Archive for the ‘Games With Numbers’ Category

‘We Have Lost The Time . . .’

Friday, May 18th, 2018

Well, it worked pretty well on Wednesday, so we’re going to glance this morning at a Billboard Hot 100 from May 18, selecting this time the one from 1974 that was released just as I was planning my return to Minnesota after almost nine months in Denmark. That’s forty-four years ago now, and it feels like, well, not quite like yesterday but certainly a lot more recent than forty-four years.

Anyway, playing Games With Numbers with that Hot 100 turns today’s date – 5/18/18 – to forty-one, so let’s take a look at the record that was sitting at No. 41 in that long-ago chart. It turns out to be Anne Murray’s take on the Beatles’ “You Won’t See Me,” heading toward a peak at No. 8 (and at No. 2 on the magazine’s Adult Contemporary chart).

I recall the single well, and I recall as well than I didn’t think much of it then. And I still don’t. The production has always sounded heavy-handed to me, with, well, a thickness to it that didn’t suit Murray’s voice well.

The fact is, very little of Murray’s work has ever appealed to me, so when her cover of “You Won’t See Me” hit the speakers back then, I either changed the radio station or ignored the jukebox for four minutes. And not a single track of hers is among the 72,000 files on the digital shelves here. Her stuff is not awful; it’s just not my deal.

But that’s the way it goes with Games With Numbers. Sometimes you hit a great one; sometimes you get something very foul; and sometimes, like today, it doesn’t really matter. But anyway, here’s Murray’s record:

‘Raise The Candles High . . .’

Wednesday, May 16th, 2018

Glancing at the Billboard Hot 100 from May 16, 1970 – an astounding forty-eight years ago today – I played a quick Games With Numbers and converted today’s date – 5/16/18 – to thirty-nine. And sitting at No. 39 forty-eight years ago today was Melanie’s “Lay Down (Candles In The Rain),” the anthem she composed after the experience of performing at Woodstock the previous August.

Recorded with the Edwin Hawkins Singers, the single had jumped twenty-three spots in the previous week and was on its way to a peak position of No. 6. It got there during the second week of July, about the time that the state trapshoot took place at a gun club just outside the St. Cloud city limits. I heard the record often as I sat in a trap for four long days, loading clay targets on a scary humming machine and trying not to get my fingers broken.

And since I’ve never featured the single here (and because long ago I characterized Melanie Safka in this space as the quintessential hippie chick), here’s “Lay Down (Candles In The Rain).”

(I think this is the single version, but there are so many versions offered at YouTube that I’m really not sure.)

Saturday Single No. 587

Saturday, April 21st, 2018

Set off kilter with an incipient cold – I can feel it coming on, like a weather system a few days out – and tasked later this morning with recording music at a friend’s home for a dance performance for another friend, I’m sort of punting today.

I’m going to head to the Billboard Hot 100 from this week in 1968 – fifty years ago – and play some quick games with numbers, adding today’s date – 4/21/18 – together to get 43. Then, whatever was No. 43 in that long-ago chart will be today’s feature.

And we run into a record that not only has never been mentioned in this space in more than eleven years of blogging but a record that I only vaguely remember hearing: “Jennifer Eccles” by the Hollies. It’s kind of frothy but that’s okay:

White chalk, written on red brick
Our love, told in a heart
It’s there, drawn in the playground
Love, kiss, hate or adore

I love Jennifer Eccles
I know that she loves me
I love Jennifer Eccles
I know that she loves me

La la la la la la la
La la la la la la
La la la la la la la
La la la la la la

I used to carry her satchels
She used to walk by my side
But when we got to her doorstep
Her dad wouldn’t let me inside

One Monday morning,
Found out I’d made the grade
Started me thinking,
Had she done the same?

La la la la la la la
La la la la la la
La la la la la la la
La la la la la la

One Monday morning,
Found out I’d made the grade
Started me thinking,
Had she done the same?

I hope Jennifer Eccles
Is going to follow me there
Our love is bound to continue
Love, kiss, hate or adore
Singing

I love Jennifer Eccles
I know that she loves me
I love Jennifer Eccles
I know that she loves me

La la la la la la la
La la la la la la
La la la la la la la

“Jennifer Eccles” didn’t do much more on the charts, edging up three more places to reach No. 40, becoming the seventh Top 40 hit of an eventual twelve for the Mancunian group. And all that makes it today’s Saturday Single.

