For some reason, I woke up early this morning. Very early.
I usually sleep – with the help of my nightly Ambien – until the alarm rings, generally sometime around 6:30 or so. But this morning, I woke up before that. I rolled over and looked at the clock: 4:11. For a moment, I wondered what roused me, listened for the sounds of a cat in trouble or up to no good. Nothing. So I rolled over, rearranged my pillows and went back to sleep.
I woke up again. The clock read 4:39. One of the cats – Little Gus – was lying against my leg, but that shouldn’t have been enough to rouse me. I listened again and still heard no sounds of feline mischief. I tossed one of the covers to the side and rolled over the other way and closed my eyes again.
And I woke up once more, seemingly for no particular reason. I lay there for a few moments, annoyed, and then opened my eyes and checked the time: 5:11. Accepting the inevitable, I got up and started my day. Fortified by some coffee and whole-grain toaster pastries, I put together a lunch for the Texas Gal, checked some stuff online and realized that while my body was up and moving, my brain was still slumbering. So a more creative post will have to wait until Thursday. Instead, here is a selection of songs about sleep.
“I’m Only Sleeping” by the Beatles from Revolver 
“She Never Sleeps Beside Me” by Zager & Evans from Zager & Evans 
“Sleep Walk” by Leo Kottke from Guitar Music 
“The Devil Never Sleeps” by Iron & Wine from The Shepherd’s Dog 
“She Sleeps Alone” by Pat Shannon, Warner Bros. 7210 
“Two Sleepy People” by Crystal Gayle & Willie Nelson from Crystal Gayle Sings The Heart & Soul Of Hoagy Carmichael 
I was hoping a Beatles song would show up this morning. Before I decided on the word “sleep” as my search word, I considered using “tired.” I know I’ve used it before, so I went the other direction. Had I gone with “tired,” though, I figure that “I’m So Tired” from the White Album would have had a good chance of popping up. And that would have worked. But “I’m Only Sleeping” from Revolver is just as good a track, and it’s presented in this video in beautiful mono.
The All-Music Guide review of Zager & Evans’ self-titled album – the duo’s follow-up to In the Year 2525 (Exordium & Terminus) – is scathing: “This project gives record labels an excuse as to why important artists don’t get multiple album deals – there’s nothing remotely sounding like a hit, in fact, this is just a horrendous collection of bad songs by Rick Evans who takes all the blame for the words and music.” And that’s an accurate assessment. (And why I keep the album in the RealPlayer is a question I cannot answer.) As it happens, “She Never Sleeps Beside Me” is probably the best thing on the album, but still, click at your own risk.
“Sleep Walk” is Leo Kottke’s take on the tune that Santo & Johnny – a guitar duo from Brooklyn – took to No. 1 in 1959. It’s a tune that’s been covered over and over but with only two versions making the pop chart. In 1982, jazz guitarist Larry Carlton released a version of the tune that went to No. 74. Kottke’s version, from his 1981 album, Guitar Work, is just a little too somnolent for me. Of course, that could be just me, just this morning.
The group Iron & Wine is basically Sam Beam, who’s released a series of increasingly good albums since 2002. His first efforts were pretty quiet affairs, but The Shepherd Dog from 2007 is different. AMG notes that “Beam surrounds himself with a large cast of musicians, and they blanket the songs with a wide array of instrumentation, everything from accordions to Hammond organ, piano to backward guitars, vibraphone to bass harmonica.” “The Devil Never Sleeps” is one of the tracks that benefits the most from the new approach, with its barrelhouse piano and chugging rhythm.
I was pleased that Pat Shannon’s “She Sleeps Alone” popped up in my random exploration this morning. I’m not sure where I found the track, which seems to be the B-Side to his single “Candy Apple, Cotton Candy.” But it’s a nifty, if melancholy, slice of late 1960s pop. Shannon had released some singles in the late 1950s in what AMG calls “a country-pop” vein. Neither those singles nor “Candy Apple, Cotton Candy” hit the charts; a 1970 release titled “Back To Dreamin’ Again” got to No. 103.
With its clarity of tone and accuracy of pitch, Crystal Gayle’s voice is a wonder. A fixture on the country chart between 1970 and 1988 (a total of forty-five hits, eighteen of them reaching No. 1), Gayle grabbed my attention a few years ago when I heard her work with Tom Waits on the soundtrack to Francis Ford Coppola’s 1982 film, One From The Heart. One of her more recent efforts is the 2004 collection of Hoagy Carmichael tunes on which “Two Sleepy People” is found. It’s good stuff.