We’re going to stay in 1975 again this morning, but rather than just dabble with October, we’ll open up the whole year – singles and album tracks, hits and obscurities – and take a six-step random walk in search of a single for a Saturday morning. We’ll skip something only if it’s been featured here recently. Weirdness, if it rears its head, will be embraced.
So, let’s go . . .
Siren was the fourth charting album for Roxy Music, and while it didn’t do quite as well as its 1974 predecessor, Country Life (No. 37), it still went to No. 50. The track that pops up for us this morning is “End of the Line,” the album’s second track. Sounding far less sleek than the rest of the album, the track kind of thumps along with a well-defined piano part and rhythm section and a wandering fiddle part sliding around Bryan Ferry’s vocal. I like it much better than I like a lot of the Roxy Music catalog.
I’m not sure if the Hollies were the first to cover a Bruce Springsteen song, but they certainly were near the head of the line when they recorded “4th of July, Asbury Park (Sandy)” from Springsteen’s 1973 album, The Wild, the Innocent & the E Street Shuffle. The Hollies’ version – titled simply “Sandy” – was released as a single on Epic and was included on their 1975 album, Another Night. The single went to No. 85 in the U.S. and to No. 12 in
the United Kingdom New Zealand. The album got to No. 123 in the U.S.
From 1963 and I’ve Got A Woman through 2002’s McGriff Avenue, the late Jimmy McGriff – he passed on in 2008 – kept his Hammond B-3 busy. How many albums? I’m not going to count the list at All Music Guide right now, but a friend passed on a partial collection of McGriff’s works not long ago, and that totaled forty-five albums. We land this morning on “Stretch Me Out” from 1975’s Stump Juice, an album that AMG’s Jason Ankeny says “forgoes warhorse pop and soul covers in favor of original tunes – these tabulas rasa are the ideal canvas for [Sonny] Lester’s bare-essentials production and McGriff’s sinuous grooves.” And “Stretch Me Out” does indeed stretch.
The French group Folkdove released a couple of mid-1970s album in a sparse sound reminiscent – to my ears, anyway – of earlier work by the Incredible String Band (minus some weirdness) and a few other British folk ensembles. The track “Sylvie” comes from the group’s self-titled 1975 album, a work that I must have found at the blog Mutant Sounds, which calls Folkdove a “legendary French acid folk album . . . Simple in its form but yet great” in its simplicity. “Sylvie” is fine on its own, but there is a droning quality to it – and to the rest of the album – that makes more than one track at a time from Folkdove a bit of a listening chore.
Next up, we get Petula Clark and “I’m the Woman You Need” from her album of the same name. By 1975, Clark’s presence in the U.S. charts had dwindled – her 1960s hits included, of course, “Downtown” and “My Love,” both of which spent two weeks at No. 1 – and her records, if I read the data at Wikipedia correctly, were being released only in her native Britain. I picked up I’m The Woman You Need to get Clark’s version of “Eres Tu,” and that cover, like the title song that popped up this morning, was tasteful and professional but a little less than thrilling.
When the progressive band Crack The Sky released its self-titled debut in 1975, Rolling Stone magazine proclaimed it the “debut album of the year,” says Wikipedia, and the 1978 Rolling Stone Record Guide compared the group to Steely Dan. Listening this morning to “A Sea Epic” from the group’s debut, I hear more Strawbs and Humble Pie than Becker and Fagen. The track is not bad, but I find more interesting this morning the question of the band’s home town. Wikipedia says it’s Weirton, West Virginia, and Joel Whitburn, in Top Pop Singles, says Steubenville, Ohio (which has become well-known in the past year or so for something far less pleasant than a rock group). Since the two cities are separated only by the Ohio River, it really makes no difference, I guess. Nor, finally, does the band.
Well, those are our six options this morning, and this one’s easy. The Hollies’ record showed up here in 2009 as part of a selection of Springsteen covers, but that’s a long time ago in Blogworld, so here’s “Sandy” by the Hollies, today’s Saturday Single.