There is a temptation as we get to the end of a calendar year to offer something here to sum up the twelve months ending today and then offer good cheer as we head into another trip around the Sun. That’s not an attractive idea this morning.
Why? Well, things are unsettled both here along Lincoln Avenue and in the world at large, and I wouldn’t know what to say about any of that right now. Resolution of our local concerns may come in the first few months of the coming year, and that would be welcome. Resolution of my concerns about the world at large will take longer, and I’m not particularly hopeful.
So we’re going to leave all that alone. Instead, I’m going to carry on today on the path I’ve taken here for the last three days: Offering a tune original to the date, and today that means finding a track recorded on December 31. There are a few candidates on our digital shelves:
On this date in 1973, the Allman Brothers Band played the Cow Palace in San Francisco, and I have recordings of the entire concert, which went on for nearly four hours. I also have one track – “Ain’t Wastin’ Time No More” – from the Allmans’ gig a year earlier in New Orleans.
In 1963, a girl group called the Gems gathered at the Chess studios in Chicago and laid down a peppy version of a near-novelty tune: “That’s What They Put Erasers on Pencils For.” It was released as Chess 1882. The record didn’t chart, nor did it make it onto any of the 1964 surveys collected at the Airheads Radio Survey Archive.
We find two tracks recorded on this date in 1955 by Marty Robbins: “Mean Mama Blues” and “Tennessee Toddy.” They’re decent country tunes, and they were released on Columbia 21477 but did not chart.
The last of the December 31 recordings in the digital stacks (and recording date information is attached to maybe 10 percent of the nearly 90,000 mp3s in the RealPlayer) comes from a familiar source. On New Year’s Eve 1980, Bruce Springsteen & The E Street Band played Nassau Coliseum in Uniondale, New York. Two of that evening’s performances showed up not quite five years later as tracks on the massive Live/1975–85 box set: “Held Up Without A Gun” and “4th of July, Asbury Park (Sandy).”
Regular readers, I’m sure, already know where things are headed here. Here, recorded thirty-six years ago this evening and offered as both our year-end marker and our regular Saturday Single, is “4th of July, Asbury Park (Sandy).”