-eight time since we set up our own site on the ’Net nearly 1,600 posts ago.)

Why so few? Well, it was about that time, as I’ve noted here before, that Top 40 music began to speak less and less to me, and I certainly had less time to listen, anyway, being busy with reporting and husbanding.

So, let’s take a look at the Billboard Hot 100 from August 9, 1980. I’m relatively sure most of the records in its Top Ten will be familiar, but I’m not at all certain how favorably they will be remembered. Then we’ll play Symmetry and see what was sitting at No. 40 forty years ago this week.

Here’s the Top Ten from August 9, 1980:

“Magic” by Olivia Newton-John
“It’s Still Rock & Roll To Me” by Billy Joel
“Little Jeannie” by Elton John
“Take Your Time (Do It Right) (Part 1)” by the S.O.S. Band
“Sailing” by Christopher Cross
“Shining Star” by the Manhattans
“Emotional Rescue” by the Rolling Stones
“Cupid/I’ve Loved You For A Long Time (Medley)” by the Spinners
“Coming Up (Live At Glasgow)” by Paul McCartney
“Upside Down” by Diana Ross

Well, they’re all familiar, though I had to head to YouTube for a reminder of the S.O.S. Band’s single and, oddly, the Stones’ record.

Did I like any of those records forty years ago? The Elton John single was all right, as was the Christopher Cross, and I kind of like the Newton-John and Manhattans records, too. I thought “It’s Still Rock & Roll To Me” was wooden and silly, and the Spinners’ medley was a long distance from their greatness only a half-decade before. The McCartney/Wings record didn’t matter, and although I wasn’t fond of “Upside Down,” it turns out today to be an earworm of great power.

Do any of them matter today? Only one. “Sailing” is the only one of those ten records among the 2,700-some in the iPod. Having been reminded of “Little Jeannie” and “Magic,” I might drop them into the device.

Now, on to our other task, checking out the record that was at No. 40 forty years ago.

Well, it’s a record that I recall hearing back then, though I haven’t thought about it for years: “Someone That I Used To Love” by Natalie Cole. The record was in its eighth week on the chart, and would hang around for another thirteen weeks, peaking at No. 21. That was also where it peaked on the magazine’s R&B chart. It did much better on the magazine’s Adult Contemporary chart, peaking at No. 3.

Saturday Single No. 699

Saturday, August 1st, 2020

Here’s the Billboard Top Ten from forty-five years ago this week, the first week of August 1975:

“One Of These Nights” by the Eagles
“I’m Not In Love” by 10cc
“Jive Talkin’” by the Bee Gees
“Please Mister Please” by Olivia Newton-John
“The Hustle” by Van McCoy & The Soul City Symphony
“Someone Saved My Life Tonight” by Elton John
“Midnight Blue” by Melissa Manchester
“Listen To What The Man Said” by Paul McCartney & Wings
“Rockin’ Chair” by Gwen McCrae
“Dynomite – Part 1” by Tony Camillo’s Bazuka

I can live without “Dynomite,” although it’s better today that I thought it would be. I remember not being impressed by the TV show Good Times (which makes sense as I was not a member of its target audience), and I found Jimmie Walker’s exclamations of “Dynomite!” tiring as they echoed in the popular culture canyons that season.

The rest of that top ten has worn well, for the most part. If I were to rank those nine, there would be a first tier occupied by the Eagles, the Bee Gees, McCartney & Wings, and Manchester. Any of those are welcome in my ear buds at any time. The other five? Well, I don’t mind hearing them now and then, except for the Newton-John single.

Not all of the eight that I like are in my current listening in the iPod, at least not as I begin writing. I’m still reconstructing the device’s contents after clearing it earlier this summer. But by the time this piece is finished, the only two singles from that top ten not in my current playlist with be “Dynomite” and “Please Mister Please.”

We’re not going to look at No. 100 today. I glanced ahead, and it’s a single by the Mystic Moods (having dropped “Orchestra” from its name) that’s been featured here twice in the life of this blog. Instead, we’ll play Games With Numbers, using today’s date as a guide, and look at No. 81 from that Hot 100 of forty-five years ago.

And we fall onto the next-to-last Hot 100 hit from the long career of Frank Sinatra, “I Believe I’m Gonna Love You.” It was in the first of seven weeks in the chart; it would peak at No. 47. I’ve not heard it before, and as I listen, I note that its lyric is studded with clichés, but hey, it’s Sinatra, And it’s today’s Saturday Single.

‘You Don’t Hold Me So Well . . .’

Friday, July 24th, 2020

We’ve spent some time during the past fortnight in the Billboard easy listening and album charts from July 1970, and I thought it might be interesting this morning to look at the KDWB survey from late July of that year to see what it was I was really listening to as I made my way through my last high school summer.

Here’s the Top Ten from KDWB’s 6+30 survey from July 27, 1970:

“Band Of Gold” by Freda Payne
“(They Long To Be) Close To You” by the Carpenters
“Mama Told Me (Not To Come)” by Three Dog Night
“Go Back” by Crabby Appleton
“Tighter, Tighter” by Alive & Kicking
“Teach Your Children” by Crosby, Stills, Nash & Young
“Song Of Joy” by Miguel Rios
“Question” by the Moody Blues
“Make It With You” by Bread
“O-o-h Child” by the Five Stairsteps

I wasn’t doing much during the summer of ’70. I worked the four days of the state trap shoot for $60, probably tried to pass my driver’s license test a couple of times – it took me five tries, the fifth one coming in October of 1970 – and otherwise hung around in various places with Rick and in the basement rec room with him or by myself, listening to my slender but growing LP collection.

August would bring two-a-day football practices (I would be the head manager), but that was still at least a week away fifty years ago this week.

But each of those ten records was part of the soundtrack of that summer, and they remain vivid. (All of them save “Teach Your Children” are in my day-to-day listening in the iPod.) Some of them I heard frequently in the years to follow, others less so. I’d guess the one I heard least was the Crabby Appleton; when I got my first ’Net-worthy computer in 2000 and started collecting mp3s and scavenging for music, finding “Go Back” was one of those moments of “Good lord, I haven’t heard that for years!”

“Go Back” wasn’t a huge hit nationally for the California band, peaking only at No. 36 in the Billboard Hot 100, but it did much better in the Twin Cities, peaking at No. 4 on KDWB and at No. 5 on WDGY.

Having found it sometime between 2000 and 2007, I included it eleven years ago in my Ultimate Jukebox. And here it is again.