Saturday Single No. 569

Saturday, December 16th, 2017

Having stumbled via serendipity yesterday onto the story of “The Huckle-Buck,” I thought I would toss things to the universe again today and see what I have on the digital stacks recorded on December 16 over the years.

A caveat: As mentioned before, I have session data on perhaps ten percent of the tunes in the digital stacks, usually for those that come from box sets of vintage music. There are a few other CD or LP sets that include session dates, but not many. So what do we get for December 16?

Well, not much. We get Ruth Brown’s “Hello, Little Boy” from 1953, a live performance of “Fire” by Bruce Springsteen & The E Street Band from 1978, and a full day’s work in a New Jersey studio by saxophone player Ike Quebec from 1961: The entire Blue & Sentimental album plus a couple of bonus tracks.

(If I recall things correctly, I found the Quebec album in a pawnshop here on the East Side a couple of years ago. It seemed like an odd thing to find there, but anyway . . .)

And while there’s nothing wrong with any of that, it leaves me a little dissatisfied on this Saturday morning. So we’re heading to the Billboard Hot 100 from this date in 1967, and we’ll hope that a fifty-year old chart will bring us Saturday satisfaction. We’ll play Games With Numbers and turn 12-16-17 in Nos. 28, 29, 33 and 45, and see what we find.

At Nos. 28 and 29, we find a pair of well-known singles, “Different Drum” by the Stone Poneys featuring Linda Ronstadt and “Chain of Fools” by Aretha Franklin, respectively. Both were on their way up the chart, with “Different Drum” later peaking at No. 13, and “Chain of Fools” getting to No. 2 (as well as spending four weeks atop the magazine’s R&B chart).

The record at No. 33 is another heavy hitter: “If I Could Build My Whole World Around You” by Marvin Gaye and Tammi Terrell. It, too, was headed up the chart to an eventual peak at No. 10 (and No. 2 on the R&B chart).

So we move on to No. 45, which turns out to be a pleasant but probably unnecessary take on Glen Miller’s “Chattanooga Choo Choo” by Harpers Bizarre. The record stalled at No. 45 in the Hot 100 but made its way up the magazine’s Easy Listening chart to No. 2, where it spent two weeks.

And sometimes, we take what chance gives us, so “Chattanooga Choo Choo” by Harpers Bizarre is today’s Saturday Single.

Saturday Single No. 534

Saturday, April 1st, 2017

Forty years ago today, I gathered up all the stuff I’d moved from my folks’ house over to St. Cloud’s North Side and packed it into my blue 1967 Falcon station wagon. I then moved most of that stuff to the little burg of Sauk Rapids and its Blue Skies Mobile Home Park. (Some things, like the dresser and the bed, went back to Mom and Dad’s because the small mobile home I was now renting from my friend Murl had both a built-in bed and dresser.)

The move didn’t take long. Beyond the furniture that went back to Kilian Boulevard – and I’m not entirely certain how my friend Bill and I got it there; I have vague memories of borrowing a friend’s pick-up truck – there were only a few boxes of clothes and books and miscellany and, of course, my two cats. It only took a couple of trips.

And by the end of the day, I was safely ensconced in my new digs, a 35-foot by eight-foot mobile home. Small, yes, but for one person with few possessions, it was fine. (And I had few possessions: I was still a student, in the first of two quarters aimed at adding a print journalism minor to my radio-television news major.) And it was the first place where I’d ever lived by myself, and that pleased me.

As I settled in that evening, there was, I am certain, music. I had an AM radio in the kitchen, tuned to St. Cloud’s WJON, and I had an AM/FM clock/radio on the bedroom dresser. That radio was tuned at first to KVSC, St. Cloud State’s student-run FM station and then later on – maybe in just a week or two – to WHMH-FM, a Sauk Rapids-based station that offered a format that I remember as half album rock and half hits that weren’t too far to the pop side of the pop/rock divide.

