So, about “Tomorrow Is A Long Time” . . .
As I noted yesterday, and as was the case for a couple of other sturdy songs I’ve written about in the past ten days or so, it was Glenn Yarbrough’s 1967 album, For Emily, Whenever I May Find Her, that introduced me to “Tomorrow,” which I’ve long thought to be one of Bob Dylan’s most beautiful songs.
The first released version of the song was recorded by Ian & Sylvia for their 1964 album, Four Strong Winds. Regular reader David Leander noted in a comment yesterday that “at one point Dylan told them he’d written it for them to record, but I think he told anybody that might record one of his songs that he’d written it for them.” I’ve read in a number of places that the song was inspired by Dylan’s early 1960s relationship with Suze Rotolo (the young woman shown with Dylan on the cover of The Freewheelin’ Bob Dylan), but that doesn’t mean that he might not have had Ian & Sylvia – or Judy Collins (from her Fifth Album in 1965) or someone else or no other performer at all – in mind when he wrote the song.
As I also noted yesterday, Dylan has officially released two versions of the song: The first recorded, a demo, was officially released in 2010 as part of the ninth volume of Dylan’s ongoing Bootleg Series, and – according to Wikipedia – has been available as a bootleg for years. The second version he recorded, a live 1963 performance of the song in New York City, was released in 1972 as a track on Dylan’s second greatest hits album. Wikipedia also notes that a “studio version of the song, an outtake from the June 1970 sessions for New Morning, has also been bootlegged.”
The first Dylan version I heard of “Tomorrow Is A Long Time” was on that second greatest hits package. (The only video I can find at YouTube with that 1963 live version is from an episode of The Walking Dead. Zombies and a love song don’t match well for me.) By that time, of course, I’d absorbed the Yarbrough version from his For Emily album:
Over the years, “Tomorrow Is A Long Time” has been a generally popular song for covers. Second Hand Songs lists a total of thirty-one English-language versions, and more (I didn’t bother to count) are listed at Amazon. I imagine that iTunes and other similar sites would have more yet. As is generally the case, the list of folks and groups who’ve covered the song include the unsurprising and the surprising alike: Among the first category are the Brothers Four, the We Five, the Kingston Trio, Linda Mason, Chris Hillman, Bud & Travis, the Silkie, the Earl Scruggs Revue and Sandy Denny. Less expected (or even unknown in these parts) are Hipcity Cruz, Deborah Cooperman, Barb Jungr, Sebastian Cabot, Magna Carta and Danielle Howell.
I’ve heard at most bits and pieces of those covers in the above paragraph, but over the years, I’ve listened to many other covers of the song, and I’ve tracked down even more in just the past couple of days. One version that’s been mentioned here at least twice in the past six years is the version by Elvis Presley that showed up in his 1966 movie Spinout. Regular reader Porky noted yesterday that Elvis “supposedly learned it from Odetta’s version,” which was on the 1965 album, Odetta Sings Dylan. I like Elvis’ version more than I used to, but the austere dignity which Odetta brought to her music doesn’t seem to work for the song.
I was surprised to find the name of Hamilton Camp among those who’d covered “Tomorrow Is A Long Time.” Camp, a mid-1960s folkie, released the song on his 1964 album Paths of Victory. That album is likely better known for his version of Dino Valente’s “Get Together,” which became a No. 5 hit for the Youngbloods in 1969 (after being a No. 31 hit for the We Five in 1965).
Another, far more recent name that surprised me was that of the country-folk group Nickel Creek, which put the song on its 2005 album, Why Should the Fire Die? I enjoyed the group’s self-titled debut in 2000, but wasn’t at all pleased with the follow-up, This Side, in 2002. I may have to give the group another try.
The most enjoyable version of “Tomorrow Is A Long Time” that I came across this week came from a one-off album from 1973. Several blogs have featured the album Refuge by the duo calling itself Heaven & Earth, and one of my favorite blogs, hippy-djkit, calls the album a “psych folk funk beauty from the early 70’s featuring the gorgeous voices of Jo D. Andrews & Pat Gefell.” There are a couple of other notable covers on the album, specifically takes on Stephen Stills’ “To A Flame” and the Elton John/Bernie Taupin classic, “60 Years On,” but the best thing on the album – and maybe the prettiest version I’ve ever heard – is Heaven & Earth’s take on “Tomorrow Is A Long Time.”
Reference to “Get Together” corrected June 8, 2013.