Posts Tagged ‘Ray Conniff’

What’s Being Watched?

Friday, November 20th, 2015

It’s been just more than four and a half years since I started putting my own videos up on YouTube. I started making my own videos because either the tunes I wanted to share here weren’t available at YouTube or because I didn’t care for the visuals that were available. And I decided to keep my stuff simple. As the audio is the point, my visual content is either a record jacket or label or a static visual I’ve created to illustrate the track.

(Most of the videos I make and upload to YouTube are for this blog. Every once in a while, there will be some back-and-forth on Facebook and I’ll make a video to throw into the conversation, but that’s happened maybe ten or fifteen times.)

It’s been interesting over these four-plus years to see which of my 346 videos attract the most interest. By a wide margin, the most-played piece I’ve put up at YouTube is “Bittersweet” by Big Head Todd & The Monsters, which as of this morning has been viewed 544,647 times. A total of 2,403 of those viewers have given the video/track a “thumbs up” and 72 folks have given it a “thumbs down.”

After that, the views drop off considerably, but the numbers are still pretty large. Here are the next ten:

“Love Has No Pride” by Bonnie Raitt, 99,661 views (426 thumbs up and 14 down)
“Rør Ved Mig” by Lecia & Lucienne, 95,321 (282 and 9)
“Don’t Try To Lay No Boogie Woogie On The King Of Rock & Roll” by Long John Baldry, 81,674 (547 and 14)
“Tangerine” by Eliane Elias, 79,843 (335 and 5)
“The Windmills Of Your Mind” by Michel Legrand, 78,556 (218 and 8)
“Misty” by Groove Holmes, 70,808 (181 and 2)
“Anything For Love” by Gordon Lightfoot, 68,557 (262 and 2)
“Ballad Of Easy Rider” by Roger McGuinn, 65,602 (277 and 3)
“Banana Boat (Day-O)” by Stan Freberg, 63,668 (437 and 2)
“Theme from ‘Summer of ’42’” by Michel Legrand, 60,926 (321 and 9)

It’s interesting that two of those top eleven are from Michel Legrand. And the presence of Stan Freberg in the top ten kinda tickles me.

I’ve put up as well a few long-form pieces and full albums. The most popular of those is the live version of “Nantucket Sleighride” by Mountain, which ranks thirteenth overall with 58,180 views (324 and 6) in the year-and-a-half it’s been up.

As in all counting statistics, longevity has its rewards. Most of those videos are from 2011 and 2012. The highest-ranked video from 2013 is Long John Baldry’s classic track (and I find it hard to believe there are fourteen folks who disliked it enough to give it a thumbs down). The highest ranked from 2014 is the Roger McGuinn track. The most-viewed video from this year is Billy Preston’s live version from The Concert For Bangla Desh of “That’s The Way God Planned It,” which ranks 33rd, having garnered 13,561 views (87 and 3) since it went up last March.

And we’ll close this with one of the videos I originally made to share on Facebook: Ray Conniff’s cover of Boz Scaggs’ “Lowdown” from Conniff’s 1976 album If You Leave Me Now. When I posted it at Facebook last March, jb of The Hits Just Keep On Comin’ noted that the similarities between Conniff’s instrumental track and Boz Scaggs’ original were a little bit disturbing. As of this morning, it’s had 166 views (1 and 0).

Sometimes It’s Not So Easy

Tuesday, March 4th, 2014

On occasion, my fascination with easy listening music jumps out of the speakers and bites my ears.

I was puttering at the computer yesterday, posting a note or two on Facebook, checking email, keeping an eye on the news from Ukraine and scoping out the latest rumors about the Minnesota Vikings and the upcoming NFL draft. Keeping me company was the RealPlayer, chugging along on random and offering me some current Americana, some 1960s and 1970s pop, some 1950s R&B and the occasional bit of a film soundtrack.

And then came this:

I winced and then laughed at Ray Conniff’s pretty much clueless take on “Happy Days” (found on the 1976 album TV Themes), and then I took a look to see exactly how much music I have by Ray Conniff in the files. It turns out to be 227 mp3s. That means that Conniff should have been listed in the Top 20 artists I posted a few weeks ago, coming in at No. 15, just ahead of Richie Havens. Why wasn’t he? Because some of his albums were credited to just Ray Conniff, others to Ray Conniff & The Singers, others yet to Ray Conniff & His Orchestra and so on, and that inconsistency, along with my inattention to detail that day, kept Conniff off my chart.

Why so much Conniff? Because I do love – generally – easy listening music from the 1950s through the 1970s, probably in large part because the work of Conniff and his easy listening brethren reminds me of the years of Hula Hoops and Erector sets on through the years of madras shirts and eventually mood rings. So my love for the music is mostly nostalgia, but that’s a potent enough force as it is.

And then there’s the fact that some of the easy listening tunes in the stacks are pretty good music. In terms of execution, nostalgic weight and chart performance, it’s hard to beat “Theme from ‘A Summer Place’” by Percy Faith, which was No. 1 for nine weeks in 1960. There were many other decent easy listening pieces during the years of my youth; many of those are in my files; some, I have to assume, are not.

But it’s not at all difficult to find easy listening missteps like Conniff’s “Happy Days,” especially when the easy listening folks tried to translate pop-rock hits into instrumentals palatable for their audience (generally older folks, of course, as well as the unhip kids like me). And since pratfalls are often more fun than graceful success, I thought I’d wander through the collection and find some easy listening efforts that are not at all easy to listen to.

So here are a couple from 1969: A clueless take on Neil Diamond’s “Cracklin’ Rosie” from Billy Vaughn’s Theme From Love Story and a flighty version of the Doors’ “Touch Me” from Enoch Light & The Brass Menagerie, Vol. 1.*

I could dig further for hard listening, but I won’t. Instead I’ll close with a couple of covers that are interesting takes on popular songs. On his 1970 album Doc Severinsen’s Closet, the Tonight Show band leader of the time took some chances by covering a number of intriguing titles (including a cover I once shared here of “Court of the Crimson King”). The one that caught my ear this morning was his cover of the Chairmen of the Board’s “Give Me Just A Little More Time” (into which Severinsen incorporated a quote from “Does Anybody Really Know What Time It Is?” from the group then called Chicago Transit Authority).

And as I dug around in the 121 tracks I have from dual pianists Ferrante & Teicher, I came across their cover of Paul Simon’s “The Sound of Silence.” Ferrante & Teicher occasionally missed the sense of a song; there are some missteps in their work. But far more often than not, at least to the ears of this easy listening fan, they succeeded in translating pop songs into their own idiom. I think they did so with “The Sound of Silence,” which was on their 1969 album Midnight Cowboy.

*I was going to make it a trio of missteps from 1969 by including Franck Pourcel’s version of Zager & Evans’ “In The Year 2525”, which seems to have first been issued on the Bolivian release En El Anno 2525, but after a couple of listens, I’m liking it.