So what might Bill and I have heard on the car radio that day as we drove back and forth from St. Cloud’s North Side to Blue Skies? Here’s the Top Ten in the Billboard Hot 100 that came out the next day:

“Rich Girl” by Darryl Hall & John Oates
“Dancing Queen” by Abba
“Don’t Give Up On Us” by David Soul
“Don’t Leave Me This Way” by Thelma Houston
“Love Theme From ‘A Star Is Born’” by Barbra Streisand
“Southern Nights” by Glen Campbell
“The Things We Do For Love” by 10cc
“Hotel California” by the Eagles
“I’ve Got Love On My Mind” by Natalie Cole
“Maybe I’m Amazed” by Wings

Well, that’s a mix. I love “Dancing Queen,” and I like “Southern Nights” and “Hotel California” well enough. The David Soul single has an unhappy memory attached to it. The singles by Thelma Houston, 10cc, Natalie Cole and Wings don’t matter to me one way or another. I’m not fond of the Hall & Oates record. And I detest the Streisand single. (It would be during the approaching summer when I took a Streisand-loving young lady to see A Star Is Born on a date that turned into the Night of the Buttered Falcon.)

But as we often do here, we’re going to look deeper into that Hot 100 and play Games With Numbers. We’re going to look at No. 17 for 2017, No. 40 for the number of years it’s been since my move, and No. 77 for 1977.

Sitting at No. 17 forty years ago this week was Bob Seger’s “Night Moves,” a single well-regarded enough here that it showed up in my long-ago Ultimate Jukebox. It was coming down the chart after peaking at No. 4.

The No. 40 record forty years ago this week was “Angel In Your Arms” by Hot, a classic cheating song by an interracial trio of women from Los Angeles that was on its way up the chart to No. 6. I recall it as an okay record.

And parked at No. 77 was “Cinderella” by Firefall. This was the group’s third foray into the Hot 100. During the summer of 1976, “Livin’ Ain’t Livin’” went to No. 42, and in the autumn, “You Are The Woman” had gone to No. 9. “Cinderella” would peak at No. 34.

Well, the Seger record – as I noted – is one of my all-time favorites, but, as I also noted, it’s been featured here before. “Angel In Your Arms” is just another record. As to “Cinderella,” well, even though I have had very little of Firefall’s work on my physical or digital shelves over the years – three LPs now gone, no CDs and just twelve mp3s – there is something in the sound of the band from Boulder, Colorado, that just feels like 1977.

Add to that the fact that over just more than ten years, I’ve mentioned the group only four times and have never featured its music here, and it’s an easy call this morning to make Firefall’s “Cinderella” today’s Saturday Single.

Saturday Single No. 533

Saturday, March 25th, 2017

Okay, we’re going to play Games With Numbers this morning and convert today’s date – 3/25/17 – into 45, and then we’re going to dig into six Billboard Hot 100s from the end of March during our sweet spot years and see what was at No. 45. Those six records will give us our options for today’s Saturday Single. As we normally do, we’ll check out the No. 1 records along the way.

We’ll start in 1965 and go forward two years at a time. And in late March of 1965, the No. 45 record in the Hot 100 was “Got To Get You Off My Mind” by Solomon Burke. For some reason, I’ve never paid much attention to Burke’s music, and that’s too bad (and not too wise, either), as he casts a fairly large shadow on the soul and R&B of the 1960s. “Got To Get You Off My Mind” is a pretty mellow piece of work, and Burke’s honeyed voice is, of course, well-suited for a short and somewhat upbeat tune marking the loss of a girlfriend. The record peaked at No. 22, the highest Burke would put a record in the Hot 100, but over on the R&B chart, it was No. 1 for three weeks.

The No. 1 record in the Hot 100 for March 27, 1965, was “Stop! In The Name Of Love” by the Supremes.

Moving ahead two years to 1967, we find Arthur Conley’s “Sweet Soul Music” perched at No. 45. I don’t know much about Conley except for this one hit record, which makes sense as I look at his entry in Joel Whitburn’s Top Pop Singles: Of the eight other records Conley got into or close to the Hot 100, only 1968’s “Funky Street” hit the Top 20, going to No. 14. (I’ve heard “Funky Street,” but for some reason it’s not on the digital shelves.) As would be expected, the Atlanta-born singer did better on the R&B chart, where “Sweet Soul Music” was No. 2 for five weeks (and “Funky Street” went to No. 5 a year later). But “Sweet Soul Music” is, of course, more than its chart history, with its roll call of the greats of R&B: “Spotlight on Lou Rawls, y’all . . .”

Sitting at No. 1 exactly fifty years ago today – March 25, 1967 – was the Turtles’ “Happy Together.”

