As of this morning, the RealPlayer holds 89,711 clips, most of them music. (As I’ve noted before, I do keep about twenty spoken word clips in the player; most of those are dialogue from movies, as it amuses me to have, say, Dean Wormer from Animal House pop up between, oh, Hank Snow and Wishbone Ash to tell me, “Fat, drunk and stupid is no way to go through life, son.”)
Over on the other side of the music systems here, the iPod currently has 3,649 tracks (or about 4 percent of the overall sorted and tagged files), most of those music as well. I added a few things to both players yesterday. When I add music, I add it into the alphabetical file folders that feed the RealPlayer first and then cherry-pick for the iPod, usually just grabbing a few tracks off a new album, but sometimes adding the entire new album.
Yesterday’s additions to the iPod included one new album, And Still I Rise by the Heritage Blues Orchestra, related to the quintet that Rob and I saw a couple of weeks ago at the nearby College of St. Benedict. On the CD, the basic quintet – which has three of the same musicians that we heard – is supplemented by horns, so the sound is not quite as spare, but the repertoire is the same and the music is very, very good. I also brought into the iPod this morning a few tunes by Rita Coolidge. I’d needed to listen to her version of “Fever” for a musical project scheduled for November, and I tossed a couple more tunes by the Delta Lady into the iPod at the same time.
Readers can see where this is going, I’m sure, given that it’s Saturday: I thought I’d see what five random tracks the iPod/iTunes throw to us this morning as a source for a featured single.
First up: “Lorena” by Jimmy LaFave, who’s shown up here a few times. The track came from a 2011 collection titled Dark River: Songs of the Civil War Era. “Lorena,” says Wikpedia, “is an antebellum song with Northern origins. The lyrics were written in 1856 by Rev. Henry D. L. Webster, after a broken engagement. He wrote a long poem about his fiancée but changed her name to ‘Lorena,’ an adaptation of ‘Lenore’ from Edgar Allan Poe’s poem ‘The Raven.’ Henry Webster’s friend Joseph Philbrick Webster wrote the music, and the song was first published in Chicago in 1857.” Here’s the final verse:
It matters little now, Lorena,
The past is in the eternal past;
Our heads will soon lie low, Lorena,
Life’s tide is ebbing out so fast.
There is a Future! O, thank God!
Of life this is so small a part!
’Tis dust to dust beneath the sod;
But there, up there, ’tis heart to heart.
From there, we jump to The Band and “Right As Rain,” a track from the group’s final 1970s studio album, Islands, from 1977. The album was seen as a contract-closer, packaged by the group for Capitol so that the group’s grand finale as envisioned by Robbie Robertson, The Last Waltz, could be released on Warner Bros. Islands isn’t a great album, by any means, landing far away from the quality of The Band’s first two albums. But it’s always going to sit on my shelves as part of the oeuvre of one of my favorite groups, and “Right As Rain” was probably the best track on the album.
The third spot this morning falls to “The Road,” the second track to the second album by the group that started as Chicago Transit Authority. Often called Chicago II, the silver-covered double album is actually just titled Chicago, as the group changed its name when the real Chicago Transit Authority balked at sharing the name. “The Road” is a decent horn-driven track, but it’s one that I have a hard time assessing critically: Chicago was one of the first two rock albums I bought with my own money, yearning for “Ballet for a Girl in Buchannon,” the nearly side-long suite I’d heard via a cassette taped from the Twin Cities’ KQRS. When I got the album, I restrained myself from jumping immediately to Side Two and started at the top. Thus, “The Road” was one of the first tracks I heard when the album was mine, and although the suite that begins with “Make Me Smile” will always be my favorite Chicago piece, “The Road” reminds me of those long-ago days when I began to explore rock beyond what I was hearing on Top 40 radio. That means I love the track and am likely deaf to whatever its drawbacks may be.
Speaking of Top 40, we’ll slide back a few years from Chicago to 1967 and one of the singles that even a dorkish ninth-grader who listened to Al Hirt knew about: “Judy in Disguise (With Glasses)” by John Fred & His Playboy Band. The record – with its title gently mocking the Beatles’ “Lucy in the Sky With Diamonds” – popped into the Billboard Hot 100 in November of 1967 and spent sixteen weeks in the chart, two of them at No. 1. And this morning, even with the sound turned off for a few moments to focus on writing, I can hear every turn of the record in my head, meaning that I’ve either listened to it too many times over the course of these forty-nine years or it’s a brilliantly constructed and produced pop record. I vote for the latter.
And we close our brief trek with a track from Tower of Power that carries with it potent memories both good and bad. “So Very Hard To Go” by Tower of Power was one of the songs that I played during my days with Jake’s band out in Eden Prairie back in the 1990s and early 2000s. Found on the 1973 Tower of Power album, the classic ToP track – it went to No. 17 on the Hot 100 and to No 11 on the Billboard R&B chart – reminds me of the joy and camaraderie I found playing with Jake and the guys, but it also reminds me of the grief I felt when Jake and the guys decided they could move on without me. As I wrote some years ago, I’ve consciously forgiven Jake and the guys for that rejection, but some days I’m still vulnerable to those memories and the feelings they evoke. This is one of those days.
So. My head says “Lorena,” but my heart, well, it calls for Tower of Power. Both songs, of course, are bittersweet, and it should be no surprise that I love that flavor. “Lorena” is lovely, and maybe we’ll get back to LaFave’s version of it someday, but this morning, it’s Tower of Power that pulls me in, and that’s why – even though it was featured here a few years ago – the 1973 track “So Very Hard To Go” is today’s Saturday Single.