I’ve never been to a baby shower. They’ve always been the domain of women. But that changes today.
In a little while, the Texas Gal, my mother and I will head to the Twin Cities’ suburb of Plymouth for a baby shower for my niece and her husband, who are expecting their first child this summer. The baby will be the first grandchild for my sister and her husband and my mom’s first great-grandchild.
And the organizers of the shower – long-time friends of my sister’s – made the shower inclusive, so the menfolk were invited as well. There will be a brunch, gifts and all the other stuff that makes for a joyous gathering. It should be fun.
To mark the occasion here, I went looking for a song with “baby” in the title, and found more than a thousand of them on the digital shelves. So it took a little bit of searching, but I eventually found “Didn’t Leave Nobody But The Baby” a track from 2000 – from the soundtrack to O Brother, Where Art Thou – by Emmylou Harris, Alison Krauss and Gillian Welch, and it’s today’s Saturday Single.
A hint that a reader named Larry left in a comment the other day falls into the category of good ideas I should have thought of a long time ago. I’d mentioned the difficulty of sorting versions of different songs with the same title – in this case, covers of Phil Ochs’ “Changes” – while using the information at All-Music Guide. Larry suggested using the online databases at ASCAP and BMI, the institutions that keep track of such things.
It sounded like a good idea, so I gave it a shot this morning, looking up versions of “Gone, Gone, Gone,” the Everly Brothers’ single that entered the Billboard Hot 100 on October 17, 1964, forty-seven years ago yesterday. I’d already scrummed around a bit at AMG and I’d come across four cover versions of the tune, but I was thinking there might be more. And the AMG listings were crowded with other songs with the same or similar titles, including tunes by Carl Perkins, Chet Atkins, Joe South and the trio of George and Ira Gershwin and DuBose Heyward.
But BMI, for whatever reason, lists only three of those four cover versions of “Gone, Gone, Gone.” So I would hope that the four cover versions I found complete the field. First, though, let’s take a look at the original.
“Gone, Gone, Gone” was the Everly Brothers’ next-to-last Top 40 hit, getting to No. 31 in December 1964. (Their last Top 40 hit was “Bowling Green,” which barely made it, sitting for two weeks at No. 40 in 1967.) I wanted to share a video of the single, but the copyright holder evidently doesn’t allow videos of the studio version of the song. I found, however, a live performance of “Gone, Gone, Gone” from a 1964 episode of Shindig!
That performance, I think, took place on October 14, 1964, evidently just as “Gone, Gone, Gone” was released. The brothers performed “Gone, Gone, Gone” twice as part of the Shindig! opening medley – once in the autumn of 1964 and again in June of 1965 – but from what I can tell, the only time they performed the song in its entirety was on the October 14, 1964, telecast.
Now, on to the covers: The first to cover the tune, evidently, were the Ventures, the instrumental group that had twenty-five records in or near the Hot 100, including Top Ten hits in 1960 and 1964 with two versions of “Walk – Don’t Run” and then in 1969 with “Hawaii Five-O.” The Ventures’ version of “Gone, Gone, Gone” showed up as an album track in 1965 on The Ventures Knock Me Out! It’s a typical Ventures track, which means I like it.
The cover version not listed at BMI came next, when the British folk-rock group Fairport Convention performed the tune live on the BBC’s show Top Gear hosted by the famed John Peel. The show aired on August 26, 1968, and the track eventually showed up on the album Heyday, subtitled “BBC Radio Sessions 1968-69.” I think the duet on the performance is by Sandy Denny and Ian Matthews (before he changed the spelling of his first name), and it’s also one I like very much.
That last statement should, I suppose be annotated: I like very much all five versions of “Gone, Gone, Gone” that I’ve dug up this morning. Do I have a favorite? Yes, and we’ll get to it shortly. First, though, we’ll look at the most unlikely cover I’ve found of the song. In 1970, the Minneapolis group Crow got hold of the Everlys’ song and transformed it from a sprightly pop folk song with rockabilly hints into a lengthy blues-rock jam that slides its way along, stopping for a guitar solo and an odd choral segment backed with an ethereal wordless vocal and some organ chords. By the time the eight-minute track finds an ending, it hardly seems like the same song.
And that brings us to the most recent version of the song (and my favorite cover): Performers Robert Plant & Alison Krauss, along with producer T-Bone Burnett, added a subtitle and included “Gone, Gone Gone (Done Moved On)” on their Grammy-winning 2007 album Raising Sand. Returning the song to its rockabilly roots, Plant and Krauss share the spotlight with drummer Jay Bellerose.