Archive for the ‘Games With Numbers’ Category

Chart Digging: March 15, 1958

Wednesday, March 15th, 2017

We don’t spend a lot of time here back in the 1950s. The main reason for that is that I don’t remember much about the decade. I was six and in first grade when the calendar flipped from 1959 to 1960, and I have a few specific memories from that school year – and from kindergarten the year before – but other than those, I have just vague impressions of the last years of that decade.

As for Odd and Pop, I have no idea where they were or what they were up to back then. Probably complicating the life of an aspiring folk musician in a small college town somewhere. I can hear Pop saying, “Enunciate! Quit dropping those g’s!” while Odd tells him, “Bongo drums and some bird calls would work well with that.”

But we are in the 1950s today (although likely without either bongos or bird calls). Why?

Well, I was digging this morning into the Billboard charts from March 15 over the years, planning on playing Games With Numbers with today’s date and checking out the No. 35 record from four or so charts from 1958 to 1980, and then I dug into the Top 100 from March 15, 1958. (It would be called the Hot 100 beginning that August).

And that week, there was no record at No. 35. Instead, three records were tied at No. 33. Close enough, I thought, noting that the three records offer three different levels of success and consequent fame: One megastar, one well-remember performer, and one obscure and perhaps mostly forgotten group.

The first of the three records at No. 33 in that chart from fifty-nine years ago was from Ricky Nelson, whose “Stood Up” had already peaked, spending three weeks at No. 2, according to Joel Whitburn’s Top Pop Singles. It was Nelson’s fourth Top Ten record; sixteen more singles and four EPs would also hit the Top Ten. “Stood Up” also went to No. 4 on the Billboard R& B chart and to No. 5 on the magazine’s country chart. Beyond that, there’s not a lot new to say here because, hey, he was Ricky Nelson, and we pretty much all know the story.

Listed second among the three records tied during that long-ago week was “Betty and Dupree” from Chuck Willis, which was at its peak. The record was a trimmed and decriminalized version of a blues song based on a 1919 robbery of a jewelry store in Atlanta that had been recorded in various versions since at least 1931. Willis, who’s nevertheless credited as the writer on single labels I’ve seen, dropped the robbery, Dupree’s arrest, and his eventual hanging and made the tune a simple, swaying story of love that went to No. 15 on the R&B chart as well as peaking at No. 33 on the pop chart. It’s not the record for which the short-lived Willis is most remembered; that would likely be “C.C. Rider,” which went to No. 12 on the pop chart and to No. 1 on the R&B chart in 1957.

That’s all interesting enough, but – getting away from the original topic here – it turned out that “Betty and Dupree,” was the next-to-last record Willis saw reach the charts. The last was “Hang Up My Rock And Roll Shoes,” which entered the Top 100 on April 28, 1958, two days before Willis died from a bleeding ulcer. In one of life’s ironies, the B-side, “What Am I Living For,” hit the R&B chart a week later and the Top 100 a week after that, and would out-perform the A-side, peaking at No. 9 on the pop chart and spending a week on top of the R&B chart.

And then we get to the third of the records tied at No. 33 in that Top 100 from March 15, 1958: “7-11” by the Gone All Stars. Whitburn tells us that the tune is a rock version of Perez Prado’s 1950 record, “Mambo No. 5.” As to the Gone All Stars, Whitburn says they were studio musicians led by black sax player Buddy Lucas. (Lucas’ entry at Wikipedia includes a brief and incomplete listing of his work as a leader and sideman from the years 1952 to 1976 and also offers the thought that Lucas was “possibly more famous for his session work on harmonica.”) The record was released on the Gone label – as were at least one other single and an EP by the group – and for me, the fact that the group was seemingly named for the label takes some of the Fifties-era hipness out of the group’s name.

Saturday Single No. 531

Saturday, March 11th, 2017

We’re gonna do the fifty years ago thing this morning because it’s fun and because the Airheads Radio Survey Archive just happens to have in its files the “The Big 6+30” from the Twin Cities’ KDWB from March 11, 1967, fifty years ago today.

And to find our Saturday Single, we’ll play Games With Numbers with today’s date – 3/11/17 – and check out the records that were at No. 11, No. 17 and No. 28 in “The Big 6+30” from that long ago date.

