Posts Tagged ‘Al Martino’

No. 56, Fifty-Six Years Ago

Thursday, August 1st, 2019

We’re heading into 1963 territory this morning, to the summer between fourth and fifth grade. It was a time when I was still getting used to wearing glasses (and the photographic evidence in the boxes of Dad’s slides shows that I didn’t always wear them, which I don’t recall).

By the time August rolled around, any summer school program I was in had ended; I’m sure I was in one that summer, but I have no memory of it. Earlier summers found me at the Campus Lab School on the St. Cloud State campus, 1964 would find me in an enriched program at Washington Elementary with students from across the city, most of whom I’d know in high school; and summer programs after that would take me to South Junior High and to Tech High School.

But 1963? I don’t remember, which is odd (and a bit disconcerting). And I have a sense that when I look at the music of 1963 – the last summer pre-Beatles in the U.S. – I’ll know the records but not remember many of them from that summer. Here’s the Billboard Top Ten from the first week in August 1963:

“So Much In Love” by the Tymes
“Fingertips (Part 2)” by Little Stevie Wonder
“Surf City” Jan & Dean
“(You’re The) Devil In Disguise” by Elvis Presley
“Wipe Out” by the Surfaris
“Blowin’ In The Wind” by Peter, Paul & Mary
“Easier Said Than Done” by the Essex
“Judy’s Turn To Cry” by Lesley Gore
“Tie Me Kangaroo Down, Sport” by Rolf Harris
“Just One Look” by Doris Troy

I don’t think we had any of those records in the house although I do remember my sister – three years older than I – picking up Lesley Gore’s “It’s My Party” earlier that year. I probably still have that copy of the record, as all of the 45s from Kilian Boulevard ended up in two metal carrying cases that are around here somewhere. And I vaguely recall hearing “Judy’s Turn To Cry” somewhere, probably from an older kid’s record player somewhere in the neighborhood.

Beyond that, I know I heard “Blowin’ In The Wind” and “Tie Me Kangaroo Down Sport” that summer, which is not surprising, as those records were No. 1 and 2, respectively, on what Billboard then called the Middle-Road Singles chart (now called Adult Contemporary) as August began in 1963. (And with only occasional excursions to KDWB by my sister, all radios in our house were tuned to stations that offered records from the Middle-Road Singles chart). And I probably heard “Wipe Out” somewhere, too.

Four of those records are part of my day-to-day listening still, fifty-six years later: “Blowin’ In The Wind,” “Judy’s Turn To Cry,” “Wipe Out,” and “Just One Look” have places in the iPod. That’s more than I expected when I began digging into things this morning.

But now to the second portion of today’s exercise: What sat at No. 56 during the first week of August 1963?

Well, we get a piece of traditional pop that I do not recognize by its title: “Painted, Tainted Rose” by Al Martino. It was the Philadelphia native’s eighth entry in or near the Hot 100; he’d charted earlier in the year with “I Love You Because,” which went to No. 3 on the Hot 100 and topped the Middle-Road Singles chart for two weeks. “Painted, Tainted Rose didn’t do quite as well, peaking at No. 15 on the Hot 100 and spending two weeks at No. 3 on the Middle-Road Singles chart.

It’s a mournful tune sung from the point of view of a judgmental guy whose gal chose the “party life.”

She was a wild and lovely rose
Oh, how I loved her, heaven knows
But though my heart was true, it would never do
Party life was what she chose

Last night I saw my lovely rose
All painted up in fancy clothes
Her eyes had lost their spark, the years had left their mark
She’s just a painted, tainted rose

But though my heart was true, it would never do
Party life was what she chose

Her eyes had lost their spark, the years had left their mark
She’s just a painted, tainted rose

‘And Sitting At No. 87 . . .’

Tuesday, August 7th, 2012

It’s another edition of “Games With Numbers,” this time turning today’s date, August 7 into No. 87 and seeing what records occupied that spot in the Billboard Hot 100 on this date during six years in the 1960s and 1970s.

