Posts Tagged ‘Peppers’

Saturday Single No. 629

Saturday, February 16th, 2019

We’re going to head over the Airhead Radio Survey Archives today and play some Games With Numbers. We’re going to find four surveys from widely differing geographic areas, and then we’ll take today’s date – 2/16/19 – and turn that into 37. And we’ll see what’s at No. 37 on those four surveys. One of those four records will be today’s Saturday Single.

Along the way, we’ll check out – as we generally do – the No. 1 record on those surveys. As for the year, I think we’ll go forty-five years back and see what was on the air in February 1974.

We’ll start on the West Coast, checking out the Pop Sound of Southern California, as offered by KOLA of San Bernardino. Sitting at No. 37 forty-five years ago today was “Pepper Box” by the Peppers. The Peppers were, says Joel Whitburn in Top Pop Singles, a “pop instrumental studio duo from Paris,” with Mat Camison on synths and Pierre Dahan on drums.

The record is two-and-a-half minutes of not very inspired wheedling melody backed with a basic rhythm track. It probably seemed revolutionary in 1974. The record was new that week to KOLA’s survey, and in about three weeks it would make its way into the Billboard chart, peaking at No. 76 on the Hot 100. It was the Peppers’ only record to reach the Hot 100. (The title triggered a memory, so I checked the archives: “Pepper Box” was mentioned here about five years ago when I spent some time checking out a survey from March 1974 at KUPK of Garden City, Kansas.)

The No. 1 record forty-five years ago at KOLA was Terry Jacks’ “Seasons In The Sun.”

We’ll head to the mountains for our next stop, digging into the weekly survey at Denver’s KTLK, where the No. 37 rung was taken up by “Jungle Boogie” by Kool & The Gang, which is familiar, I would imagine, to anyone who hangs around this joint. The record had just entered KTLK’s survey that week.

Nationally, “Jungle Boogie” would, of course, be one of Kool & The Gang’s biggest hits, grunting its way to No. 4 in the Hot 100 and to No. 2 on the Billboard R&B chart.

The No. 1 record at KTLK forty-five years ago this week was also “Seasons In The Sun.”

We’ll head a long ways southeast from Denver and check out “South Florida’s Top Selling Music” as compiled by WQAM of Miami. The No. 37 record there forty-five years ago today was “I Love” by country artists Tom T. Hall. The saccharine list of the things that Hall loves – including little fuzzy pups, bourbon in a glass, honest open smiles, tomatoes on the vine “and you” – was in its first week on the WQAM survey.

Nationally, “I Love” went to No. 12 on the Hot 100, No. 2 on the Billboard Easy Listening chart and spent two weeks at No. 1 on the magazine’s country chart.

Then No. 1 record at MQAM forty-five years ago was “Love’s Theme” by the Love Unlimited Orchestra.

We finish our journey with a stop at WCFL in Chicago, where the Super CFL Survey showed Elton John’s “Bennie & The Jets” holding down spot No. 37 in its first week on the survey. The record, of course, went to No. 1 on the Hot 100.

And the No. 1 record at WCFL during that long-ago week was Barbra Streisand’s “The Way We Were.”

So our choices come down to “I Love,” “Bennie & The Jets,” “Jungle Boogie” or “Pepper Box.” The gods of randomness have disappointed us this time. So we’ll go with rarity. Here’s “Pepper Box” by the Peppers, today’s Saturday Single.

Back To Garden City

Tuesday, March 18th, 2014

As you might recall, we spent a little bit of time last Saturday poking around a music survey released on March 15, 1974, by radio station KUPK of Garden City, Kansas. The thirty-record survey showed some familiar records, mostly at the upper end, and a fair number of records not so familiar. Four of the records on the KUPK survey, I noted, didn’t even dent the Billboard charts or its Bubbling Under section, and I chose one of those four – “Roll It” by Nino Tempo & 5th Ave. Sax – for our Saturday Single.

In addition, I noted that nine other records on the Garden City survey were ranked a good deal higher than they ever got on the Billboard charts. Now, it’s not out of the ordinary for records to do better in one market than they do nationally. But thirteen out of thirty? That seemed a bit odd. Here, listed by their rankings on the KUPK survey, are those thirteen records and their Billboard peaks:

No. 12: “Star” by Stealers Wheel, No. 29.
No. 16: “On A Night Like This” by Bob Dylan, No. 44.
No. 19: “I’m A Train” by Albert Hammond, No. 31.
No. 20: “Music Eyes” by Heartsfield, No. 95.
No. 22: “Roll It” by Nino Tempo & 5th Ave. Sax, did not chart.
No. 23: “Skybird” by Neil Diamond, No. 75.
No. 24: “Loving Arms” by Kris Kristofferson & Rita Coolidge, No. 86.
No. 25: “You’re So Unique” by Billy Preston, No. 48.
No. 26: “When The Morning Comes” by Hoyt Axton, No. 54.
No. 27: “All The Kings And Castles” by Shawn Phillips, did not chart.
No. 28: “Stone Country” by Johnny Winter, did not chart.
No. 29: “Invisible Song” by the Rainbow Canyon Band, did not chart.
No. 30: “Pepper Box” by the Peppers, No. 76.