But first, let’s think about March of 1967 from the view of a 13-year-old whiteray. He was making his way through the thickets of eighth grade, dealing well enough with a basic curriculum of geometry, geography, English, Earth science, industrial arts and phy. ed. (Looking back fifty years this morning, I’m surprised that I don’t recall any art classes from that year; perhaps the junior high powers had observed my efforts during seventh grade and had wisely decided there was no point in investing any more tempera paint or India ink into my decidedly mediocre work.)

He’d had his tonsils out in February, and his throat was still a little tender. His heartfelt overtures to a cute blonde contemporary had been rebuffed sometime that winter, and his feelings were still a little tender. And he’d been kept after school sometime over the winter for defacing, literally, a magazine cover.

One thing he wasn’t doing – as I’ve noted here many times over more than ten years – was paying any attention to KDWB and its Top 40 music. He heard the station’s output at home when his sister listened and at friends’ homes, so much of what was on “The Big 6+30” fifty years ago would have been familiar if not favored. Here’s the station’s Top Five from that week:

“Ruby Tuesday” by the Rolling Stones
“The Beat Goes On” by Sonny & Cher
“My Cup Runneth Over With Love” by Ed Ames
“Kind Of A Drag” by the Buckinghams
“I Had Too Much To Dream (Last Night)” by the Electric Prunes

Of those five, the only one I knew well was Ames’ single, and being even then an utter romantic, I adored it. Could I have told you why? Not then. (I could now, I think, but there’s no point in my trying after reading my pal jb’s tender assessment of the record in a post from five years ago at And The Hits Just Keep On Comin’.) And I would have heard Ames’ single more frequently on the Twin Cities’ WCCO or St. Cloud’s KFAM, as the record topped the Billboard Easy Listening chart (now called Adult Contemporary) for four weeks that winter.

Three of the other four in that top five are vague portions of the soundtrack of those times. The only one of KDWB’s Top Five that doesn’t ring old bells is the single by the Electric Prunes. But what about our three targets for this morning’s exercise?

Sitting at No. 11 in KDWB-Land was “Gimme Some Lovin’” by the Spencer Davis Group. The No. 17 slot was occupied by “So You Want To Be A Rock ’N’ Roll Star” by the Byrds. And the No. 28 record in “The Big 6+30” was “Then You Can Tell Me Goodbye” by the Casino.”

I don’t recall the Byrds’ single from my life in 1967. The other two records ring those old bells: “Gimme Some Lovin’” because its unmistakable intro would have ingrained itself into the head of any kid whether he liked rock music or not, and the Casinos’ record because it was pretty and romantic, qualities that spoke to the awkward and lonely lad that I was. It was also fairly pragmatic, given the repeated line, “If it don’t work out,” a subtle virtue I did not grasp then and would not grasp in music or romance for many years to come.

By this time fifty years ago, the Casinos’ record had already peaked at No. 14 on KDWB and was on its way down. In the Billboard Hot 100 fifty years ago this week, “Then You Can Tell Me Goodbye” was peaking at No. 6. (Given that the record was so clearly out of step with nearly every trend in pop music at the time, sounding like it belonged to, say, 1961 instead of 1967, I was startled to see this morning that it made no dent in the Easy Listening chart.)

So, it’s pretty, romantic and pragmatic; it’s only been mentioned twice here in more than ten years (once in 2007 and once earlier this winter); and it reminds me of a thirteen-year-old whiteray anxiously awaiting the day when he’d understand both girls and love (and of course, he still doesn’t fully understand either). Because of all that, the Casinos” “Then You Can Tell Me Goodbye” is today’s Saturday Single.

‘The Survey Says . . .’

Wednesday, January 18th, 2017

It’s time to dig into some radio station surveys. We’re going to look at four of them from this week in 1967, fifty years ago, and we’re going to take today’s date – 1/18/17 – to choose our targets. We’ll check out the No. 18 and No. 35 records at each of the four stations and then note as well the No. 1 record at each station.

We’ll start here in the Northland and see what my peers were hearing as we slogged through the middle of eighth grade during the third week of January 1967. On the “Big 6 Plus 30” from the Twin Cities’ KDWB, the No. 18 record was “(I Know) I’m Losing You” by the Temptations. Nationally, it would peak at No. 8 in the Billboard Hot 100 and at No. 1 on the magazine’s R&B chart.

