It’s been one of those weeks: Medical appointments for both of us, a quick trip to Little Falls for me, a research paper for the Texas Gal, an impending visit – routine, we think – by the city rental inspector, and some planning for a weekend trip to see a concert. And we’re both feeling a slight bit frazzled.
So instead of working real hard to find something to write about this morning, I let the calendar do the lifting, as I sometimes do. It’s March 3, or 3/3, so I decided to look at some tunes that were No. 33 on 3/3 over the years.
During this week in 1959, the 33rd spot in the Billboard Hot 100 was occupied by Johnny Cash’s cautionary tale, “Don’t Take Your Guns To Town.” The tale of Billy Joe’s deadly visit to a cattle town had peaked at No. 32 and was on its way back down the chart, one of fifty-nine Hot 100 singles Cash would notch during his career. On the country chart, the record spent six weeks at No. 1.
During the first week of March in 1963, Marvin Gaye’s first Top 40 hit was encouraging listeners either to dance or to get out on the highway and catch a ride out of town. “Hitch Hike” was at No. 33 forty-eight years ago this week, heading for a peak position of No. 30. The record, the second of an eventual fifty-nine Hot 100 hits for Gaye, went to No. 12 on the R&B chart.
Fifty-nine charting hits, like Cash and Gaye each marked, is a lot. But four years later, in March of 1967, the No. 33 record in the Hot 100 was one from the record holder for the most charted hits ever. Elvis Presley’s “Indescribably Blue,” as melodramatic a record as there is, was the ninety-eighth of an eventual 165 charting hits for Presley. It went no higher than No. 33.
Another performer who racked up an impressive total of chart hits was in the 33rd spot in the Hot 100 when March 3, 1971 rolled around. Gladys Knight’s “If I Were Your Woman” was on its way back down the chart after peaking at No. 9 (and its writers – Clay McMurray, Gloria Jones and Pam Sawyer – get bonus points for the correct use of the subjunctive with the word “were”). The record was the twenty-first of an eventual forty-eight records in the Hot 100 for Knight, forty-six of those – if I’m reading things correctly – coming with the Pips.
The first week of March in 1975 finds another major chart machine in the thirty-third spot in the Hot 100, as Chicago’s “Harry Truman” was on its way to No. 13. The ode to the thirty-third (there’s that number again!) president of the United States was a nostalgic post-Watergate expression of dissatisfaction with the direction of the country. It was also the nineteenth of an eventual fifty charting hits for Chicago.
And we’ll end today’s exercise in 1979. Sitting at No. 33 during the week of March 3, 1979, was “Shake It,” the fifth of six charting hits for Ian Matthews. The first three of those hits had come with his group Matthews Southern Comfort; he had also been a founding member of the British folk-rock group Fairport Convention. As well as peaking at No. 13 in early 1979, “Shake It” shows up in a couple of different places in pop culture, according to Wikipedia: It was used in the opening moments of the 1980 movie Little Darlings, and it can be heard on a radio during the video game The Warriors.