Posts Tagged ‘Redeye’

Going Random Through the Seventies

Thursday, April 14th, 2011

There are more than 16,900 tunes from the Seventies in the RealPlayer here. We’ll go random six times and see what we get for a song today:

First up is “Damned If You Do” by Jesse Winchester from his 1976 album, Let the Rough Side Drag. The country-ish tune is a cautionary tale: All-Music Guide points out that the song “suggests that you might as well follow your heart because you’re in trouble either way.” And AMG notes that the album, “with its accomplished mixture of country and R&B, was Winchester’s most accessible album so far, even if it was his least ambitious.”

From there, we’re off to “Saturn,” one of the album tracks on Stevie Wonder’s brilliant Songs in the Key of Life, also from 1976. The song examines Earth from the viewpoint of a native of Saturn: “Through the ages all great men have taught / Truth and happiness just can’t be bought or sold / Tell me why are you people so cold?”

Our third stop today is the sleepy – literally: it begins with yawns – “Beyond the Blue Horizon” by Mike Nesmith and The First National Band. Sound effects proliferate above and behind a lazy country rendition of the Hank Cochran/Harlan Howard standard, with Nesmith eventually offering a vocal that becomes more and more intense as the band gathers momentum and then fades away. The intriguing track is from 1970’s Magnetic South.

And then it’s Al Green and his 1974 version of “Take Me To The River,” from the album Al Green Explores Your Mind. With the Memphis Horns adding accents, the Hi Records rhythm section and Green lay down a track that comes close to matching Green’s finest moments from a few years earlier.

“Now here you go again, you say you want your freedom. Well, who am I to keep you down?” Stevie Nicks’ voice floats atop the rhythm section of Mick Fleetwood and John McVie in “Dreams,” one of the songs that I would think defines the mid- to late 1970s for a lot of people, at least in a musical sense. The track was on Rumours, one of the great albums of the time, and it’s our fifth stop.

And our endpoint today is “It’ll Get Better,” a decent country rock tune by Redeye, a relatively obscure band of the early 1970s. According to blogger Leonard at redtelephone66, Redeye was from Los Angeles and included Douglas Mark on vocals and guitar; Bill Kirkham on vocals and bass; Dave Hodgkins on vocals and guitar; and Bob Bereman on drums and percussion. “It’ll Get Better” came from the 1973 album One Man’s Poison, the second of two albums the band released. Redeye did have two singles make the Billboard pop chart: “Games” went to No. 27 in early 1971, making Redeye a one-hit wonder, if one accepts the criterion of having a single record in the Top 40. Later that year, “Red Eye Blues” went to No. 78.

Back To 1970 Once Again

Tuesday, October 19th, 2010

A lot of records from 1970 have been explored in this space in the past few months, but it’s been a while – going back to July, actually – since we looked at a chart from that year, which I noted some time ago was my first great music year and the first full year I spent digging into Top 40.

So what was I doing forty years ago as October entered its final fortnight? Well, I finally got my driver’s license, passing the behind-the-wheel test on my fifth try. Nerves had been my nemesis, but knowing that another failure meant retaking driver’s training focused my attention, even if it didn’t really settle my nerves, and I squeaked through.

My afternoons and Friday evenings were spent as head manager for the St. Cloud Tech high school football team, which was struggling through the first season of two high schools in St. Cloud. We had kids on the team who’d never gone out for football before in their lives, and although some of them did quite well, our inexperience showed on the field and in our won-lost record.

Other than that, I filled my time with a number of hobbies: I was deep into making model rockets, shooting them off in the empty field just down the alley from Rick’s house. I was expanding my collection of LPs, still catching up on the Beatles; but I was also savvy enough to be one of the first people among my small group of friends to get a copy of Déjà Vu by Crosby, Stills, Nash & Young. And along with rockets and records, I spent a good deal of my free time pondering a group of sophomore girls, one of whom became, as I told some months ago, the recipient of song lyrics – original and otherwise – printed in purple ink.

Much of that pondering came as I listened to my old RCA radio in my room. Here’s the Billboard Top Ten from the week ending October 24, 1970, forty years ago this week:

“I’ll Be There” by the Jackson 5
“Cracklin’ Rosie” by Neil Diamond
“Green-Eyed Lady” by Sugarloaf
“We’ve Only Just Begun” by the Carpenters
“All Right Now” by Free
“Fire and Rain” by James Taylor
“Candida” by Dawn
“Indiana Wants Me” by R. Dean Taylor
“Lola” by the Kinks
“Ain’t No Mountain High Enough” by Diana Ross

The first seven of those are stellar. The final three, not so much. I liked “Indiana Wants Me” a lot at the time, and I still like it as an artifact of its time, but it’s aged much less well than the others on that list, with its sirens and police bullhorns. But it was fun at the time. I’ve never much cared for “Lola” or for “Ain’t No Mountain High Enough,” though.