Parked at No. 35 was “Music To Watch Girls By” by the Bob Crewe Generation. Often mistaken then and now as an entry from Herb Alpert & The Tijuana Brass, the record reached No. 15 in the Hot 100 and went to No. 2 on the chart now called Adult Contemporary.

The No. 1 record at KDWB fifty years ago was “I’m A Believer” by the Monkees.

Out on the West Coast, the Fabulous Forty at KFXM – serving San Bernardino and Riverside – showed “Music To Watch Girls By” at No. 18, up one spot from a week earlier. Sitting at No. 35 fifty years ago this week was the great and foreboding “Standing In The Shadows Of Love” by the Four Tops. It would peak at No. 6 in the Hot 100 and at No. 2 on the R&B chart.

The No. 1 record at KFXM during this week in 1967 was “Tell It Like It Is” by Aaron Neville.

We’ll head toward the East Coast via Texas, where we’ll take a look at the Superhit List at San Antonio’s KBAT. Sitting at No. 18 fifty years ago this week was “Knight in Rusty Armor” by Peter & Gordon. Labeled a novelty record by Joel Whitburn in Top Pop Singles, it went to No. 15 in the Hot 100. The No. 35 record at KBAT during that long-ago week was the lovely “Then You Can Tell Me Goodbye” by the Casinos, which peaked at No. 6 in the Hot 100.

The No. 1 record at KBAT fifty years ago this week was “Tell It Like It Is.”

We end our trip ’round the Lower 48 with a stop at WPOP in Hartford, Connecticut, where the functionally titled “Music List” showed “Mustang Sally” by Wilson Pickett taking the spot at No. 18. It would reach No. 23 in the Billboard Hot 100 and get to No. 6 on the magazine’s R&B chart. Parked at No 35 in Hartford that week was “I Need Somebody” by ? & The Mysterians, a record that would get to No. 22 in the Hot 100.

WPOP’s No. 1 record during the third week of January 1967 was “Good Thing” by Paul Revere & The Raiders

Casting my memory back, I knew (and liked very much) both the Bob Crewe record and the Casinos record, which should surprise nobody, as I was still in easy listening mode. I heard the records by the Temptations, the Four Tops and Wilson Pickett all around me – “Mustang Sally” less frequently than the other two, most likely – but at that time, and for a few years to come, I could not have told you the performers’ names.

As far as I know, I’d never heard either “Knight In Rusty Armor” or “I Need Somebody” until this morning. “Knight . . .” doesn’t do much for me, but I kind of dig “I Need Somebody,” especially the winking organ solo that falls for a few moments into “Mary Had A Little Lamb.”

Chart Digging: October 12

Wednesday, October 12th, 2016

It’s time for some Games With Numbers. We’re going to take today’s date – 10-12-16 – and turn it into 38, and then we’ve going to see what was at No. 38 on some Billboard Hot 100 charts on October 12 from the years we like best around here, the 1960s and 1970s.

Because of the way the calendar works, we have only three charts to work with, those from 1963, 1968 and 1974. But that’s okay, because those three years are parked in very clear and different eras. Along the way, as well as listening to No. 38 from those three specific charts, we’ll check out the No. 1 singles from those weeks.

First up: October 12, 1963, a little less than four months before Beatlemania and the first British Invasion. So what was at No. 38 in that long-ago week? We find “The Kind Of Boy You Can’t Forget” by the Raindrops. And it turns out that the Raindrops were only the song-writing team of Jeff Barry and Ellie Greenwich (who were married at the time). Their credits include “Be My Baby,” “Da Doo Ron Ron,” “Chapel of Love,” “River Deep-Mountain High” and many, many more as a team and as individuals. Sadly, “The Kind Of Boy You Can’t Forget” isn’t a classic. It was, however, the best-performing of the six records the Raindrops got into or near the Hot 100, peaking at No. 17. (Oddly, the record covers shown on the official videos for the Raindrops at YouTube show three members; I don’t know who the second woman is, and she’s not mentioned at Wikipedia or in Joel Whitburn’s Top Pop Singles.)

The No. 1 record in the Hot 100 for October 12, 1963, was “Sugar Shack” by Jimmy Gilmer & The Fireballs.

