Posts Tagged ‘Pat Green’

Saturday Single No. 491

Saturday, April 9th, 2016

While sorting out tracks for our Follow The Directions project, I became intrigued by the number of times the word “southbound” showed up. There are twenty-four tracks in the RealPlayer with the word in their titles. (There are also two tracks by a late 1960s group that called itself Southbound Freeway and thirteen tracks from a 1975 Hoyt Axton album titled Southbound, but we’ll set those aside.)

Now, “southbound” and any other directionally tracks wouldn’t have qualified for the Follow The Directions project the way I originally envisioned it. I was thinking about titles with specific directions in them, like “Girl From The North Country,” which showed up when we did “North” the other week. But it’s my game and I can change the rule, so as we look for titles with the four directions, we’ll also look separately for titles with the suffixes “-bound” and “-ern” attached to the directions. It turned the project from four full installments to at least twelve and maybe more, sometimes maybe with fewer than the full complement of four titles per post, but we’ll work around that.

Having decided that, I went off to see how often musical journeys have taken folks in directions other than south. Given the influence of the South on American history and culture, I expected folks to be bound in other directions far fewer times. But I thought I’d look anyway.

“Northbound” nets us three tracks: the quiet “Northbound Bus” by the Flying Burrito Brothers from their 1976 album Airborne, and two versions of a gentle song titled “Northbound 35,” one by folk performer Richard Shindell (who’s showed up here before) on his 2007 album South of Delia and the other by True North, an Oregon-based bluegrass group that included the song on its 2014 album Elsebound.

“Eastbound” brings us one track, another quiet song: “Eastbound Train” by the early 1970s folk-rock group Wooden Horse. It’s on the groups’s self-titled 1972 debut.

When we search for “westbound,” we have to discard five of the eight tracks that show up, as they’re single releases on the Westbound label: Four by the Detroit Emeralds and one by Teegarden & Van Winkle. That leaves us with three tracks: A slow and sorrowful piece of Americana titled “Westbound Tomorrow” that the group the Robber Barons put on its 2004 album Dragging The River and two sprightly versions of “Westbound #9,” one of them the 1970 hit by the Flaming Ember and the other a track from jazz organist Charles Earland off of his 1970 album Living Black!

So southbound tops all the others direction-bound possibilities by an aggregate score of 24-7. And if we’re going to dabble in things southbound this morning, I think we’ll start with a song by country singer Pat Green that shows up four times: “Southbound 35.”

Green first recorded the song for his 1995 self-released debut album, Dancehall Dreamer, and included it on live albums in 1998 and 2000. (If I’m ever lucky enough to be anywhere in Texas when Green is scheduled to perform, I’d love to see him.) He re-recorded the song in a much tougher, guitar-heavy version for his 2001 album Three Days, but I prefer the earlier recording.

And all of that is why Pat Green’s “Southbound 35” is today’s Saturday Single.

Some Highlights From 2001-2005

Thursday, December 30th, 2010

Well, Odd and Pop didn’t show up this morning here at Echoes In The Wind. I think they’re outside playing in the rain that will soon freeze and turn St. Cloud into one large skating rink. And as I have errands to run today and don’t want to slide into the side of the drug store while running them, I’ve split what was a one-day idea into a two-day project, which it seems I will have to complete without any help from the two little tuneheads.

My thought was to look at some of my favorite music from the last ten years, the first ten years of the 21st Century, but as I waded through thousands of titles, it got more and more difficult to decide on favorites, so I thought I’d just mention a couple of titles from each year. And I dithered and dithered and then realized I was going to have to do this over two posts, which means a rare Friday post tomorrow, the last day of the decade.

Well, all right. So, what do I like to hear from these years? Well, lots of stuff, as it turns out. But if I had to pull one album and one track from each of the ten years, here’s how the first half of the list would look today:

From 2001, I’d end up with Bob Dylan’s album Love and Theft, a ramble through various styles of American music: folk, blues, rock and some other genres that might not have labels unless one uses a lot of hyphens. Among my favorite tracks are “Mississippi” and the great “High Water (For Charley Patton).”

