One From 1969

The RealPlayer has been offering tunes from 1969 as I looked at some news online this morning, pondering at the same time what I might write about today. With nothing really shiny coming to mind, I guess I’m going to click through at random and when we land on the tenth click, that’s our tune for the day. Here we go!

And we land on Joni Mitchell’s “Chelsea Morning” from her second album, Clouds:

Woke up, it was a Chelsea morning, and the first thing that I heard
Was a song outside my window, and the traffic wrote the words
It came a-reeling up like Christmas bells and rapping up like pipes and drums
Oh, won’t you stay
We’ll put on the day
And we’ll wear it till the night comes

Woke up, it was a Chelsea morning, and the first thing that I saw
Was the sun through yellow curtains, and a rainbow on the wall
Blue, red, green and gold to welcome you, crimson crystal beads to beckon
Oh, won’t you stay
We’ll put on the day
There’s a sun show every second

Now the curtain opens on a portrait of today
And the streets are paved with passersby
And pigeons fly
And papers lie
Waiting to blow away

Woke up, it was a Chelsea morning, and the first thing that I knew
There was milk and toast and honey and a bowl of oranges, too
And the sun poured in like butterscotch and stuck to all my senses
Oh, won’t you stay
We’ll put on the day
And we’ll talk in present tenses

When the curtain closes and the rainbow runs away
I will bring you incense owls by night
By candlelight
By jewel-light
If only you will stay
Pretty baby, won’t you
Wake up, it’s a Chelsea morning

Mitchell was not the first to record the song: According to Wikipedia, the first recording of “Chelsea Morning” was likely “its interpretation by Dave Van Ronk on his 1967 album Dave Van Ronk & The Hudson Dusters.” Fairport Convention included the song on the group’s self-titled 1968 debut album, and – again from Wikipedia – Jennifer Warnes recorded it for her 1968 release, I Can See Everything. That version was released as a single, but did not chart.

Clouds was released in May 1969. It went to No. 31 and earned Mitchell a Grammy for Best Folk Album. Reprise released a promo single of Mitchell’s version of “Chelsea Morning” (with “The Fiddle & The Drum” on the B-side), but the record failed to chart. The only charting single of “Chelsea Morning” came from Judy Collins, whose version went to No. 78 on the Billboard Hot 100 in August 1969 (and to No. 25 on the magazine’s Easy Listening chart).

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