Moving ahead to 1968, we find “Hold Me Tight” by Johnny Nash parked at No. 38. And that’s coincidental, as last evening, I was reviewing some long-ago posts and came across the 2008 post titled “First Friday: November 1968,” looking at the news and music of that month. The post had included a look at the Top 15 as the month began, and I had noted that Nash’s single – sitting at No. 8 by that time – was one I did not remember ever hearing. It’s still not all that familiar; it doesn’t say “1968” to me. But it’s a sweet reggae-influenced record, and it peaked at No. 5, making it the second-most successful single of Nash’s long career. (He placed twenty-three records in or near the Hot 100 over a span of nearly twenty years, from 1957 to 1976.) His most successful record, of course, was “I Can See Clearly Now,” which spent four weeks at No. 1 in November 1972.

Topping the Hot 100 during the second week of October 1968 was the Beatles’ “Hey Jude,” in the third of its eventual nine weeks at No. 1.

Lastly, we look at the Hot 100 from October 12, 1974. The No. 38 record that week was one of my favorites from the year, “Everlasting Love” by Carl Carlton. The Detroit native had first reached the charts in 1968 when he was 15 and “Competition Ain’t Nothin’” went to No. 75 (No. 36 on the R&B chart). “Everlasting Love” was by far the best-performing of Carlton’s singles, peaking at No. 6 (No. 11, R&B), and it’s one of those records that say “1974” to me, bringing back a welter of memories from that tumultuous autumn. I like it so much, in fact, that I’m tempted to resurrect the category of Jukebox Regrets and stuff it into the overcrowded Ultimate Jukebox I constructed back in 2010. But no; I’ll just make sure it’s in the iPod so it can show up sometime during one of my Dishwashing Music posts on Facebook.

The No. 1 record during this week in 1974 was Olivia Newton-John’s “I Honestly Love You.”

‘You Ain’t Never Been . . .’

Tuesday, September 13th, 2016

Responsibilities accumulate and errands call. That’s okay; as some younger folks call it these days, that’s adulting. And I’m feeling better today than I did last week. Not entirely back, but closer than I was.

So to keep things brief here but still find some music I’d not heard before (or at least hadn’t thought about for a long time), I ducked into the Billboard Hot 100 from this date in 1975, and played with the numbers today’s date gave me: 9-13-75.

I didn’t expect anything new at Nos. 9 or 13, and I was right. At No. 9, I got “Run, Joey, Run” by David Geddes, a record that I try not to think about, and at No. 13, I got “That’s The Way Of The World” by Earth, Wind & Fire, a record that I’m happy to think about but one that’s eminently familiar.

So Odd and Pop and I turned our gaze to No. 75 in that long-ago chart and found Jessi Colter’s: “You Ain’t Never Been Loved (Like I’m Gonna Love You).” I’d never heard it, so as it played, I hit the books and the charts. It turns out that some of the info in the weekly charts I got from a board or forum long ago conflicts slightly with the information in my reference library. That on-line compilation – in which I have found some errors over the years – indicates that “You Ain’t Never . . .” is a double-sided single, with “What’s Happened To Blue Eyes” on the flip.

But the listing of the Hot 100 at the Billboard website lists only “You Ain’t Never . . .” at No. 75 for the week in question. In Top Pop Singles, Joel Whitburn shows “You Ain’t Never . . .” entering the Hot 100 on September 6 and peaking at No. 64, with “Blue Eyes” coming into the chart on October 11 and peaking at No. 57. Whitburn’s listing seems to indicate that “Blue Eyes” was the A side, and in fact, “Blue Eyes” went to No. 5 on the magazine’s country chart and “You Ain’t Never . . .” did not hit the country Top 40.

If there’s a mystery there, I’ll not be unraveling it this morning. And having listened to both of the tracks this morning, I find “You Ain’t Never Been Loved (Like I’m Gonna Love You)” to be a better record, one that I like pretty well on first listen. So here it is, and I’ll be off to take care of my world.