I got into Texas singer Pat Green when he hit with “Wave on Wave” in 2003. (I’ve listened to and learned more about country music and Texas music in the past decade than ever before; the Texas Gal obviously gets grateful credit for that.) Anyway, liking “Wave on Wave” as much as I did, I got the CD and then began to dig into Green’s earlier stuff. And I discovered “Southbound 35” from his 2001 effort, Three Days. Another version is on the same year’s Dancehall Dreamer. I’m unable to find a video of either of the studio versions, so we’ll have to go back to the last century and a version of the song on Green’s 1999 release Live At Billy Bob’s Texas.

It took me a couple of years to catch up to it, but this morning, my favorite album from 2002 is Jorma Kaukonen’s Blue Country Heart. The former guitarist for the Jefferson Airplane (and cofounder of Hot Tuna) put together what All-Music Guide called “his most summertime-afternoon, front-porch-pickin’ album.” My favorite track? Probably Kaukonen’s take on Jimmie Rodgers’ classic “Waiting For A Train.”

One of the other musical highlights of 2002 was the massive memorial Concert for George in London on November 29. Recorded for release in 2003, the concert featured a gathering of friends who’d played and recorded over the years with the quiet Beatle, including his old bandmates Ringo Starr and Paul McCartney along with Eric Clapton, Tom Petty, Jeff Lynne and more. The least well-known performer on this side of the Atlantic, I’d guess, was Joe Brown, who closed the concert with a heart-tugging cover of a very old tune, “I’ll See You In My Dreams.” I couldn’t find a video of the live version from the concert, but here’s a studio version on which I’ve been unable to put a date.

Another album I caught up with a couple years late was by another alumnus from Jefferson Airplane and the other co-founder of Hot Tuna: bassist Jack Casady. His 2003 effort, Dream Factor, was an intriguing tour through blues, folk and Southern rock, featuring a strong list of guest vocalists and Casady’s always supple work on bass. My favorite tracks are likely “Paradise” and the closer, “Sweden.”

Country music pulled me in more during 2003. The Texas Gal and I spent a fair amount of time on quiet evenings watching country videos on cable and keeping track of CDs we wanted to hear. One of those videos was a Brooks & Dunn piece, and it led me to a CD that still shows up in the CD player around here. Here’s the official video for Brooks & Dunn’s “Red Dirt Road.”

The 2004 CD Original Soul was credited simply to Grace Potter, but the album was actually the first ever heard of Grace Potter & The Nocturnals, a band out of Vermont that has since released three more well-received CDs, all of which have places on my shelf. If I had to choose one track from Original Soul, I’d probably go with the slow groove of “Go Down Low,” but that’s a default choice; the album is too good to pull just one track as a favorite.

Continuing in a rootsy vein (no surprise there, I imagine), one of the other highlights of 2004, at least looking back, was the release of 40 Days, the first full-length CD by the Wailin’ Jennys, a trio of women formed in Winnipeg, Manitoba. The Texas Gal and I have seen the Jennys twice, and both times, one of the highlights was “Arlington” from 40 Days.

Choosing an album from 2005 was easy, and the choice might be seen as an odd one. Through my blog-created connection with Patti Dahlstrom, I was also linked to long-time musician Don Dunn, who – among his many accomplishments – was the cowriter of one of my favorite tunes ever, “Hitchcock Railway.” And through that connection, I got hold of Don’s Voices From Another Room, an album recorded unexpectedly in Odessa, Ukraine. It’s a CD I often pop into the player late in the evening. My favorite track? Probably “Two Tanyas.”

What else from 2005 has kept my attention? Well, I still listen to all four CDs by Sharon Jones & The Dap-Kings, and my featured track from 2005 comes from the album Naturally, which finds Jones and her amazingly tight band offering an inventive – and somewhat doleful – revision of Woody Guthrie’s “This Land Is Your Land.”

Finally, for today, one of the most memorable records of the the first five years of the decade is one that I cannot place accurately. Gary Jules’ cover of Tears For Fears’ “Mad World” first showed up, I think, on the soundtrack to the 2001 film Donnie Darko. Jules later released it on his own Trading Snakeoil For Wolftickets in 2004. So I don’t know where it fits temporally. But it doesn’t matter, really, as the recording is one of the best things I recall hearing from those first five years of this century.

I’ll be back tomorrow – perhaps with Odd and Pop – to look at music from the years 2006-2010.

(Title error corrected since first posting.)