But there were plenty of records further down the chart that I liked a lot. And looking at the chart this morning, there were plenty of them that I didn’t know all that well.

Mark Lindsay, previously with Paul Revere & The Raiders, had scored two hits earlier in the year: “Arizona” went to No. 10 in the early months of 1970, and “Silver Bird” had reached No. 25 during the summer. During this fourth week of October, his current single, “And The Grass Won’t Pay No Mind,” was sitting at No. 53. The record, which is a sweet ballad, got as high as No. 44, where it spent two weeks in mid-November, but it got no higher.

 

Sitting at No. 70 during this week in 1970 is a record I know I heard at least once, though I swear I also heard a cover version of the song as well. Jake Holmes released a few well-regarded albums in the 1960s: The Above Ground Sound of Jake Holmes, A Letter to Katherine December and a self-titled effort. The best known of those is probably the first, as it includes the song “Dazed and Confused,” which was later seemingly appropriated without credit by Led Zeppelin. But the song I remember was from Holmes’ lesser known fourth album, So Close, So Very Far To Go. Forty years ago, “So Close” was at No. 70, and it peaked at No. 49 during the last week of November. Since I found the record at YouTube a couple of weeks ago, I’ve listened to it several times, and although I recall Holmes’ version, I swear I remember another performer singing it, and no, it wasn’t Robert Plant. Is anyone out there aware of who might have covered Jake Holmes’ “So Close”?

It was likely during the autumn of 1970 that I made one of my worst LP purchases of all time, spending five or six bucks for Iron Butterfly Live. The review of the album at All-Music Guide nails it, noting that the album “is noteworthy for its second side, which contains a 20-minute version of ‘In-A-Gadda-Da-Vida.’ Even though it’s only three minutes longer than the original version, it’s three times as tedious.” I would have done far better to get a copy of the group’s new album, Metamorphosis, which included a pretty good single. “Easy Rider (Let The Wind Pay The Way)” was at No. 82 during this week in 1970; it peaked at No. 66 during the third week of November.

Just a little further down, we find the first record to reach the Billboard charts from one of the first country rock bands. Poco, the foundations of which had emerged from the wreckage of Buffalo Springfield, would have four Top 40 hits from 1979 through 1990, but the group’s best music, most fans would say, came in the first half of the 1970s. “You Better Think Twice,” which was at No. 88 during the week of October 24, 1970, peaked at No. 72 during the third week of November. It should have done far better.

Dipping into the Bubbling Under section of the Billboard Hot 100, we find a great slice of southern soul sitting at No. 105: “Ace of Spades” by O.V. Wright. While he never had a record reach the Top 40, Wright – according to the listings at All-Music Guide, which are sometimes incomplete – had three records reach the Hot 100 and twelve records in the R&B chart between 1965 and 1978. His highest-charting single was “Eight Men, Four Women” – a song about the jury that convicted the narrator of a crime – which went to No. 4 on the R&B chart in 1967. “Ace of Spades” didn’t do quite that well, but it did all right: No. 11 on the R&B chart and No. 54 in the Hot 100.

And closing our search this morning is a one-hit wonder by a group from Los Angeles: “Games” by Redeye. The record was sitting at No. 116 during the fourth week of October 1970; by the fourth week of January 1971, “Games” was at its peak of No. 27. The record was Redeye’s only Top 40 single, though the group did see “Red Eye Blues” get to No. 78 in the Hot 100 later in 1971.

Now that we’re facing our first week since February without an installment of the Ultimate Jukebox, Odd, Pop and I are dealing with the task of finding something else to fill our time and our posting space here. Stop by Thursday and see what we come up with. (We have no clue at the moment what that will be.)

Baseball Report
For those who are interested, this year’s Strat-O-Matic tournament, about which I wrote briefly on Saturday, went to Dan, whose 1998 Atlanta Braves defeated Rick’s 1961 New York Yankees two games to none in the finals. My 1971 Pittsburgh Pirates and 2006 Minnesota Twins both went down in the semifinals.