Saturday Single No. 507

Saturday, August 20th, 2016

There’s been some hoopla in recent weeks about the fiftieth anniversary of the release of the Beatles’ Revolver album. (And it’s been deserved hoopla at that: I’d put Revolver second among the Beatles’ oeuvre behind only Abbey Road and somewhere in the top dozen of the greatest albums of all time.) So I thought I’d check a few radio station surveys from August 20, 1966, and see what a few of the hits were fifty years ago today, when kids who bought Revolver the day it came our had been listening to it for a couple weeks.

(Of course, American kids were listening to an abridged and diminished version of the album, as Capitol sliced three tracks from the album and scrambled the original order of the ones remaining, which means that most listeners in the U.S. didn’t hear the album as it was originally envisioned until the group’s catalog was reissued on CD.)

So what was on the radio fifty years ago, based on a limited look? We’ll check out three station surveys and look at No. 8 and No. 20 (based on today’s date) and also take a look at No. 1.

First up is the WCTC Sound Survey out of New Brunswick, New Jersey, not all that far from New York City. The No. 8 record there was Donovan’s “Sunshine Superman,” which at the time was sitting at No. 10 in the Billboard Hot 100. At No. 20 in New Brunswick was the Mamas & The Papas’ “I Saw Her Again,” which Billboard had at No. 24. The No. 1 record on the Sound Survey fifty years ago today was the Lovin’ Spoonful’s “Summer In The City,” which also topped the Hot 100.

Not far away from me during that week fifty years ago – about 140 miles – WEBC in Duluth, Minnesota, offered “The Northland’s Original and Only Fabulous Forty Survey.” Parked at No. 8 was “Somewhere, My Love” by the Ray Conniff Singers (No. 19 in the Hot 100), while the No. 20 record on WEBC was Bryan Hyland’s “The Joker Went Wild” (No. 21). The top record in the Northland during that long-ago week was “Little Red Riding Hood” by Sam the Sham & The Pharaohs (No. 3 in the Hot 100).

In southern California, some listeners were taking their cues from the KIST List sent out by KIST of Santa Barbara. Sitting at No. 8 in the KIST List that week was “Guantanamera” by the Sandpipers (No. 27 in the Hot 100), while the No. 20 spot was occupied by “Tar & Cement” by Verdelle Smith (No. 38). The No. 1 record on KIST fifty years ago today was “Psychotic Reaction” by Count Five, which would not enter the Hot 100 for another three weeks.

Looking at the three records from those three surveys brings something that’s rare and possibly unique. Usually, when I do these survey digging posts, I have some repeat records listed among the three to five stations I choose pretty much by whim. Today, we have nine different records. I don’t think that’s happened before, but if it has, it’s been rare.

We usually drop the No. 1 records, but I’m pretty impressed with the folks at KIST, who had “Psychotic Reaction” at No. 1 before it entered the Hot 100, so that one will be considered for today’s spotlight. Among the other eight records, most are familiar. I don’t remember hearing Hyland’s “The Joker Went Wild” before today, and I thought it was pretty slight. The rest I know, most of them well. The least-known of those in these precincts is probably “Tar & Cement.”

And there’s something else to consider this morning: In more than ten years of blogging about popular music, I have never once until today mentioned either Verdelle Smith or Count Five. And given that I want something with a little more bite to it this morning, here’s “Psychotic Reaction” by Count Five, today’s Saturday Single.

Saturday Single No. 495

Saturday, May 7th, 2016

So we’ll cast our glance at the Billboard Hot 100 from May 7, 1966, exactly fifty years ago today, and see what we can find. And yes, we’ll play some games with numbers, taking today’s date – 5/7/16 – and turning it into No. 12, No. 23 and No. 28 to find a single for a Saturday.

But we’ll start with a quick look at the No. 1 record of the week, which turns out to be “Monday, Monday,” by The Mamas & The Papas, the second charting record for the quartet (“California Dreamin’” had gone to No. 4 in early 1966). They’d have seven more Top 40 hits and a bunch more in and near the Hot 100 before the magic ran out. They were, it seems to me, one of those groups – like the Beatles, the Rolling Stones and the best of the Motown groups – than even an unhip kid could not miss in the mid-1960s. I remember hearing their stuff and liking it long before I was a dedicated Top 40 listener.

