Posts Tagged ‘Beverly Bremers’

Back In ’72

Wednesday, July 3rd, 2019

I shared here the other day a repost from 2007, a piece about my high school friend Becky and how I found a track from her 1972 album, A Special Path, on an anthology titled Wayfaring Strangers: Ladies From the Canyon. I admit that I likely never listened more than once to Becky’s album – Christian folk was never my genre – but I made sure that I kept it the other year when I sold about two-thirds of the LPs on my shelf.

And thinking about July 1972 – when Becky delivered her album to my door – I got to wondering what I was listening to at the time. Part of that was easy. I was working half-time as a janitor at St. Cloud State’s Campus Lab School that summer, and a radio tuned to the Twin Cities’ KDWB was never far away (though never turned up very loud).

Neither Oldiesloon nor the Airheads Radio Survey Archive has a KDWB survey from July 1972, but Oldiesloon has the July 7 Star Survey from WDGY, the Twin Cities’ other Top 40 station of the time. The Top Ten at ’DGY was:

“Lean On Me” by Bill Withers
“Too Late To Turn Back Now” by the Cornelius Brothers & Sister Rose
“Layla” by Derek & The Dominos
“Rocket Man” by Elton John
“Daddy Don’t You Walk So Fast” by Wayne Newton
“Brandy” by Looking Glass
“Day By Day” by the cast of “Godspell”
“Conquistador” by Procol Harum & The Edmonton Symphony Orchestra
“Song Sung Blue” by Neil Diamond
“Alone Again (Naturally)” by Gilbert O’Sullivan

A few of those underline the summer for me. The first, the O’Sullivan single was omnipresent; I recall hearing it at work, in the car, around me as I wandered around with friends, just everywhere. I got tired of it rapidly and dismissed it when it showed up again over the years (until a recent hearing of it on one of our cable channels reminded me how tightly crafted a pop song it is).

The other two that hang in the air of my summer of ’72 memories are “Brandy” and “Layla.” The Looking Glass single was a large part of the soundtrack to the trip that I took with Rick and our pal Gary to Winnipeg in August. No matter what Top 40 station we found on the radio of my 1961 Falcon, “Brandy” was sure to pop up very soon. As to “Layla,” well, I’d heard the first half of the classic track two years earlier when Atco released an edited version that ended before Jim Gordon’s lyrical piano coda. The 1972 single from Polydor included that portion, which I’d never heard before, being clueless about Derek & The Dominos to that point in my life.

(Beyond being a beautiful piece of work, Gordon’s piano part – which, given things I’ve read over the years, should also have been credited to Rita Coolidge [not Bonnie Bramlett, as reader David helpfully pointed out] – was the first piece of pop music that I was able to play on piano simply by listening to it on the radio. My two recently completed quarters of music theory along with lots of piano practice had given me new tools that I was thrilled to use.)

There are a few other records a bit lower on that WDGY survey that immediately say 1972: “Where Is The Love” by Roberta Flack & Donny Hathaway is one that I singled out a few years ago as the record of the summer, and the Hollies’ “Long Cool Woman,” America’s “I Need You,” and Jim Croce’s “You Don’t Mess Around With Jim” also bring back that time pretty vividly.

Wandering afield from what I was listening to that summer, there are a couple of records listed on the WDGY survey from July 7, 1972, whose titles I do not recognize: “We’re Free” by Beverly Bremers at No. 15 and “We’re On Our Way” by Chris Hodge, at No. 18. So I head to YouTube.

Bremers’ record, a paean to being lovers without being married – a topic at least slightly controversial for a record in 1972– is utterly unfamiliar to me. According to ARSA, it went to No. 2 or No. 3 in a number of markets: in Anchorage, Alaska, in Sioux Falls, South Dakota, in Honolulu, Hawaii, and – surprisingly –in Nashville, Tennessee, and Lynchburg, Virginia. And it went Top Ten in about ten more markets across the country. Overall, though, its performance was just so-so, as the record peaked on the Billboard Hot 100 at No. 40.

A quick listen to Hodge’s record – a release on the Beatles’ Apple label – reminds me that I sought it out once and dismissed it. It’s a mid-tempo rocker about UFOs, a woman riding on moonbeams, and bringing the “truth to planet Earth,” all of which, one would think, would have played well in 1972. The surveys gathered at ARSA show the record making the Top Ten in Syracuse, New York, and Saginaw, Michigan. It went to No. 44 on the Billboard Hot 100.

Of the two, Bremers’ record is more interesting, and it made the Top 40, if only barely. So here it is: