Posts Tagged ‘Brooks & Dunn’

‘She Takes My Blues Away . . .’

Friday, July 11th, 2014

Ever since B.W. Stevenson popped up earlier this week, I’ve been digging back into his music. Finding Stevenson’s “Save A Little Time For Love” and “Say What I Feel” through the help of our pal Yah Shure spurred me into ordering two CDs, each of which contains two of Stevenson’s 1970s albums. (The CD offering My Maria from 1973 and Calabasas from 1974 was already on my shelves, though I had a difficult time this morning determining which particular shelf.)

And as I began to dig into Stevenson’s music, I also found myself digging into the work of Daniel Moore, the co-writer of “My Maria” – the late Stevenson’s most successful single – and the writer on his own of “Shambala,” probably Stevenson’s second-best-known work. We’ll get to Moore next week as we listen to some covers of “Shambala” and perhaps a little bit of Moore’s rootsy self-titled album from 1971.

But for today, we’re just going to deal with “My Maria.” Here’s Stevenson’s version, which went to No. 9 on the Billboard Hot 100 and to No. 1 for one week on the adult contemporary chart:

From what I can tell, poking around at Second Hand Songs, at discogs.com and at Amazon, there are two U.S.-released covers out there of “My Maria.” (At discogs.com, there are some releases listed from other artists in Germany and the U.K. that may or may not be the same song.) One of those U.S.-released covers listed at Second Hand Songs is credited only to “Voice Male” and was included on a 1997 CD of covers titled Up, Up & Away.

(Other tracks on the Up, Up & Away CD include Kool & The Gang’s “Celebration,” Johnny Nash’s “I Can See Clearly Now,” Johnny Mandel’s “The Shadow Of Your Smile” and the classic by Ernie, “Rubber Duckie.” Sadly, or perhaps not, the link from Second Hand Songs to the CD’s page at Amazon no longer works, and a few quick checks at other CD emporia brought no joy.)

The other U.S.-released cover of “My Maria” is, of course, the 1996 cover by Brooks & Dunn. Having come late to an appreciation of country music (and not being an expert by any definition of the word), I wonder if Kix Brooks and Ronnie Dunn are not the most successful country duo of all time. If not, they’re definitely in the running, with – according to Wikipedia – twenty No. 1 hit on the Billboard country chart and another nineteen in the magazine’s Top Ten. “My Maria” wasn’t the duo’s biggest hit. Based on weeks at No. 1, that would have been 2001’s “Ain’t Nothing ’Bout You,” which topped the chart for six weeks. But “My Maria” was No. 1 for three weeks in 1996, and, says Wikipedia, was that year’s top country song. So here’s Brooks & Dunn’s cover of “My Maria.”

Dipping Into The Country Bin

Thursday, March 31st, 2011

The real world intrudes this morning, so I’m going to have to offer a brief post and come back tomorrow with a few thoughts about a mid-1960s album that both made me laugh and educated me.

For this morning, however, as it is the thirty-first day of the month, I thought I’d sort the tunes in the RealPlayer by performer, find out who ranks thirty-first and then find a random tune from that performer or group. I’m not going to tell you who ranks first right now; I’m thinking of doing a post on the Top 20 sometime in the next week or so. And most folks who’ve stopped by here regularly can probably figure that out without too much effort, anyway.

As it turns out, there’s a tie for the thirty-first spot in my performer standings: I have 121 mp3s by both Al Stewart and Brooks & Dunn. Since I featured Al Stewart not that long ago, we’ll go country this morning, digging into Brooks & Dunn’s catalog.

Since the release of their first album, Brand New Man, in 1991, Brooks & Dunn have racked up twenty No. 1 hits on the country chart among more than forty singles that reached the country Top 40. So how do I choose which tune to highlight here in this brief post? I sorted the 121 mp3s by running time and counted down to the thirty-first. That turned out to be “He’s Got You,” which went to No. 2 on the country chart in 1998.

Some Highlights From 2001-2005

Thursday, December 30th, 2010

Well, Odd and Pop didn’t show up this morning here at Echoes In The Wind. I think they’re outside playing in the rain that will soon freeze and turn St. Cloud into one large skating rink. And as I have errands to run today and don’t want to slide into the side of the drug store while running them, I’ve split what was a one-day idea into a two-day project, which it seems I will have to complete without any help from the two little tuneheads.

My thought was to look at some of my favorite music from the last ten years, the first ten years of the 21st Century, but as I waded through thousands of titles, it got more and more difficult to decide on favorites, so I thought I’d just mention a couple of titles from each year. And I dithered and dithered and then realized I was going to have to do this over two posts, which means a rare Friday post tomorrow, the last day of the decade.

Well, all right. So, what do I like to hear from these years? Well, lots of stuff, as it turns out. But if I had to pull one album and one track from each of the ten years, here’s how the first half of the list would look today:

From 2001, I’d end up with Bob Dylan’s album Love and Theft, a ramble through various styles of American music: folk, blues, rock and some other genres that might not have labels unless one uses a lot of hyphens. Among my favorite tracks are “Mississippi” and the great “High Water (For Charley Patton).”

I got into Texas singer Pat Green when he hit with “Wave on Wave” in 2003. (I’ve listened to and learned more about country music and Texas music in the past decade than ever before; the Texas Gal obviously gets grateful credit for that.) Anyway, liking “Wave on Wave” as much as I did, I got the CD and then began to dig into Green’s earlier stuff. And I discovered “Southbound 35” from his 2001 effort, Three Days. Another version is on the same year’s Dancehall Dreamer. I’m unable to find a video of either of the studio versions, so we’ll have to go back to the last century and a version of the song on Green’s 1999 release Live At Billy Bob’s Texas.

It took me a couple of years to catch up to it, but this morning, my favorite album from 2002 is Jorma Kaukonen’s Blue Country Heart. The former guitarist for the Jefferson Airplane (and cofounder of Hot Tuna) put together what All-Music Guide called “his most summertime-afternoon, front-porch-pickin’ album.” My favorite track? Probably Kaukonen’s take on Jimmie Rodgers’ classic “Waiting For A Train.”

One of the other musical highlights of 2002 was the massive memorial Concert for George in London on November 29. Recorded for release in 2003, the concert featured a gathering of friends who’d played and recorded over the years with the quiet Beatle, including his old bandmates Ringo Starr and Paul McCartney along with Eric Clapton, Tom Petty, Jeff Lynne and more. The least well-known performer on this side of the Atlantic, I’d guess, was Joe Brown, who closed the concert with a heart-tugging cover of a very old tune, “I’ll See You In My Dreams.” I couldn’t find a video of the live version from the concert, but here’s a studio version on which I’ve been unable to put a date.

Another album I caught up with a couple years late was by another alumnus from Jefferson Airplane and the other co-founder of Hot Tuna: bassist Jack Casady. His 2003 effort, Dream Factor, was an intriguing tour through blues, folk and Southern rock, featuring a strong list of guest vocalists and Casady’s always supple work on bass. My favorite tracks are likely “Paradise” and the closer, “Sweden.”

Country music pulled me in more during 2003. The Texas Gal and I spent a fair amount of time on quiet evenings watching country videos on cable and keeping track of CDs we wanted to hear. One of those videos was a Brooks & Dunn piece, and it led me to a CD that still shows up in the CD player around here. Here’s the official video for Brooks & Dunn’s “Red Dirt Road.”

The 2004 CD Original Soul was credited simply to Grace Potter, but the album was actually the first ever heard of Grace Potter & The Nocturnals, a band out of Vermont that has since released three more well-received CDs, all of which have places on my shelf. If I had to choose one track from Original Soul, I’d probably go with the slow groove of “Go Down Low,” but that’s a default choice; the album is too good to pull just one track as a favorite.

Continuing in a rootsy vein (no surprise there, I imagine), one of the other highlights of 2004, at least looking back, was the release of 40 Days, the first full-length CD by the Wailin’ Jennys, a trio of women formed in Winnipeg, Manitoba. The Texas Gal and I have seen the Jennys twice, and both times, one of the highlights was “Arlington” from 40 Days.

Choosing an album from 2005 was easy, and the choice might be seen as an odd one. Through my blog-created connection with Patti Dahlstrom, I was also linked to long-time musician Don Dunn, who – among his many accomplishments – was the cowriter of one of my favorite tunes ever, “Hitchcock Railway.” And through that connection, I got hold of Don’s Voices From Another Room, an album recorded unexpectedly in Odessa, Ukraine. It’s a CD I often pop into the player late in the evening. My favorite track? Probably “Two Tanyas.”

What else from 2005 has kept my attention? Well, I still listen to all four CDs by Sharon Jones & The Dap-Kings, and my featured track from 2005 comes from the album Naturally, which finds Jones and her amazingly tight band offering an inventive – and somewhat doleful – revision of Woody Guthrie’s “This Land Is Your Land.”

Finally, for today, one of the most memorable records of the the first five years of the decade is one that I cannot place accurately. Gary Jules’ cover of Tears For Fears’ “Mad World” first showed up, I think, on the soundtrack to the 2001 film Donnie Darko. Jules later released it on his own Trading Snakeoil For Wolftickets in 2004. So I don’t know where it fits temporally. But it doesn’t matter, really, as the recording is one of the best things I recall hearing from those first five years of this century.

I’ll be back tomorrow – perhaps with Odd and Pop – to look at music from the years 2006-2010.

(Title error corrected since first posting.)