We’ll head back to August 1960 and start there, landing on “You Mean Everything To Me” by Neil Sedaka. A mostly minor key outing, the tune would – I think – rapidly become wearisome. Enough listeners liked it, however, for the record to make it to No. 17 (while the flipside, “Run Samson Run,” got to No. 28). The two sides are sandwiched in the Sedaka listing in Top Pop Singles between two of Sedaka’s bigger hits: “Stairway to Heaven,” which went to No. 9, and “Calendar Girl,” which went to No. 4. The final tally shows Sedaka with thirty-seven records in or near the Hot 100 between 1958 and 1980.

Three years later, we find an early Tamla single sitting at No. 87, with the Marvelettes admitting in the tumbling “Daddy Knows Best” that all the advice a young girl gets from her father may make some sense. The record was the sixth by the girls from Inkster, Michigan, to hit the Hot 100, and it went to No. 67. The Marvelettes would continue to put records into and near the Hot 100 into 1969, but none of the other twenty-four records ever equaled the performance of their first hit, 1961’s “Please Mr. Postman,” which went to No. 1 (No 7 on the R&B chart).

Traditional pop shows its head as we look at early August 1966, with Al Martino’s “Just Yesterday” sitting at No. 87. I’ve never heard the record before, but as I listen this morning, I hear what are to me unmistakable echoes – melodically, harmonically and thematically – of Frank Sinatra’s “Strangers In The Night,” which had gone to No. 1 just a month earlier. Martino’s single peaked at No, 77, one of forty singles he placed in or near the Hot 100 between 1959 and 1977. The best-performing of those was 1963’s “I Love You Because,” which went to No. 3 on the pop chart and No. 2 on the adult contemporary chart (although I have a fondness for some reason for 1967’s “Mary In The Morning,” which went to No. 27).

Sitting in the No. 87 spot on the Billboard Hot 100 on August 8, 1969 was a single that featured names that in a few years would be among the best-known in R&B. “One Night Affair” was the ninth single by the O’Jays to show up in or near the Hot 100. The previous eight had been on the Imperial and Bell labels; this one was on the Neptune label (a division of GRT Records), which called itself “The Sound of Philadelphia.” The label’s founders – who also wrote the song and produced the record – were Kenny Gamble and Leon Huff, who in a few years would spread the Sound of Philadelphia all around the world on their Philadelphia International label. And the record’s arrangement came from Bobby Martin and Thom Bell; I don’t know what happened to Martin, but in the 1970s, Bell – who’d already struck gold working with the Delfonics – would arrange and produce numerous hits for the Spinners, the Stylistics and more. “One Night Affair” peaked at No. 68 (No. 15 R&B), but in three years, the O’Jays – by then recording for Philadelphia International – would see “Back Stabbers” go to No. 3, and six months later, in early 1973, “Love Train” would go to No. 1.  The O’Jays would end up with thirty-three records in or near the Hot 100 between 1963 and 1997.

In the early days August of 1972, the No. 87 single was one of the slightest hit singles Neil Diamond had to that point placed into the Hot 100. “Play Me” would eventually rise to No. 11, the thirty-first of an eventual fifty-six singles Diamond would place in or near the Hot 100. At the time, I thought “Play Me” was an insubstantial piece of fluff as it trailed in the wake of Diamond’s earlier work like “Sweet Caroline,” “Solitary Man,” “Kentucky Woman” and more (including the album track “Done Too Soon,” which remains my favorite Diamond track). But listening to “Play Me” this morning, and looking at the hits that came later – records like “Love On The Rocks,” “Heartlight” and “America” – I find myself liking “Play Me” a lot more than I did forty years ago. It’s still not a great record; but it’s better than I remembered.

Larry Graham was the bass player for Sly & The Family Stone until 1972. A year later, says All Music Guide, he joined an Ohio R&B/funk band he’d been producing and renamed it from Hot Chocolate to Graham Central Station. In early August of 1975, a single from the group’s third album was sitting at No. 87, on its way to No. 38 on the pop chart and No. 1 on the R&B chart. “Your Love” is a sleek and only occasionally funky piece of work that turned out to be the best-charting of the four singles Graham Central Station got into the pop chart; as a solo artist, Graham placed five records in or near the Hot 100 and had a No. 9 hit (No. 1 R&B) in 1980 with “One In A Million You.”