I’m going to fire up the RealPlayer this morning and let it do the work for me.
Right off the top we get some easy listening: “Emmanuelle” by Italian sax player Fausto Papetti, which turns out to be an instrumental version of the theme to the 1974 soft-core film Emmanuelle. The film was the first of seven chronicling the adventures of the character created in 1959 by French writer Emmanuelle Arsan (a pseudonym for Thai-born Marayat Bibidh Krasaesin Rollet-Andriane) and portrayed in four of the films by Sylvia Kristel. (All of that according to Wikpedia.) The song and the soundtrack for the first film were written by Pierre Bachelet. Papetti, who passed on in 1999, was known, Wikipedia says, for both his saxophone work and the covers of his albums, many of which featured attractive women in little or no clothing. Papetti’s 1977 version of the theme came to me in a 2009 collection titled 100 Hits Romantic Saxophone.
And then we head back to 1944 for “Opus One” by Tommy Dorsey & His Orchestra. The fox trot – as it’s described on the Victor label – was written by Sy Oliver, who became, says Wikipedia, “one of the first African Americans with a prominent role in a white band” when he joined Dorsey’s band in 1939. It’s not my favorite track from Dorsey; that would be his theme song, “I’m Getting Sentimental Over You” from 1935. As it happens, any of the 1930s and 1940s big band tunes remind me of the summer of 1991, when I was reporting and writing a lengthy piece about life in Columbia, Missouri, during World War II. On a lot of evenings at home that summer, as I sat at my desk and planned my next day’s work, I stacked some big bands – Dorsey, Glenn Miller, Benny Goodman and more – on the stereo and tried to get my head at least a little into an era that I never knew.
From there, it’s another dip into the easy listening pool with Paul Simon’s “Homeward Bound” as filtered through the sound of Frank Chacksfield & His Orchestra. The late Chacksfield was an English composer and conductor who is estimated, Wikipedia says, to have sold more than 20 million albums world-wide. Two of those albums reached the Billboard 200: Ebb Tide went to No. 36 in 1961 and The New Ebb Tide went to No. 120 in late 1964 or early 1965. Chacksfield and his orchestra had one single reach the magazine’s charts: “On The Beach,” the title song to the 1959 film, went to No. 47 in early 1961. Chacksfield’s take on Simon’s tune was a track on a 1970 album titled Chacksfield Plays Simon & Garfunkel & Jim Webb. It came to me in a 2005 collection titled The Lounge Legends Play Simon & Garfunkel.
Then up pop the Bee Gees with “Sun in My Morning” from 1969. The not terribly interesting track was the B-side to the group’s single “Tomorrow, Tomorrow,” which doesn’t make my list of vital Bee Gees’ tunes, either, even if it went to No. 54. There’s not a lot more to say as the tune plays itself out and this post limps to an end.
And there we see clearly the risk of letting random chance decide things.