During the last week in March of 1969, the No. 45 record was the Meters’ funky instrumental “Sophisticated Cissy.” It was the first record by the New Orleans group to hit the Hot 100, and it peaked at No. 34, making it the Meters’ second-most successful single, behind “Cissy Strut,” which went to No. 23 just a few months later. The Meters put five more records into the Hot 100 between 1969 and 1977, but none of them went higher than No. 50. Oddly, although I have a couple of albums by the Meters on the digital shelves, I do not have “Sophisticated Cissy.” So there’s a hole I have to fill somehow, with probably a few other Meters gaps. The record went to No. 7 on the R&B chart.

The No. 1 record during the last week of March 1969 was “Dizzy” by Tommy Roe.

We head into March 1971 and the beginning of the end of my senior year of high school. During the fourth week of March that year, the No. 45 record was “I Am . . . I Said” by Neil Diamond. In the files I have of the weekly Hot 100, the record is listed at No. 45 as a double-sided single, with “Done Too Soon” on the flip. But according to Joel Whitburn’s Top Pop Singles, “Done Too Soon” peaked at No. 65, while “I Am . . . I Said” went to No. 4 on the pop chart and to No. 2 on the Easy Listening chart. That’s too bad, as I like the B side better, although the A side would be okay if Diamond hadn’t done the deal about the chair not hearing. And, of course, the single – double-sided or not – was just one of what seems like a hundred Neil Diamond records to reach the chart. (The total is actually fifty-six.)

Sitting at No. 1 during that last week of March 1971 was “Me and Bobbie McGee” by Janis Joplin.

Sir Elton John shows up when we jump into March 1973 and take a look at the No. 45 record during the month’s last week. It turns out to be “Crocodile Rock,” which spent three weeks at No. 1 in the Hot 100 and went to No. 11 on the Easy Listening chart. There’s not a lot more to say about Sir Elton except that the first time I heard “Your Song” – his second Hot 100 record and the first thing I heard from him – I would not have guessed that he’d become the most popular artist of the 1970s and the third most popular of all time (as noted in Top Pop Singles). For those wondering, “Border Song” was his first Hot 100 record, going to No. 92 during the summer of 1970, just a few months before “Your Song” went to No. 8.

The No. 1 record during the last week of March 1973 was “Killing Me Softly With His Song” by Roberta Flack.

And we end our Saturday jaunt with a look at the Hot 100 from the fourth week of March in 1975, when the No. 45 record was “Living A Little, Laughing A Little” by the Spinners, a record I’m not sure I’ve ever heard until this morning. It fell right into the patch of great records by the group, and my guess is that it never got much play on the jukebox in Atwood Center at St. Cloud State. (My listening elsewhere was more album-oriented.) Maybe the record didn’t get much play on KDWB out of the Twin Cities or St. Cloud’s WJON, both of which got a little (but only a little) attention from me in those days. I don’t know, but listening to the record this morning rang no bells at all. The record went to No. 37 in the Hot 100 and to No. 7 on the R&B chart.

Parked at No. 1 during that fourth week of March 1975 was “Lady Marmalade (Voulez-Vous Coucher Avec Moi)” by LaBelle.

So we’ve got an interesting assortment to choose from today, four bits of R&B and two big hits that lost their freshness long ago. And I think we’ll head back to 1969 and make the Meters’ funky “Sophisticated Cissy” today’s Saturday Single.

Chart Digging: March 15, 1958

Wednesday, March 15th, 2017

We don’t spend a lot of time here back in the 1950s. The main reason for that is that I don’t remember much about the decade. I was six and in first grade when the calendar flipped from 1959 to 1960, and I have a few specific memories from that school year – and from kindergarten the year before – but other than those, I have just vague impressions of the last years of that decade.

As for Odd and Pop, I have no idea where they were or what they were up to back then. Probably complicating the life of an aspiring folk musician in a small college town somewhere. I can hear Pop saying, “Enunciate! Quit dropping those g’s!” while Odd tells him, “Bongo drums and some bird calls would work well with that.”

But we are in the 1950s today (although likely without either bongos or bird calls). Why?

Well, I was digging this morning into the Billboard charts from March 15 over the years, planning on playing Games With Numbers with today’s date and checking out the No. 35 record from four or so charts from 1958 to 1980, and then I dug into the Top 100 from March 15, 1958. (It would be called the Hot 100 beginning that August).

And that week, there was no record at No. 35. Instead, three records were tied at No. 33. Close enough, I thought, noting that the three records offer three different levels of success and consequent fame: One megastar, one well-remember performer, and one obscure and perhaps mostly forgotten group.