Seven of those records were unfamiliar to me, though I knew most of the performers and one of the songs. I’d never heard of the Rainbow Canyon Band (listed only as “Rainbow Canyon” on the KUPK survey) or the Peppers. And I’ve known the song “Loving Arms” for years, but I’d never heard Kris and Rita’s cover. So after sharing “Roll It” last Saturday, I went and found videos of the six remaining unfamiliar records. Then, even though the Shawn Phillips track was one that I knew, I posted a video of it because it was one of those listed that did not chart in Billboard.

The Rainbow Canyon Band, according to the YouTube poster, was a well-known Cleveland group that came to the attention of James Gang drummer Jim Fox, who produced “Invisible Song” and brought James Gang guitarist Tommy Bolin to the sessions. The Peppers, according to Joel Whitburn’s Top Pop Singles, were an instrumental duo from Paris; “Pepper Box” was the duo’s only charting single.

As I noted last week, I’m not a chart maven; I do have a sense that the KUPK survey is odd in hosting so many singles that out-perform their national ranking. And I noticed a couple of other things that intrigued me about the KUPK survey.

First, in addition to the “Pop & Contemporary” listing, the survey – seen here – had a ten-record listing for easy listening and a twenty-record listing for country, so just from those three lists, it’s evident that the station had vastly different sorts of programming for different day-parts, something not at all rare for small town stations (and, by our estimate based on the 1970 and 1980 censuses listed at Wikipedia, Garden City had about 16,000 residents in 1974).

Supporting that assumption are three notes in the text at the top of the survey: “Capt. Weird, Roger Unruh” offered listeners the program Rock Garden on Saturday nights from 10:30 p.m. to 4 a.m.; Jim Throneberry, the “Morning Mayor” was on the air from 7 to 9; and a new voice on the station was that of Bob Hill, who ran the Country Show from 5:30 to 10 p.m. (And I wonder if some of the records in the “Pop & Contemporary” listing might not have been heard on Capt. Weird’s Rock Garden.)

Here’s a guess at KUPK’s weekday: A morning show with news and farm reports from 4 to 7 a.m. followed by Jim Throneberry until 9 a.m., and then maybe easy listening (with some news at noon) until 5 p.m. After more news, country music from 5:30 to 10 p.m. Then more news, and “Pop & Contemporary” until 4 the next morning. (Perhaps on the FM side; the AM side went off the air at sunset, as friend and faithful reader Yah Shure notes below.)

After pondering that, I took a closer look at the “Pop & Contemporary” listing, and I was struck by the volatility of the survey. Of the thirty records listed, sixteen were new to the survey that week, including two in the top ten: Blue Swede’s “Hooked On A Feeling” and Rick Derringer’s “Rock & Roll, Hoochie Koo.” I’d love to have seen the KUPK surveys from the week before and the week after, but unfortunately, the March 15, 1974, survey is the only one from KUPK available at the Airheads Radio Survey Archive, and a quick Googling found no others (although I did learn that the Davis Sisters of nearby Meade, sponsored by KUPK, won the 1973 Kansas State Fair Talent Contest).

As it happens, KUPK radio is no longer on the air; KUPK-TV is a satellite station of KAKE-TV in Wichita, about two hundred miles away; a segment of KAKE’s nightly show originates from a newsroom at the KUPK studios. I assume that arrangement dates from the Garden City station’s founding in 1964, as the call letters KUPK, according to Wikipedia, are meant to symbolize Kup-Kake.

(The station’s history is not quite right in that preceding paragraph. Yah Shure also untangled the KUPK story in his note, and he gets my thanks.)

So what does all this mean? I have absolutely no idea. It’s just interesting stuff – interesting to me, anyway – from forty years ago. And we’ll close this morning with what’s likely my favorite record of the thirty listed on the KUPK Music Survey from mid-March 1974: “When The Morning Comes,” on which Hoyt Axton got some help from Linda Ronstadt. As noted above, the record – from Axton’s 1974 album Life Machine – went to No. 54 on the Billboard pop chart (and to No. 10 on the country chart).