Sitting at its peak of No. 12 fifty years ago today was a record I do not remember ever hearing until this morning, “Try Too Hard” by the Dave Clark Five. I imagine I did hear it somewhere, but it clearly made no impression. Nor did anything by the Dave Clark Five. I have none of the group’s LPs although I imagine some of their singles are on some of the various anthologies, but those tracks certainly weren’t the reasons for buying the collections. And I find only two mp3s by the group on the digital shelves, and both of those came my way in the portions of the massive Lost Jukebox collection I found somewhere in the wild. I clearly never cared for or about the Dave Clark Five, and I doubt that will change now.

The record parked at No. 23 fifty years ago today is one that I did hear back then and still like today: “A Sign Of The Times” by Petula Clark, coming down the chart after peaking at No. 11 (and at No. 2 on the magazine’s Adult Contemporary chart). I remember hearing – probably because of her presence on the AC chart – and liking everything Petula from 1964’s “Downtown” through her last Top Ten hit, “Don’t Sleep In The Subway,” in mid-1967. I guess you could call her one of my faves: I’ve got maybe five of her LPs on the shelves and about fifty mp3s tucked away in the chips, including a 1975 cover of Mocedades’ “Eres Tu,” which is one of those songs I collect in as many versions as possible.

And at No. 28 in the Hot 100 from fifty years ago today, we find an Elvis Presley track from one of the many movies Elvis starred in that are pretty lightly regarded these days (and likely were similarly regarded when they came out): the title track from Frankie and Johnny. It’s another record I don’t recall ever hearing, interesting to me for two reasons: The record features a faux Dixieland arrangement, and Elvis sings the old song about a cheating lover in the first person, taking the role Johnny as he does Frankie wrong. It’s a little odd, but it’s not awful. It didn’t do all that well, either, as it had already peaked at No. 25.

So, three records to choose from, two of which I’d never heard before. Well, there are days like that. I do like the Petula Clark record, but it’s very familiar. And choosing between the other two, I find that I really don’t like the Dave Clark Five. So here’s Elvis Presley’s take on “Frankie and Johnny,” today’s Saturday Single.

Saturday Single No. 481

Saturday, January 23rd, 2016

It’s time to go digging in the Billboard pop charts in search of a single for a Saturday morning. Six times during the years that generally interest us here, the magazine has put out its weekly pop chart on January 23. So we’re going to look at those charts, check out which single was at No. 23, and then choose one of those for our weekly treat.

Along the way, as we generally do, we’ll check out the No. 1 single for each week.

We’ll start back before the Space Age began, in January 1957. “I Dreamed” by Betty Johnson sat at No. 23, on its way to No. 9. It’s a peppy love song in which the singer has fantastic dreams and realizes that they all lead back to her guy. It was Johnson’s biggest hit in a chart career that lasted from 1956 into 1960. Three of her other titles hit the Top 40: “Little White Lies” went to No. 25 in the spring of 1957; “The Little Blue Man,” a novelty record, went to No. 17 in early 1958; and “Dream” went to No. 19 later that year. Sitting at No. 1 fifty-nine years ago today, in the ninth week of an eventual ten weeks at the top, was “Singing The Blues” by Guy Mitchell.

Sitting at No. 23 on this date in 1961 was Dion’s “Lonely Teenager,” heading down the chart after peaking at No. 12. With the Belmonts and on his own, Dion racked up thirty-nine singles in or near the Hot 100 (well, it was still called the “Top 100” when the first single hit) between 1958 and 1989. And he’s still working: I saw on his Facebook page that his new album, New York Is My Home, will come out next month. (The video for the title track, which he recorded with Paul Simon, is here.) And during this week in 1961, Bert Kaempfert’s “Wonderland By Night” was in the last of its three weeks at No. 1.

When we get to 1965, we find the Shangri-Las at No. 23 with “Give Him A Great Big Kiss.” The follow-up to the No. 1 hit from late 1964, “Leader Of The Pack,” “Great Big Kiss” was on its way to No. 18. The quartet from Queens would end up with thirteen records in or near the Hot 100 between 1964 and 1967, three of them in the Top Ten: “Leader Of The Pack,” “Remember (Walkin’ In The Sand)” (No. 5 in 1964), and “I Can Never Go Home Anymore” (No. 6 in 1965). Perched at No. 1 fifty-one years ago today, in the first week of a two-week stay, was Petula Clark’s “Downtown.”