The first of the three records at No. 33 in that chart from fifty-nine years ago was from Ricky Nelson, whose “Stood Up” had already peaked, spending three weeks at No. 2, according to Joel Whitburn’s Top Pop Singles. It was Nelson’s fourth Top Ten record; sixteen more singles and four EPs would also hit the Top Ten. “Stood Up” also went to No. 4 on the Billboard R& B chart and to No. 5 on the magazine’s country chart. Beyond that, there’s not a lot new to say here because, hey, he was Ricky Nelson, and we pretty much all know the story.

Listed second among the three records tied during that long-ago week was “Betty and Dupree” from Chuck Willis, which was at its peak. The record was a trimmed and decriminalized version of a blues song based on a 1919 robbery of a jewelry store in Atlanta that had been recorded in various versions since at least 1931. Willis, who’s nevertheless credited as the writer on single labels I’ve seen, dropped the robbery, Dupree’s arrest, and his eventual hanging and made the tune a simple, swaying story of love that went to No. 15 on the R&B chart as well as peaking at No. 33 on the pop chart. It’s not the record for which the short-lived Willis is most remembered; that would likely be “C.C. Rider,” which went to No. 12 on the pop chart and to No. 1 on the R&B chart in 1957.

That’s all interesting enough, but – getting away from the original topic here – it turned out that “Betty and Dupree,” was the next-to-last record Willis saw reach the charts. The last was “Hang Up My Rock And Roll Shoes,” which entered the Top 100 on April 28, 1958, two days before Willis died from a bleeding ulcer. In one of life’s ironies, the B-side, “What Am I Living For,” hit the R&B chart a week later and the Top 100 a week after that, and would out-perform the A-side, peaking at No. 9 on the pop chart and spending a week on top of the R&B chart.

And then we get to the third of the records tied at No. 33 in that Top 100 from March 15, 1958: “7-11” by the Gone All Stars. Whitburn tells us that the tune is a rock version of Perez Prado’s 1950 record, “Mambo No. 5.” As to the Gone All Stars, Whitburn says they were studio musicians led by black sax player Buddy Lucas. (Lucas’ entry at Wikipedia includes a brief and incomplete listing of his work as a leader and sideman from the years 1952 to 1976 and also offers the thought that Lucas was “possibly more famous for his session work on harmonica.”) The record was released on the Gone label – as were at least one other single and an EP by the group – and for me, the fact that the group was seemingly named for the label takes some of the Fifties-era hipness out of the group’s name.

Saturday Single No. 531

Saturday, March 11th, 2017

We’re gonna do the fifty years ago thing this morning because it’s fun and because the Airheads Radio Survey Archive just happens to have in its files the “The Big 6+30” from the Twin Cities’ KDWB from March 11, 1967, fifty years ago today.

And to find our Saturday Single, we’ll play Games With Numbers with today’s date – 3/11/17 – and check out the records that were at No. 11, No. 17 and No. 28 in “The Big 6+30” from that long ago date.

But first, let’s think about March of 1967 from the view of a 13-year-old whiteray. He was making his way through the thickets of eighth grade, dealing well enough with a basic curriculum of geometry, geography, English, Earth science, industrial arts and phy. ed. (Looking back fifty years this morning, I’m surprised that I don’t recall any art classes from that year; perhaps the junior high powers had observed my efforts during seventh grade and had wisely decided there was no point in investing any more tempera paint or India ink into my decidedly mediocre work.)

He’d had his tonsils out in February, and his throat was still a little tender. His heartfelt overtures to a cute blonde contemporary had been rebuffed sometime that winter, and his feelings were still a little tender. And he’d been kept after school sometime over the winter for defacing, literally, a magazine cover.

One thing he wasn’t doing – as I’ve noted here many times over more than ten years – was paying any attention to KDWB and its Top 40 music. He heard the station’s output at home when his sister listened and at friends’ homes, so much of what was on “The Big 6+30” fifty years ago would have been familiar if not favored. Here’s the station’s Top Five from that week:

“Ruby Tuesday” by the Rolling Stones
“The Beat Goes On” by Sonny & Cher
“My Cup Runneth Over With Love” by Ed Ames
“Kind Of A Drag” by the Buckinghams
“I Had Too Much To Dream (Last Night)” by the Electric Prunes

Of those five, the only one I knew well was Ames’ single, and being even then an utter romantic, I adored it. Could I have told you why? Not then. (I could now, I think, but there’s no point in my trying after reading my pal jb’s tender assessment of the record in a post from five years ago at And The Hits Just Keep On Comin’.) And I would have heard Ames’ single more frequently on the Twin Cities’ WCCO or St. Cloud’s KFAM, as the record topped the Billboard Easy Listening chart (now called Adult Contemporary) for four weeks that winter.

