Posts Tagged ‘Dean Martin’

No. 55, Fifty-Five Years Ago (June 1966)

Tuesday, June 15th, 2021

It’s been a couple of years since we looked at a chart from 1966 for any reason, so we’re going to head that direction this morning and then play a game of Symmetry. Here are the top ten records from the Billboard Hot 100 from the third week in June 1966, fifty-five years ago:

“Paint It, Black” by the Rolling Stones
“Did You Ever Have To Make Up Your Mind” by the Lovin’ Spoonful
“I Am A Rock” by Simon & Garfunkel
“When A Man Loves A Woman” by Percy Sledge
“Strangers In The Night” by Frank Sinatra
“A Groovy Kind Of Love” by the Mindbenders
“Barefootin’” by Robert Parker
“Green Grass” by Gary Lewis & The Playboys
“Cool Jerk” by the Capitols
“Red Rubber Ball” by the Cyrkle

As I typed that list, I knew nine of those ten, and a trip to YouTube refreshed my memory of “Green Grass.” How many of those would I have known fifty-five years ago, though?

I was twelve, between seventh and eighth grades, and that might have been the summer that I took summer school courses in cooking and World War II history, or it might have been chemistry and Spanish. And I wasn’t yet very interested in pop music, so any of those records I remember, I remember only because I heard then when I was with my peers and the radio was on, not because I was listening.

I have vague memories of hearing the records by the Rolling Stones, Simon & Garfunkel, the Lovin’s Spoonful, Percy Sledge and the Cyrkle. And I know I heard the Frank Sinatra single: I was still an easy listening kid, and “Strangers In The Night” topped the Easy Listening chart for seven weeks. I no doubt heard it on WCCO from the Twin Cities and on the two St. Cloud stations, WJON and KFAM. And I liked it, too.

I also liked “I Am A Rock” and “Red Rubber Ball,” as well as “Did You Ever Have To Make Up Your Mind,” although the dilemma facing the singer in that tune bemused me. I could not imagine myself in a position of having to make a choice between two willing girls. (I marked that one off on my bucket list not quite ten years later.) On the other hand, even though I knew it fifty-five years ago, I have never really liked “When A Man Loves A Woman,” and I don’t have any idea why that is.

How about now? Do any of those records fit into my day-to-day listening? Let’s look at the iPod. Four of them are there: The records by Sinatra, the Stones, the Cyrkle and the Capitols. That last is a surprise, almost as much of a surprise as the absence of “I Am A Rock.”

Now, to our other business today: Checking out the record that sat at No. 55 in the middle of June 1966. Not unsurprisingly, it’s a record I don’t think I’ve ever heard of, much less heard: “Come Running Back” by Dean Martin. Back then, I knew “Everybody Loves Somebody,” Martin’s No. 1 hit from 1964, and I think I’d heard “Houston” on one of the 45s that I got from Leo Rau, the jukebox jobber who lived across the alley.

But that was the limit of my Dean Martin lore then. In the past few years, I’ve added a hits package to the digital shelves, but I don’t know much of it well except “Volare” and “That’s Amore.” Add “Mambo Italiano” from my cabaret adventures with Lucille and Heather a few years ago, and that’s the extent of my Dean Martin awareness.

“Come Running Back” is an okay record – it’s a mid-Sixties swingin’ and brassy Pack Rat joint – except for the shrillness of the background singers, and since they pretty much start things off, well, that takes off some points right there. Lyrically, it’s pretty simple: She’s gone and he’s saying that if things don’t work out, come on home. Yeah, we’ve found better records on our dives into the charts, but we’ve also found much, much worse.

“Come Running Back” peaked at No. 35 on the Hot 100 and at No. 4 on the Easy Listening chart.

One Survey Dig: 12-7-67

Friday, December 7th, 2018

My plans for playing “What’s At No. 100?” fell through today, as both December 7 charts I looked at came from years that we’ve recently examined: 1968 (earlier this week) and 1974 (a week ago). So I regrouped and asked the search function at the Airheads Radio Survey Archive to give me surveys from December 7, 1967, from which I’d choose one to examine.

I got surveys from Los Angeles, Peterborough (Ontario), New York City, Boston, Orlando, Detroit/Dearborn, St. Louis, Chicago, and Phoenix. So . . . let’s see what shows up among the forty records in the Super Hits at WHOO in Orlando. The top five were:

“(The Lights Went Out In) Massachusetts” by the Bee Gees
“Hello, Goodbye” by the Beatles
“Daydream Believer” by the Monkees
“Snoopy’s Christmas” by the Royal Guardsmen
“Woman, Woman” by Union Gap feat. Gary Puckett

Not bad, except for the novelty of “Snoopy’s Christmas.” I enjoyed the earlier “Snoopy vs. The Red Baron,” and in fact had a copy of it that I got from Leo Rau, the jukebox jobber who lived across the alley (and the record itself might be in the various boxes where I keep about a hundred 45s). But on an artistic level, I always thought (even from the age of fourteen) that the Royal Guardsmen should have let the matter lie there. But the Royal Guardsmen, along with the writers – George David Weiss and Hugo & Luigi – and the producers at Gernhard Enterprises were, of course, thinking commercially. And they did well with the sequel, spending – if I’m reading the data in Joel Whitburn’s Top Pop Singles correctly – five weeks atop the Christmas singles chart.

(Yah Shure, if I’ve got that wrong, please enlighten me.)

Anyway, back to Orlando: The first thing of interest that I note is a record titled “Paper Man” by a group called Noah’s Ark. There’s no information about the group in the Whitburn book. The notes at YouTube tell us that Noah’s Ark hailed from Tampa, Florida, and had three singles released. At Discogs.com, we learn that the first two were on Decca and the final one was on Liberty. “Paper Man” isn’t bad, but its Beatlesque sound is something that thousands of other bands were doing at the time.

One notch down from “Paper Man” we find Wilson Pickett’s two-sided single, “Stag-O-Lee/I’m In Love.” The A-side rocks a little and the B-side sways on the dance floor, but they’re just okay. Unlike the Noah’s Ark single, Pickett’s B-side did make the Billboard charts: “Stag-O-Lee” went to No. 22 (and to No. 13 on the magazine’s R&B chart) and “I’m In Love” reached No. 45 (and No. 4 R&B).

Heading further down on the WHOO Super Hits, we find Ray Charles’ cover of the Beatles’ “Yesterday” at No. 21. It’s good (and I’m tempted to add “of course” to that assessment; I mean, we’re talking ’bout Ray Charles here). Charles’ cover went to No. 25 in the Hot 100 and to No. 9 on the R&B chart.

I’m not sure how often we’ve talked about Dean Martin during these eleven-plus years, but it’s not been often. But there, at No. 36 on the Super Hits survey is Deano with “In The Misty Moonlight.” It sways nicely and gently, rhyming “moonlight” with “firelight,” and Martin’s smooth tones make it work. I likely have heard “In The Misty Moonlight” before, because it went to No. 2 on the Billboard Easy Listening chart (No. 46 on the Hot 100), and easy listening sounds were what I gravitated to back in 1967.

One final thing I’ll note from the WHOO Super Hits from fifty-one years ago today: The Super Hit Album of the Week was listed at “Ravi Shankar at Monterey.” The album’s full title was actually Ravi Shankar At The Monterey International Pop Festival; it went to No. 43 on the Billboard 200. Here’s a clip showing some of Shankar’s performance at the festival, starting with a few scenes away from the stage. I do not know if this performance is on the album.