Rare Earth was sitting at No. 23 in the Hot 100 from January 23, 1971, with “Born To Wander” making its way to No. 17. The record was the fourth of an eventual dozen in or near the Hot 100 between 1970 and 1978 for the Detroit group. Three of the group’s records made the Top Ten: In 1970, a live version of “Get Ready” went to No. 4 and “(I Know) I’m Losing You” went to No. 7; in 1971, “I Just Want To Celebrate” also peaked at No. 7. The No. 1 record as my senior year of high school hit the halfway point was Dawn’s “Knock Three Times,” in the first of three weeks in the top spot.

It took another eleven years before a Billboard chart came out on January 23, and, as this blog has often noted, my life and music had changed a fair amount by 1982. Parked at No. 23 on this date in that year was Billy Joel’s “She’s Got A Way,” which would go no further up the chart. Plenty of Joel’s work did go higher, of course, as he collected twenty-three Top Twenty singles among his forty-two records in or near the Hot 100 between 1974 and 1997. The No. 1 record thirty-four years ago today was Olivia Newton-John’s “Physical,” in the last of its ten weeks atop the chart.

We don’t often venture into the late 1980s here, and it was nice to find an old friend sitting at No. 23 on this date in 1988: “Everywhere” by Fleetwood Mac, was heading up to a peak at No. 14, just one of twenty-eight singles the Mac placed in or near the chart between 1969 and 2003. It was the sixteenth and final Top 20 hit (so far) for the group. The No. 1 record twenty-eight years ago today was Michael Jackson’s “The Way You Make Me Feel.”

So we have six to choose from, five of which I know well. If Betty Johnson’s “I Dreamed” had been a little less frothy, I might have gone that direction. I’ve never like the Shangri-Las all that much, and the Dion single is not among my favorites from him. Nor do I care much for Joel’s “She’s Got A Way.” That leaves Fleetwood Mac and Rare Earth as choices. Well, I like both singles, but the Mac has shown up in this blog about twenty-five times and Rare Earth less than five. (I have to estimate because the archival site, sadly, is still not finished.) So we’ll go with the group less featured.

That means that Rare Earth’s “Born To Wander” – a record I like plenty enough – is today’s Saturday Single:

Saturday Single No. 478

Saturday, January 2nd, 2016

As our pal j.b. at The Hits Just Keep On Comin’ has noted on occasion, our culture has a fascination with round numbers and anniversaries: Twenty years ago, thirty years ago, and so on. I have the same fascination (as does j.b., whose plan this year is to feature posts about 1976, his year of years). Not only do I like to look at round numbers, but I also like the numbers halfway in between: the fives.

So we’re going to look for our first Saturday Single of 2016 by using round numbers and those halfway numbers. We’re going to look at the Billboard Hot 100 for the first week of the year, starting in 1981 and heading back five years at a time to 1956 (when the chart was called the Top 100). We’ll check out one record on each chart (and look at the No. 1 record at the time, as well).

Thirty-five years ago, in 1981, the No. 35 record on the first chart of the year was the Eagles’ live version of “Seven Bridges Road,” on its way to No. 21. The No. 1 record that week was John Lennon’s “(Just Like) Starting Over,” in its third week at the top of the chart.

We go back five years from there, forty years ago, and the No. 40 record during the first week of 1976 was “Squeeze Box” by the Who, heading to No. 16. The No. 1 record as 1976 began was “Saturday Night” by the Bay City Rollers (and that’s the first mention of that group in the nearly 2,000 posts I’ve written for this blog).

As 1971 began, the No. 45 record was “The Green Grass Starts To Grow” by Dionne Warwick, closing in on its peak at No. 43. Sitting on top of the chart forty-five years ago was George Harrison’s double-sided single, “My Sweet Lord/Isn’t It A Pity,” in its second week at No. 1.

The No. 50 single in the first Hot 100 of 1966, fifty years ago, was “A Well Respected Man” by the Kinks, on its way to No. 13. The No. 1 record fifty years ago this week was “The Sound Of Silence” by Simon & Garfunkel. It would stay there another week.

The first Hot 100 of January 1961, fifty-five years ago, had “My Last Date (With You)” by Joni James at No. 55, heading for a peak at No. 35. Parked at No. 1 for the first of three weeks was Bert Kaempfert’s “Wonderland By Night.”