Three of the other four in that top five are vague portions of the soundtrack of those times. The only one of KDWB’s Top Five that doesn’t ring old bells is the single by the Electric Prunes. But what about our three targets for this morning’s exercise?

Sitting at No. 11 in KDWB-Land was “Gimme Some Lovin’” by the Spencer Davis Group. The No. 17 slot was occupied by “So You Want To Be A Rock ’N’ Roll Star” by the Byrds. And the No. 28 record in “The Big 6+30” was “Then You Can Tell Me Goodbye” by the Casino.”

I don’t recall the Byrds’ single from my life in 1967. The other two records ring those old bells: “Gimme Some Lovin’” because its unmistakable intro would have ingrained itself into the head of any kid whether he liked rock music or not, and the Casinos’ record because it was pretty and romantic, qualities that spoke to the awkward and lonely lad that I was. It was also fairly pragmatic, given the repeated line, “If it don’t work out,” a subtle virtue I did not grasp then and would not grasp in music or romance for many years to come.

By this time fifty years ago, the Casinos’ record had already peaked at No. 14 on KDWB and was on its way down. In the Billboard Hot 100 fifty years ago this week, “Then You Can Tell Me Goodbye” was peaking at No. 6. (Given that the record was so clearly out of step with nearly every trend in pop music at the time, sounding like it belonged to, say, 1961 instead of 1967, I was startled to see this morning that it made no dent in the Easy Listening chart.)

So, it’s pretty, romantic and pragmatic; it’s only been mentioned twice here in more than ten years (once in 2007 and once earlier this winter); and it reminds me of a thirteen-year-old whiteray anxiously awaiting the day when he’d understand both girls and love (and of course, he still doesn’t fully understand either). Because of all that, the Casinos” “Then You Can Tell Me Goodbye” is today’s Saturday Single.

‘The Survey Says . . .’

Wednesday, January 18th, 2017

It’s time to dig into some radio station surveys. We’re going to look at four of them from this week in 1967, fifty years ago, and we’re going to take today’s date – 1/18/17 – to choose our targets. We’ll check out the No. 18 and No. 35 records at each of the four stations and then note as well the No. 1 record at each station.

We’ll start here in the Northland and see what my peers were hearing as we slogged through the middle of eighth grade during the third week of January 1967. On the “Big 6 Plus 30” from the Twin Cities’ KDWB, the No. 18 record was “(I Know) I’m Losing You” by the Temptations. Nationally, it would peak at No. 8 in the Billboard Hot 100 and at No. 1 on the magazine’s R&B chart.

Parked at No. 35 was “Music To Watch Girls By” by the Bob Crewe Generation. Often mistaken then and now as an entry from Herb Alpert & The Tijuana Brass, the record reached No. 15 in the Hot 100 and went to No. 2 on the chart now called Adult Contemporary.

The No. 1 record at KDWB fifty years ago was “I’m A Believer” by the Monkees.

Out on the West Coast, the Fabulous Forty at KFXM – serving San Bernardino and Riverside – showed “Music To Watch Girls By” at No. 18, up one spot from a week earlier. Sitting at No. 35 fifty years ago this week was the great and foreboding “Standing In The Shadows Of Love” by the Four Tops. It would peak at No. 6 in the Hot 100 and at No. 2 on the R&B chart.

The No. 1 record at KFXM during this week in 1967 was “Tell It Like It Is” by Aaron Neville.

We’ll head toward the East Coast via Texas, where we’ll take a look at the Superhit List at San Antonio’s KBAT. Sitting at No. 18 fifty years ago this week was “Knight in Rusty Armor” by Peter & Gordon. Labeled a novelty record by Joel Whitburn in Top Pop Singles, it went to No. 15 in the Hot 100. The No. 35 record at KBAT during that long-ago week was the lovely “Then You Can Tell Me Goodbye” by the Casinos, which peaked at No. 6 in the Hot 100.

The No. 1 record at KBAT fifty years ago this week was “Tell It Like It Is.”