Our final stop is the chart from the first week of 1956, sixty years ago, when the No. 60 record was Dorothy Collins’ “My Boy – Flat Top.” The No. 1 record in that long-ago first week of January was Dean Martin’s “Memories Are Made Of This,” in the first of six weeks atop the chart.

So, we have three candidates that I know well and don’t particularly like (the records by the Eagles, the Who and the Kinks) and three candidates that I doubt I’ve ever heard (the records by Warwick, James and Collins).

Warwick’s record is a typical Burt Bacharach/Hal David joint, similar in style and production to almost any of the hits she had in the 1960s. Think “Do You Know The Way To San Jose?” or “Message To Michael” or “I Say A Little Prayer.” In other words, it’s a good record but nothing out of the ordinary except for the fact that I don’t remember ever hearing it before.

James’ single, “My Last Date (With You)” is a country-ish adaptation of (or answer to) pianist Floyd Cramer’s “Last Date,” which went to No. 2 in late 1960. The lyrics were added, according to Second Hand Songs, by Boudleaux Bryant and Skeeter Davis, and Davis’ version of the song went to No. 2 on the country chart and No. 26 in the Hot 100 in early 1961. James’ version, as I noted above, went to No. 35 in the Hot 100. It was the last of her eighteen records in or near the Billboard pop chart between 1955 and 1960, and Joel Whitburn notes in Top Pop Singles that James also had eight Top Twenty hits in 1952 and 1953.

Collins’ “My Boy – Flat Top” is a poppy and peppy celebration of a boyfriend with a severe crew cut; there’s a great sax break in the middle, but the record comes off as more of a novelty than anything else. Collins was the star of the television show Your Hit Parade! for most of the 1950s, and “My Boy – Flat Top” was the first – and most successful – of four records Collins put into the Billboard pop chart between 1955 and 1960.

Sifting all that out, I fall on the side of the adaptation/answer song. It’s not a great record, but it’s not bad, and it’s the best of the three that I’ve got to choose from, according to the rules I’ve set. So here’s Joni James’ “My Last Date (With You),” your Saturday Single.

Saturday Single No. 474

Saturday, December 5th, 2015

Well, I went to see the doctor yesterday about my back. Dr. Julie wasn’t available; I saw another doctor in her group or subset or pod or whatever they call it at the big complex just northwest of St. Cloud. He listened as I told him how it started and how it felt, then he poked my back at various places, pushed and pulled my legs in various directions, and thought for a moment.

Then he told me that it was basically a muscle strain gone wild, and he prescribed a series of pills – a descending quantity of a steroid for a week – and gave me some exercises to do.

I can take pills well, but I’m not all that good at staying with an exercise regimen. I’ll try, though. And it’s nice to pass on the good news that after twenty-four hours of pills and (a little of) the exercises, my back feels much better.

But given yesterday’s visit and other events, as well as the fact that the Texas Gal and I need to run some errands (one of which will no doubt include Chinese food), I have little to offer here. So I thought I’d grab four reference books and see which artist is the first mentioned on Page 474. And from there, we’ll find a single for today.

The New Rolling Stone Album Guide starts its “L” section on Page 474, and the first artist listed is k.d. lang. I have three albums by ms. lang on the digital shelves, so we have something to work with if we go that direction.

In Joel Whitburn’s Top Pop Singles, we find the Isley Brothers in mid-section at the top of Page 474. There’s plenty of Isley stuff on the digital shelves, so we’ll see.

The single ranked at No. 474 in Dave Marsh’s The Heart Of Rock & Soul is the 1956 hit “I’m In Love Again” by Fats Domino. There’s lots of Fats here, too.

And the album listed on Page 474 of the tome 1001 Albums You Must Hear Before You Die is Motorhead’s No Sleep ’Til Hammersmith. That one is, probably unsurprisingly, not on any shelves here, digital or otherwise.

Well, I’ve featured the Isleys a lot over the years, as I have Fats. I’ve not done much with k.d. lang. Still, I’m of the mind that one should listen to Fats Domino whenever one has the chance. So here’s “I’m In Love Again.” It went to No. 3 in 1956, says Whitburn (No. 9 on the R&B chart). And it’s today’s Saturday Single.