We end our trip ’round the Lower 48 with a stop at WPOP in Hartford, Connecticut, where the functionally titled “Music List” showed “Mustang Sally” by Wilson Pickett taking the spot at No. 18. It would reach No. 23 in the Billboard Hot 100 and get to No. 6 on the magazine’s R&B chart. Parked at No 35 in Hartford that week was “I Need Somebody” by ? & The Mysterians, a record that would get to No. 22 in the Hot 100.

WPOP’s No. 1 record during the third week of January 1967 was “Good Thing” by Paul Revere & The Raiders

Casting my memory back, I knew (and liked very much) both the Bob Crewe record and the Casinos record, which should surprise nobody, as I was still in easy listening mode. I heard the records by the Temptations, the Four Tops and Wilson Pickett all around me – “Mustang Sally” less frequently than the other two, most likely – but at that time, and for a few years to come, I could not have told you the performers’ names.

As far as I know, I’d never heard either “Knight In Rusty Armor” or “I Need Somebody” until this morning. “Knight . . .” doesn’t do much for me, but I kind of dig “I Need Somebody,” especially the winking organ solo that falls for a few moments into “Mary Had A Little Lamb.”

Chart Digging: October 12

Wednesday, October 12th, 2016

It’s time for some Games With Numbers. We’re going to take today’s date – 10-12-16 – and turn it into 38, and then we’ve going to see what was at No. 38 on some Billboard Hot 100 charts on October 12 from the years we like best around here, the 1960s and 1970s.

Because of the way the calendar works, we have only three charts to work with, those from 1963, 1968 and 1974. But that’s okay, because those three years are parked in very clear and different eras. Along the way, as well as listening to No. 38 from those three specific charts, we’ll check out the No. 1 singles from those weeks.

First up: October 12, 1963, a little less than four months before Beatlemania and the first British Invasion. So what was at No. 38 in that long-ago week? We find “The Kind Of Boy You Can’t Forget” by the Raindrops. And it turns out that the Raindrops were only the song-writing team of Jeff Barry and Ellie Greenwich (who were married at the time). Their credits include “Be My Baby,” “Da Doo Ron Ron,” “Chapel of Love,” “River Deep-Mountain High” and many, many more as a team and as individuals. Sadly, “The Kind Of Boy You Can’t Forget” isn’t a classic. It was, however, the best-performing of the six records the Raindrops got into or near the Hot 100, peaking at No. 17. (Oddly, the record covers shown on the official videos for the Raindrops at YouTube show three members; I don’t know who the second woman is, and she’s not mentioned at Wikipedia or in Joel Whitburn’s Top Pop Singles.)

The No. 1 record in the Hot 100 for October 12, 1963, was “Sugar Shack” by Jimmy Gilmer & The Fireballs.

Moving ahead to 1968, we find “Hold Me Tight” by Johnny Nash parked at No. 38. And that’s coincidental, as last evening, I was reviewing some long-ago posts and came across the 2008 post titled “First Friday: November 1968,” looking at the news and music of that month. The post had included a look at the Top 15 as the month began, and I had noted that Nash’s single – sitting at No. 8 by that time – was one I did not remember ever hearing. It’s still not all that familiar; it doesn’t say “1968” to me. But it’s a sweet reggae-influenced record, and it peaked at No. 5, making it the second-most successful single of Nash’s long career. (He placed twenty-three records in or near the Hot 100 over a span of nearly twenty years, from 1957 to 1976.) His most successful record, of course, was “I Can See Clearly Now,” which spent four weeks at No. 1 in November 1972.

Topping the Hot 100 during the second week of October 1968 was the Beatles’ “Hey Jude,” in the third of its eventual nine weeks at No. 1.

Lastly, we look at the Hot 100 from October 12, 1974. The No. 38 record that week was one of my favorites from the year, “Everlasting Love” by Carl Carlton. The Detroit native had first reached the charts in 1968 when he was 15 and “Competition Ain’t Nothin’” went to No. 75 (No. 36 on the R&B chart). “Everlasting Love” was by far the best-performing of Carlton’s singles, peaking at No. 6 (No. 11, R&B), and it’s one of those records that say “1974” to me, bringing back a welter of memories from that tumultuous autumn. I like it so much, in fact, that I’m tempted to resurrect the category of Jukebox Regrets and stuff it into the overcrowded Ultimate Jukebox I constructed back in 2010. But no; I’ll just make sure it’s in the iPod so it can show up sometime during one of my Dishwashing Music posts on Facebook.

The No. 1 record during this week in 1974 was Olivia Newton-John’s “I Honestly Love You.”